Mantang Huacai

I haven't read this book yet, but that doesn't stop me from commenting to show off my big penguin.

Goodbye, you can't move forward without poisoning, right? In the first four hundred chapters, while he kept talking about wanting military power, he couldn't bear the massacre of the city during the Anshi Rebellion, so he hooked up with various women and became the prefect of Changshan without real power. Well, this is called romance. While writing about the protagonist's strategizing, while occasionally losing his wits, while writing about the protagonist's awakening, and a thorough understanding of the society of the Tang Dynasty, at the same time, he repeatedly failed to remember, suffered from Longji's iron fist, and turned a safe-win situation into danger... By the time of the Anshi Rebellion, I could hardly stand it. Well, Xue Bai, who was the first to prepare for the Anshi Rebellion, became a small governor in the occupied area. The key was that he did not have military power, and it was a compromise and a risk... Fortunately, the Anshi Rebellion broke out in advance. I originally thought that Xue Bai could make some progress and make some changes in history, at least less dead people, or At least he could respond to the foreshadowing and disguise himself as a heir of the Li family. The climax was only three chapters long. Guess what, Xue Bai took a small group of people to intercept Longji (to save his concubine). They were alone and taking risks... The subordinates he brought were all dead, and the emperor also ran away after sleeping. , Only Yuhuan and Xue Bai are left together... I have read all of my cousin's novels, and I know that the author is capable of handling emotions and career, plot advancement and character, so why put so much poison, make so many character conflicts, and unreasonably extend the plot? If you want to make movies and TV shows as most book friends say, it is better to move to female videos, or directly explain the meaning. Why put some normal chapters to trick people into it, and then use the poison of movie and TV dramas to harm readers?

If the rough edict in the latest plot of the article is not an edict, Li Longji's determination to kill Li Ying is sincere. With the Tang emperor's political IQ, one of the top three in the city, it is difficult for me to imagine that this is not a deliberate killing game. Before this, Li Longji must have done a lot of monitoring to ensure that he can grasp all Li Ying's movements to ensure that nothing goes wrong. So what is the best way to control it? Set up a mole. Who is the mole? First of all, let me explain to you that in history Xue Xiu was the one who "colluded" with Concubine Wu Hui to report the rebellion of Prince Li Ying and others. It was he who directly caused the disaster of the three concubines. According to the current direction of the article, it makes no sense that this is not the mole, but who did he collude with? If it was a false edict, it would be to follow the history books and work with Concubine Wu Hui to frame Li Ying and other princelings. However, I personally support another darker and more reasonable route, killing two birds with one stone - Xue Gou framed Concubine Wu Hui and forced the prince to death at the same time - why did he Why should we do this, because Xue has always been an imperialist, and his vote for Li Ying is a dead end controlled by Li Longji from the beginning to the end. This is why Li Longji can guarantee that the "disaster of three concubines" will be foolproof, and everyone will follow his script to the end. So why is Xue Xiu willing to be this chess piece? Considering the background of the times, the Xue family fell into decline after two generations of Xue Rengui and Xue Ne. The Xue family, who ruled the family with loyalty, married the princess. You can say that it distanced you from the prince, but it also won the trust of the Ming emperor. It is not surprising that Xue Xiu would give his loyalty to either of them. When Xue Xiu is a member of the imperial party, his willingness to risk his life is absolute loyalty, but in order to secure the heart of the Xue family, Li Longji must make a reciprocal commitment. When he succeeds, it will be the day when the Xue family is resurrected, and the leader of this resurgence is the next generation of the Xue family head "Xue Pingzhao" under Li Longji's continuous supervision - the protagonist in front of him, Xue Bai. There has never been unwarranted favor in the world. Why did Xue Bai gain Li Longji's trust? Because he had always been in front of Li Longji. Li Longji believed that Xue Xiu would not betray him. The Xue Bai in front of him was Xue Pingzhao, the son of the Xue family whom he promised to give him glory, wealth and honor. At this point, if the novel wants to continue to be enjoyable, it must borrow the setting of another enjoyable drama in history - "The Orphan of Zhao". If Xue Bai is just Xue Pingzhao, then the story will develop towards Huo Guang or Zhao Kuangyin, but if Xue Bai is really the "Orphan of the Li Family"... Then the background of the story becomes: Li Ying knew that the Xue family was the nail planted by his father, but under the difficult conditions of his life, he persuaded the Xue family to save the protagonist's life by countermeasures. Comrade Li X used the foreshadowing left by his father to take revenge on his grandfather, and then saved the Li family dynasty in danger. A typical royal revenge drama. Custom, that is, elegance. Many people may say that if according to your wishes, Xue Bai was under Li Longji's supervision throughout the whole process, why did Li Longji ignore Xue Bai's true identity, and when will the civet cat be replaced by the emperor's grandson. My answer is, that's right. Li Longji is ungrateful and unkind by nature. Why should he show mercy to the late son of an old minister? The current favor is just to use old love to trap the new minister, telling him that he is a good emperor who is nostalgic and builds a golden body for himself. As for when the civet cat was exchanged for the prince, this is actually a foreshadowing of the protagonist's future success. Who can act as a double agent for the Xue family and provide cover for the protagonist's life and death? Trivia, there are so many coincidences in history. In fact, Gao Lishi's surname is not Gao, but his surname is Feng Lai.

I feel that from the beginning to Chapter 88, the portrayal of female characters is too cliché. Women are all about love and love And the single women who appear will definitely have romantic entanglements with the protagonist. In the beginning, Du Jin was strategic and ambitious. But since Liangdi lost her identity, she began to become the background version Things between men and women can be an adjustment, but they are not the main factor After being abandoned by the prince, she should have understood that the relationship between men and women is not reliable in the struggle for power. Only interests are eternal, and your own strength is your backing And I found that when the author writes about women, he writes completely with the consciousness of "sexual connection" Every female character has her own logic of life when she has never been exposed to the protagonist. However, after being exposed to the protagonist, Qing Lan, Du Wei, Du Jin, Yang Yuyao, and Li Xiaoxian all start their writing from the perspective of men and women. Not to mention Qinglan and Li Xiaoxian, Qinglan's identity does lead to such feelings, and Li Xiaoxian is also looking for a husband. Yang Yuyao has written about her current characteristics in the previous article. She likes beautiful boys, and the protagonist also has methods to attract her attention. It is understandable that she has such thoughts about the protagonist. But Xue Bai had no intention at first, but later agreed. I think this turn of events is very awkward. The logic of Du Wei and Du Jin is very inconsistent. It feels like a setting. The protagonist wants to have something happen with the female family members who live in the temporary home. Moreover, there are also logical loopholes in the setting. Du Wei and Du Jin did not have children after they got married. Putting aside the common women, the aristocratic women of the Tang Dynasty were not the restrained women of later generations. It is not easy for a woman to be able to influence the political situation. It's definitely not only about love, but also about weighing the pros and cons. But the author just wanted to write about this aspect, and nothing else was reflected. This created a situation where noble women in the Tang Dynasty did things for the sake of men and women, and most of the ways they did things were men and women. If it's because of Xue Bai's current status restrictions, let's talk about it separately. Women account for half of humanity, and there will definitely be outstanding ones. Women are just like men, some are wise, some are clever, some are ambitious, some are cunning, some are vicious... The author is very good at portraying male characters However, the female characters are obviously a bit single. Women and men are both human beings, so they and their spiritual core are also complex. This is the so-called human heart. A good novel has both male and female characters. Not just a stepping stone for the protagonist, but a background board Most historical authors have this common problem, let's talk about "Jiao Yu 2" in the historical genre. His earlier works also had this tendency, and the latest one is pretty good. Although the focus of writing is also on the protagonist, the female characters are well portrayed. There are all kinds of characters. The characters are well created and have their own action logic. The Tang Dynasty, a magnificent era, should not be like this This is my current feeling after reading the article. It may also be because the author is still laying the groundwork. I will read on to see if it is because the novel has just begun. (Don't argue, you are right if you argue. Book friends are also welcome to discuss rationally with me)

1. Logic collapse, Machiavellian tactics Under the banner of "historical conspiracy", the actual plot is like playing house. The protagonist Xue Bai was involved in the prince's rebellion at the beginning, but he easily broke through with his "repeated jumps" and relied on "Li Linfu's thighs" and "male charm" to get the upper hand. Li Linfu, Yang Guozhong and other historical figures were forcibly reduced to intelligence and reduced to tool men. The power struggle has no depth and relies entirely on the aura of the protagonist. What's even more outrageous is that the modern thinking of the time-travelers is not reflected at all, the copied poems are blunt (such as forcibly sublimating the poems with Li Bai), the political reform relies entirely on empty talk, and the historical logic is broken into pieces. 2. The character structure collapsed and everyone became clowns The protagonist Xue Bai claims to be "extremely deep", but in fact his words and deeds are separated: on the one hand, he claims that "a favor must be repaid with revenge," but on the other hand, after taking advantage of the Du sisters, he throws himself into the arms of Yang Yuyao. The female characters have been reduced to "second-hand vases". From the Du sisters to Yang Yuhuan, everyone is possessed by the "Succubus of the Tang Dynasty", and the emotional lines are greasy and vulgar (such as the embarrassing description of Yang Yuhuan's wrestling handshake in Chapter 334). The supporting character Togoro could have been a highlight, but the author used "Ukiyo-e brushwork" to write him into a gag clown, which completely eliminated the weight of the historical text. 3. Fragmented writing styles and schizophrenia The author wants to write a hard-core political plot like "The Twelve Hours of Chang'an", but is reluctant to "earn traffic by driving": he frequently describes harsh scenes such as "golden juice" and "spit pot", and the plotting scenes are interspersed with funny scenes such as "Xue playing cards" and "Xue Bai's voice". In the later period, it was forced to transform into a war drama, but the war scenes were written like village fights, the An Lushan rebels seemed to be made of paper, and the protagonist Da Nifeng was inexplicably passed by with a single push of a button. The writing style jumps repeatedly between serious drama and cool writing, and the reading experience is like riding a roller coaster - the kind that goes off the rails. If you can tolerate: - The protagonist conquers the world with his face and words - Power plot is not as good as palace fighting drama - War scenes are like playing house --Congratulations, this bowl of "food and grass" rotten rice can also kill you due to multiple poisons.

If the protagonist rescues Datang, what did you prepare in the early stage? Do you rely entirely on your opponent's stupidity or your own luck? There are soldiers and horses inexplicably. It can really be said that it is inexplicable. The so-called raising of troops and the willingness of someone to follow the army actually make no sense at all. It is just like this. Then you can recruit an army under the command of a state. What about the prince who supervises the country? The power of a country has not made any progress at all. Don't talk about Guo and Feng. They are also obeying orders now. In the end, they are all hidden dangers. Their people still listen to the generals instead of your so-called orthodoxy. What's more, people can shout upright slogans to bring order to chaos. After taking power, more people actually obey their orders? The army has grown? What technological advances did human vision bring later? There was also a telescope in the early days. Although it was stupid, it was built before An Lushan's rebellion. What if it fell into the hands of the enemy for fun? The so-called strategizing is nothing more than trusting others again and again. Destiny depends on luck. After the supervision of the country, it was even more chaotic. Do you think you can stabilize everything now that you have calmed everything down? Converted the instability factors? You are still fighting. Recently, I believe in character, so I can send people. Han still has to rely on others to encourage him to calm down, otherwise he will still think about what he will do if he dies like this (don't say that real people are like this, people's hearts are complicated and changeable, what does the author do? Repeatedly describing the character of people who are not strong and strong can only point out the uselessness of sending this person and the low level of your vision and control) You can speculate on Buddhism, nothing, pressure from public opinion? In ancient times, you controlled the only newspaper you developed. There was no such thing at all. Different pronunciations in 10 miles were normal, and remote areas now don't even know that the Anshi Rebellion was possible. But you don't even have any money? Are you kidding me? With his own deterrence, the troops who accompanied him to raise the army have also gone out. So now in the court, is the emperor dead or the emperor? Or are the aristocratic ones gone, or the hidden dangers asked you to clean up, or the opportunistic ones gone? You don't have a trump card anymore, and the people's taxes will not be increased. What kind of image do you want to create? Love your people like your own children? If you say you don't want to add it, then you won't add it? Why, do you now rely on the mercy of others for your own safety? It has been more than a year since the Forbidden Army has been fully mastered. We rely on aristocratic families to ensure cultural inheritance, but you can also make the wealthy gentry pay without spending any money. (Don't talk about collecting money from the wealthy gentry, the people's money will be sucked away even more. The real big problem is that your army does not have military pay. A hungry commoner is still a soldier, and a loss of land is still a shame. These problems If the author does not want to write clearly or has simply thought wrong, then he should not write about strategizing and controlling the overall situation.) If you have resources, do not develop first, enjoy yourself first (the army is the only development in troubled times, and only after the chaos is quelled will there be the following, safety cannot be guaranteed, internal and external troubles) (On the contrary, there is only comfort, no development. I really think that I have a sure time. Standing here, you don't have to do anything to be the emperor, and the world will surrender? Why should others listen to comfort? I have three surnames, I can just say it if I want to, and I have described it many times that Li Longji is not peaceful. I really want to write more than 1,000,000 subscriptions. He will hurt the enemy but not kill him. It is to give others the opportunity to develop slowly (don't talk about being impatient and jumping over the wall. Yang Guozhong could pretend to be in front of him, but now he can't. You need to be appeased and stable. You can develop a 100,000 army in your own hands. You can win over some and suppress some. It will be over long ago without bloodshed. Tubo did not expect that the information from the front and the rear would not match. It all depends on belief. Really 6

Xue Bai was the first to prepare for the Anshi Rebellion. So far (Chapter 427), his achievements include but are not limited to recruiting girls, making toys for Brother Chicken, and tolerating Anlu Mountain... The Anshi Rebellion has begun. He is currently the prefect of Changshan (falling) and has begun recruiting troops, but it is not going well.

I don't quite understand. After more than 400 chapters, the protagonist traveled so many years in advance and targeted Anlu Mountain at every turn. When Anlu Mountain really rebelled, the first thing he did was to abandon the city and run away? Originally, it seemed that Li Longji would be quite happy to be deflated because An Lushan really dared to rebel, but he just suppressed it? No, does the author just code words and not care about the experience of people who read and follow the book?

I originally read the beginning and thought it was another historical masterpiece after the Qin officials and the Song Dynasty, but it turned out that after leaving Chang'an and then rebelling in Anlu Mountain, they abandoned the city and ran away. I may have misunderstood the purpose of this book. My cousin wrote two million words about Xue Bai, and it may just be a simple tribute to the legendary hot-blooded young man Wang Zhaoming and the legendary scud Sun Yuanliang!

It's really tiring to follow this book now, it doesn't feel exciting at all, the plotting and management are bullshit, and the heroine it writes is a template. There is no excitement of chasing a book at all, only anxiety and impatience. The motivation to keep chasing is the cost of silence before. If a book does not give me positive feedback but only brings me anxiety and worry, then I will stop chasing it. I only hope that this book will directly eunuch the author and some readers so that they will not be so tired