Kingdom Blood

Great, it's been updated as expected~~ But I'll save it for tomorrow morning and get up after reading it. This works better than an alarm clock→_→

It's okay if the update is slow. I just hope that the author can have a good spirit and write a good plot. Don't worry, we will support you silently.

I am an old bookworm and am quite picky about reading. This book fascinated me. Maybe it's because I read too many books. I often read ten lines at a time, and I often have to read one page twice. Not much to say. This is indeed a good novel.

I still quite like this book. From the beginning, the time traveler is not in a dominant position, but as memory fragments or soul fragments, subtly affecting the protagonist. This is a very novel setting, at least to me. First, let's talk about the outline of this book. From what I have read, it is probably a story about Thales trying to change or influence the entire world. This is probably related to Thales's experience as a child. He tried to change the world, but was unable to change it. He kept struggling. He was a magician, a prince, and an ordinary person who had mastered the knowledge of modern sociology and psychology. He kept switching between several identities, or his inner thoughts were controlled by these identities at the same time. Second, some of my thoughts on the plot so far. It can be said that it has an ups and downs plot, rich inner activities, and meticulous characterization and description. They all add a lot to this book. We have witnessed with our own eyes the transformation of Little Slippery from a maid to a real Grand Duchess, and Thales from a down-and-out little beggar to a noble prince of a country. The game, the power struggle, the crisis of life and death, as well as Thales' original intention that remains unchanged, and the conscience that swings around in the crisis of life and death, it can be said that the author's portrayal is really awesome (›´ω`‹) Thirdly, what really makes this book stand out among online articles, in my opinion, is that the class struggle in the Middle Ages, although there was magic, the power struggle and class struggle described in the book were even more tragic and cruel than the struggle between magic and magic. The ordinary plot was sublimated into a class struggle. This is what this book The most commendable thing is that the charm of the author of this book is that he can bring the characters to life on the page with just a few scrawled strokes. Although the author must have put in a lot of ideas, it is definitely worth spending time in exchange for successful ideas. This is why Bloodline of the Kingdom has become Bloodline of Zhou Geng, and why I still insist on pursuing books. All in all, in short, this book's ingenious conception, ingenious power struggle, ups and downs of life and death crisis, and slightly green love are all reasons for me to read it. The characters in the book are more like describing real people. It can be said that the author's hard power and writing skills are really amazing😫 (This is my second long book review. I hope that if there are shortcomings, the author and other readers can give me understanding)

To all citizens: Hello everyone, I am the Yue Geng Sword you are most familiar with. As everyone knows, I am the orthodox, only, and popular heir to the lowly throne. I once ruled "Kingdom Bloodline" for half a year. Under my rule, the renewal of Wujian was extremely stable and never fluctuated. From then on, the legitimacy of my rule was sacred and unshakable. But recently, there was a shameless villain who called himself the Sword of the Sun. With his despicable methods, handsome face, and irregular updates, he shamelessly stole my position and usurped the throne! This is rebellion, illegality, evil, and a crime that cannot be forgiven! Yue Geng Zhijian hereby swears that even if I live in exile and unfortunately fall into the dust, I will never compromise with rebellious officials and traitors like Sun Geng Zhijian! One day, I will return to my throne, take back my rights and status, and make that despicable usurper pay the price he deserves! Please support my orthodoxy as always - the sword of Yue Geng will surely return, the king will be invincible and rule without borders! (Stamped) (Side view of the Moon Geng Sword with arms akimbo and fists akimbo)

After raising it for a few months, I couldn't help but feel unhappy after killing some things. Writing plot reversals is Wujian's strength, but this should be used as a trump card instead of relying on reversals to advance the whole story if the plot fluctuates slightly. Once or twice will make readers feel interesting, but more times will only make people feel tired and deliberately show off. Excessive use of plot twists will only make people feel that you are taking advantage of the information asymmetry between the reader and the author to forcefully advance the plot. In addition, in order to cover up the reversal of the plot, many characters behaved unreasonably before the reversal. For example, the most recent time, since only Barney Jr. Didn't know the truth, the others couldn't justifiably call the escapees 18 years ago traitors (please, they are soldiers, former royal guards, people who have carried the guilt of 18 years, but they are not actors) There have been many similar plots before, so I won't list them one by one. It feels like you are deliberately not giving readers clues to ensure that your plot twist can surprise readers, but it makes many characters behave very strangely. It seems that no matter who they are, who they are, what their job is, they are all senior actors. Interaction with readers is essential in the writing process. You have to figure out when to give clues and what clues to give. You can brush it off lightly, but there is no point in hiding it deliberately. "It is very easy for an author to make himself appear knowledgeable and professional in a novel, but this is not a real professional. This is not just talking about others, I also do such low-level things myself." --Liu Cixin

I looked around and found that there were very few women reading this book. (Um...🤐😕) The women came out and raised their paws to see how many women were reading this book😍😍

It's been a long time since I've read a good book that makes me feel something. There are too many cool stories like "The Supreme Bastard in the World" nowadays. The male protagonist is either awesome or has grown up. He has been pretending to be awesome since he was three or four years old. I basically lost interest in reading after reading a few chapters. The same routine of novels can be found everywhere. The limitations of online writing are becoming more and more obvious. Occasionally, the writing that has feelings becomes more and more watery at the end. But this book is very attractive to me, at least for now.

I suddenly received the news tonight that a relative passed away. Wu Jian has to rush back to his hometown for the funeral tomorrow morning. I try my best to find time to code these days, but the updates may be difficult to stabilize (this is an understatement). I hope you will understand.

Overall, I think there is a problem with the rhythm of the writing. The further you go, the more obvious it becomes that there are too many plots about the infighting in the kingdom. The main plot suddenly surfaced recently, which is to defeat the two magic queens. And this is very annoying. The previous story has always been a proper story about kingdom hegemony and intra-kingdom fighting, talking about the change of power and the rise and fall of kingdoms. That's good. It's a pity that from the time the prince returned to China, he began to tell the reality of this world and began to elaborate on the main line, that is, what exactly our little prince is going to do. This main line is too delayed and has not been revealed until the last hundred or so chapters. It is understandable that the author wants to better explain the world view, but this also causes the main line to be delayed and too delayed. There is too much content about the Kingdom Struggle, and it gradually deviates from the main line, which also changes the positioning of this book. I no longer understand what this book is about and what type it is. What is certain is that this book is what the author wants to write about his own worldview, rather than a worldview that caters to the audience. This is a fantasy kingdom imagined by the author. But this is really very different from the novel. My feeling is that what I am reading is no longer a novel. In the end, does the author really have an outline? Or he writes whatever comes to mind. Even if there is an outline, the foreshadowing of the beginning has not been clarified until now, and there are too many descriptions of other branch lines such as the Kingdom Struggle, which has led to the main line being overshadowed. For the main character I don't see any growth in him. He is still the same person who likes to be clever and arrogant, and thinks he can solve all problems but has no power at all. A waste who has no power of his own but always thinks of clever ways to solve everything. I have become extremely tired of this novel. I didn't see the same passion as the story about the Year of Blood in the dungeon. I feel like the author is always conveying negative energy. Always think of others as too omniscient and omnipotent. Forced conspiracy theory. They always talk about the need for change, but they always want to avoid bloodshed. Naive, yet inexplicable. These many restrictions have resulted in the main plot being unable to advance, and the protagonist cannot improve his strength under the restrictions of the Magic Queen, and there are even restrictions on magic weapons. Hahaha, it's quite desperate. I think the author is writing so slowly now because he is bound to death by these settings and has gradually become unable to write anymore. Because from now on, what can the protagonist do? The answer is yes, that is, the protagonist can't do anything. Even if he is the Duke of Star Lake now, it is impossible to progress. All of this is caused by the protagonist's lack of power, a protagonist who lacks power but spends all his energy fighting for power. Finally, I just want to say it's time to get together and part ways. According to the current progress, this book is still at the 50% to 60% stage. But there is no passion anymore, and it has returned to a kingdom power struggle. There is no doubt that after the domestic problems are solved this time, the protagonist will become the king of the stars. After that comes the improvement of strength. Alas, I no longer have any expectations. . I only use this article to commemorate my expectation and watch for the blood of the Kingdom. Goodbye