The Ultimate Life Starts from the Sublimated Heart

The writing is there. You can't cover up the taste of light novels. But it's also a question of expectations. Before I come in, I want to read a book about fighting heaven and earth. It turns out that Goldfinger is not his. Then the flavor of the light novel came up after a while. What is the reason for this design? Can't make ends meet with the royalties? What's so bad about turning this witch into a purely time-traveling innate ability to gain points by killing monsters in the blind spot? (Ask yourself. As a reader, do you like to see that the protagonist's basic abilities are given by a character who appears at the beginning and follows him around?) There will definitely be less plot development. But does it have to go through the witch? It's okay to start from a blind spot. Go away and learn from it thoroughly. Don't always put the protagonist into a situation where survival is almost dependent on luck. Does the author really think that surviving entirely by luck is a good plot? Everything you write must have a purpose. What is the purpose of writing this kind of plot? Showing the impermanence of the world? (You are writing novels to make money) Not to mention introducing plot characters, any kind of writing method can introduce plot characters. For example, take the scene at the beginning where the protagonist eavesdrops. I knew that I wanted to bring out the captain and make the protagonist feel that he is still weak, and create a sense of urgency in the protagonist to become stronger. But we readers are from God's perspective. If the captain is not around, the protagonist will die? Of course, it is possible to write about a witch rescuing people without a captain, but that would be even more retarded. You can completely follow the path of get out of the way, ride the wind and wield a sword, bear, wolf and dog. Why make the enemy so strong? Let the protagonist always have a trump card, If you switch to get out of the way, the protagonist will still have two points, which can be added at any time. If you add it, you can fight with the enemy. But I didn't add it in the end because the captain showed up. According to Chengfeng, the protagonist thought the opponent was very strong, but now he can actually kill the opponent. Then the captain shows up to bail him out. The most important thing is to make readers with God's perspective feel safe.

This bird lowers the sense of reading... Since the arrangement of golden fingers should not be intelligent...

A lot of nonsense. Long-winded

There are weapon enhancements but not physical enhancements. It's basically technical enhancements with physical enhancements. The technical enhancements at the beginning turn into physical enhancements.

Having more female protagonists is a five-star rating, and the underlying reality logic can still be kept up with.

Shouldn't the point of transcending authority be fighting? The battle I wrote about above was okay, but later on, the transcendence completely turned into "super". If you meet a woman, you should cut her off.

The reason for sublimating the bat doesn't make sense. . . The author's explanation is totally wrong. He doesn't worry about adding something of his own, saying that he should add foreign objects first to see if there are any problems. . . You have already accepted the power of the witch, now let's talk about this, this reason. . . It's not enough for me anyway

I didn't want to read it when I saw the name, but later I found out that it was written by the author of the armor book, so I decided to read it.

The author is also too short, and updates are too slow. I almost want to give up.

If you don't strengthen the breathing techniques, just strengthen the weapons and sword techniques.