I'll Teach You How to Become Immortal

The good thing is that we have traveled through time, The bad thing is that we are still in the tribal age; The good thing is that there is something extraordinary in this world; The bad thing is that the tribal wizards are still ignorant, the wild gods perform blood sacrifices, and the cultivation system has not yet been established. At this time, the protagonist is born and brings civilization! Say to these tribal villagers, wizards, and gods, I will teach you how to become immortals!

Please update more. I've recharged it and it's much better.

There is chaos and there are too many things going on. If you need to kill, kill them. If there are too many things going on, just kill them.

First, phonetic characters do not mean that they will not be blurry, and ideographic characters do not mean that they cannot be precise. For example, in that story, three candidates asked the old monk how many of them could be admitted to high school. The old monk took out a finger and smiled without saying a word. The three candidates left with tears in their eyes. Maybe they understood this: No one can become a Jinshi. There is no one who fails to become a Jinshi. There is only one person who can't become a Jinshi. Only one person can become a Jinshi. Perhaps it can also be understood as: As long as you burn a stick of incense in the temple, you can become a Jinshi. I need a sausage. The old monk did not write a word or say a word, and the above words can be translated using phonetic characters without any ambiguity. The reason why there is so much understanding is because the information density is too high. The more fashionable explanation is the problem of information entropy. It is because the information density of the old monk's body language is too high that there is room for interpretation and misinterpretation. This practice has nothing to do with the type of language, but only the habits of the people who use it. Phonetic scripts can also be very vague, and phonetic scripts can also be very "historical." Countries that use phonetic scripts also have beautiful poems and essays that make native speakers of phonetic scripts shed tears, be inexplicably moved, or look up at the mountains. Beauty or not has nothing to do with practical words. The prophecies in Harry Potter are also very vague. Second, Chinese can also reduce the density of information, so low that it is completely unreadable, such as legal provisions and contract provisions. The information density of legal provisions and contract provisions is very low, requiring a large amount of text to describe and define the meaning. This is to prevent interested people from misinterpreting and modifying the concepts. Third, the basic conceptual carrier of phonetic writing is not words but root words. The root words themselves are meaningful. It is not that they create new words without logic but that most people do not understand these logics. The root of the word is similar to the radical in Chinese, such as the limb of a limb. The month is used to indicate that it is related to the human body, and the branch expresses the pronunciation. Of course there are differences. Phonetic characters express new concepts. In fact, words and words are combined together. Germany likes to create words in this way. English actually also has these concepts. The difference is simply a tendency to form wording habits. Fourth, in ancient China, two language systems coexisted, classical Chinese and spoken language. Classical Chinese was used exclusively for writing, while spoken language was used for daily communication. In most cases, the distinction was very clear. The reason why classical Chinese is used is because the cost of writing ancient characters is very high, and the cost of preserving characters is also very high. In the early days of bamboo slips, characters needed to be carved little by little. To save 10,000 characters, a big box was needed. If you were rich and educated but had no car, you could only write a few hundred thousand characters. The number of words in a modern book would have required a whole large room to be stored by people at that time. Therefore, it is necessary to compress spoken language to increase the density of information. Although it may cause misunderstandings, at least the knowledge will be passed down. This also explains why there are so many schools of Confucianism and Taoism. Because there are deviations in interpretation, ancient texts are like little girls who can be dressed up by others.

Although it seems boring, it is indeed rather monotonous, but the author writes it well and it is still very interesting.

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I wasn't saying before that there are no dragons in this world, so why is there a dragon girl behind me?

If I haven't recharged my money at Qidian, I can only give you a recommendation vote.

The writing is quite good, but there are some small details that make people want to complain about it, but it is quite interesting, and it is already better than most new books.

Why does the author have the nerve to keep every chapter short? In this way, a chapter can be divided into three sections