The Evil Witch Boss Just Wants to Develop in a Low-key Manner

It was said at the beginning that it only took five years for the original boss to reach full level. The protagonist traveled back in time and had knowledge, complete sequences, and one more SS-level sequence. He had been planning for more than 40 chapters without doing anything. The good guy planned more than Sima Yi, and then he was promoted to a level.

The author tried hard to show the protagonist's exhaustive strategy, but the result is that a time traveler knows the plot and has a huge amount of knowledge, or Gustave, who has many loopholes in the layout, knows it just by looking it up. You have to take Isaac to fight the Rat King in the Rat Fighter stronghold, and then absorb it in front of four or five people around you. Later, when you face Gustav, he will tell you how to absorb it yourself. You, a fighter, have so much experience and knowledge. Also, the black fog in the manor can be completely avoided. However, the protagonist had to put the black fog around the manor after releasing the evil spirits. He originally thought there was some concealment, but people found out after checking.

The setting is good, but the plot logic is a bit problematic. We all know that there is danger at night, so why are we talking to the witch about the evening? Can't we leave in the morning?

I'm extremely curious as to how the ratings came about. . . .

The leveling pressure is too high. The protagonist is promoted to level 4, the assassin mentor is promoted to level 5, and all the others are promoted to level 6. The protagonist is only level 4 at 26%. Is this the protagonist?

He is obviously an ordinary player, but after entering the game, he feels like a pervert. Which game would make people happy to experience being dismembered and eaten? The author can no longer figure out whether he was an evil spirit or a player in his previous life.

The plot in the early and middle stages is very tight, and the world view is very reasonable, but in the later stage, that is, in the middle level, it is very watery, especially the pile of data that has to be taken out every ten chapters or so. However, since the chapter content is large and the price is cheap, it is not a big deal. However, I still feel that the author's outline is not very good. There are many holes left unfilled, such as 1. The Rose Witch ran away, but she didn't say when she would come back. Even if she died, she still had to mention it; 2. In the chapters near the island, the enemy also teased the protagonist about marrying the queen as a prince. It felt very abrupt and reasonable, because there was no foreshadowing at all before, and he suddenly said that he wanted to get married. It was very blunt and seemed very abrupt. However, the protagonist knew a lot, was strong in combat, and helped the empire a lot. It could even be said that he was the original shareholder. Being a prince was very reasonable and reasonable, but there was no news later, and it seemed confusing; 3. Of the four lower-level sequencers that come with the protagonist sequence, only two have appeared so far, and we don't know when the remaining two will be written. Why the Mercy Witch turned into Vanessa has not yet been given a reasonable explanation. Although these four sequences are of little use even if they are written, it is better to say that they can be created in advance by running long tasks and other forms. In the original plot, the protagonist did not survive to the second version, but he still summoned all four servants; 4. The linkage between the upper and lower parts of the plot is poor. To put it bluntly, it is wrong. It may also be caused by the protagonist's combat power expanding too quickly. When I was weak in the early stage and cooperated with the Alpine Witch, the main point was to invest in the Alpine Witch in the early stage, so that I could disturb a few high-level powerhouses in the Witch Era. However, the protagonists all ran away with buckets from the Holy Relic World, and he was now one of the best among the high-level ones, so it seemed that he was very dull in the early stage; 5. The plot features have not been developed. It felt like reading "Lord of Mysteries" in the previous part, but the superiors and forbidden props only accounted for a large proportion in the early stage. Starting from the second major version, they were mentioned in a few sentences, and they were not used. There is also the subject of a superior being. The author has been talking about it, without saying how he was formed or his background. He only said that he is very awesome and the gods dare not easily provoke him. But when the protagonist used a ritual to throw the gray fog giant to the Saint Sman Empire, I felt that he was stupid. Although he had just woken up, he can be weak in strength, but he cannot be weak in wisdom? Can all the gods be afraid of this? The lower and middle gods are pretty much the same. The protagonist only uses the wool of the superior in the early stage. After the middle and high positions, it is like forgetting the superior and not brushing resources. Even if the author says that one person can absorb the same superior, the resources are limited or that the superiors of the Holy Relic World Otan-Glee Empire are just that, so we can just deal with it perfunctorily. 6. Some suggestions that may be useful 1. When the protagonist wants to return to the Holy Relic in the future, he can use the two witches Rose and Mercy as an entry point, and introduce the superiors of these two witches, or even counterattack. If he wants to expand a little further, he can write about the resurrection plan of the mother of the seven superior witches, or remove the wool of the fathers of the seven related superiors, so that these superiors have some sense of participation. 2. The protagonist has done too little in cultivating the Kingdom of God. All he has cultivated is the Tree of Magic Circle. It is better to consider the small world writing method of fantasy novels. 3. The protagonist has digested all the flesh and blood and sequences of Ergonus. Logically speaking, after the sequence is completed, there will be a change. It cannot be a wizard. You can say that it is mainly a wizard sequence, but you also mentioned in the previous chapters that it has the ability of a walker sequence. Does this mean that the skills of the true other sequence may be awakened in the future. Whether it is or not, you have a reason to get a big buff. In fact, there are no major flaws in this book so far. There are only some holes that have not been filled in. It only needs some patching in the later stage. It is still very good-looking, but it is a bit watered down in the later stage.

The plot is a bit slow. It's still level 1 after more than 30 chapters. I don't know how long it will take. Upgrading to level 2 is as difficult as climbing to the sky. As a result, the city is full of level 2. It's not an exaggeration to say that level 2 is everywhere, and there are as many levels 4 and 5 as dogs. It is really difficult for the protagonist to reach level 2. The leveling pressure is terrible. Secondly, the fighting scenes are too stiff and have no sense of graphics. It's like a turn-based system. You move and I move.

The writing is very good. Keep up the hard work and update more chapters every day. The current ones are too few and not enough to read. Come on✊The author works hard and never stops updating.

I don't even know how to copy. A template as good as a super-magic mechanic is there, but you've ended up like this. You often half-speak, pretend to be mysterious, and just enjoy yourself there.