I Really Don't Want to Play Go!

I Really Don't Want to Play Go!

by Clods In Mountains

Length:
1.8Mwords528chapters
Latest:
Ch. 528We Are All on the Road
Activity:
Updated 4mo agoScraped 17d ago
195Comments
31KFavorites
50KFans
8.4QD Score

About This Novel

The national Go player Yu Shao traveled to a parallel world and became a high school freshman. He lived a new life. He just wanted to enjoy this period of unbridled youth and not let it slip through his fingers again. But... Why did I pick up the chess piece again? Although playing chess in this Go world that has not been severely tortured by AI, it is indeed a little bit of fun to suppress an era accidentally. ......... A group of professional chess players: "Can Go be played like this?" Yu Shao nodded: "This is how Go is played!" (You can understand it even if you don't know how to play Go. You are welcome to click here.)

What Readers Think

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Official(195)Scraped 22d ago

F
F15mo ago

Too ink stained

This is understandable. After all, the author is not really a professional chess player. During a chess battle, the surrounding audience is like a barrage. The author couldn't write anymore, so he started writing about the reactions of the crowd in a chess game style. The protagonists are already 9th-dan professional chess players in their previous lives, and it was very frustrating when they were competing with someone who was about to become a professional chess player. I actually feel that the author can't write anymore. It's just the first supporting character. He plays chess with the protagonist. It's a grinding game. With the strength of the protagonist, he can win it smoothly. Don't have so many amazing effects. Damn it, this is a killer move.

174
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Ζ Lightly Sing and the Cherry Blossoms Fall15mo ago

Author, do you think this is enough? When you update, subtle flaws will be magnified, and the greenness of the writing will be criticized. When you update twice, a little patience is born, and the progress of the plot is paid more attention to. When you are on the third watch, the little praise starts to sound, and the number of dead harvests starts to decrease. When you update the fifth update, readers' support will spontaneously form, and the voices of praise will become louder and louder. When you are at the tenth watch, the Confucian debates are deafening, and the tolerant attitude is implemented both internally and externally. When you are twenty, you will have a place in the bookworm's memories. Even in your long life, your name will leave a dazzling trace. Updates may not solve all problems, but more than 90% of problems come from insufficient updates!

112
SP
Spring Warmth_bc16mo ago

Improve your knowledge of Go. Some of the mistakes are too low-level. In addition, layouts such as wrong small eyes, two consecutive stars, and star small eyes are too common and cannot explain anything. There is no need to invest too much writing in such an early stage of the layout. In addition, high-hanging, low-hanging, etc. Are all normal ways to play. Even in a parallel world, the level will not be so different. Besides, other people pay more attention to Go and have a larger audience than in our world. Everything else is fine. It would be better to add more Go knowledge, otherwise it would be a bit awkward for people with higher levels of chess playing.

8
CU
Cuttlefish 131311mo ago

I can't play Go but I can still read it. I keep reading and it's quite interesting. Let me understand Go better. I felt a little embarrassed when I saw Kaoru Higashikata having sex with the protagonist, so I forced myself to read Chapter 322, and then felt a slight insult to my IQ. I may stop reading it later, as it feels a bit broken in terms of combat power, and no matter how I write it, it will be a little rounded and miss the setting. When I was a kid, I thought Go was very difficult, so I never paid attention to it. The thing that impressed me most about Go was the game between Ke Jie and Alphago. I saw it on the hot search. After Ke Jie lost consecutively, I remember that Ke Jie seemed to have found a chance to make a comeback in one game. He grabbed his heart and touched me deeply. He must have really wanted to win, whether he himself or those who had expectations for him. Unfortunately, we still lost. Later, Ke Jie's style changed, and the trend in the Go world also changed. From time to time, Go content can be viewed on Douyin. Putting aside the nationality prejudice, Dongshan Xun didn't say that he had never trained with an AI. He just relied on being shocked all the way to shrink his eyeballs. There are so many masters, and there is no excitement of surviving in defeat like Ke Jie. This is not the kind of behavior that the author said Dongshan Xun blocked his life belief and asked the other party to apologize. Apart from the shock and pupil contraction and sweating, I really can't feel his desire to win. Asking the protagonist to apologize later is a bit abrupt, shameless and arrogant. You didn't even try hard but asked me to apologize. You can also play 55 with the protagonist, which is disgusting behavior even though you want to be a positive character. What else should I write next? Wouldn't the protagonist feel disappointed with his own talent? After all, he is one version ahead of the opponent, which is similar to cheating. Dongshan Xun caught up with the protagonist after looking at more than ten chess records of one or two years. It is similar to AI. A good player can do it, but it is mediocre and he plays too many the first time. As a reader, I feel a little frustrated. I can't win even if I cheat. Su has been following the protagonist for so long and he doesn't have so many good skills. After all, I always felt that the protagonist's fateful showdown was with Su. It's a pity to give up after pursuing it for so long, so I'm here to complain. I'm really disgusted by it, and I don't necessarily want to criticize the author. It's rare to write a book review, but when I complain about writing so much, I don't say that my ideas are unclear.

82
ME
Mensa_ab13mo ago

Made the same old habit

Isn't it ridiculous to describe the protagonist as super powerful, and then play chess with a novice professional who risks losing, just like Wu Jue and Jiangnan Seven Monsters, and almost get killed by Jiangnan Seven Monsters due to carelessness?

7
YU
Yuan Qingya13mo ago

I really want to laugh. A ninth-dan man with peak brain power and an undecided man in his twenties are like this. I don't know who is the protagonist. He also said that he wanted to improve his attack and killing skills, but he didn't want to do it, which was pretentious. I have been writing books for several years, but I can't tell you that my proficiency is quite impressive. Over 100 people started working professionally.

6
SI
Siyi14mo ago

Does the author think the readers' opinions are too sharp?

Everyone has been talking about water these days, why don't you change it and work hard. Yesterday, Ke Jieqi could understand. Today, nothing happened, and you are still so watery. It's really disgusting. Can you finish writing the short plot quickly and get into the big fun?

6
MA
Matthew Holding Langulisa16mo ago

It just feels a bit strange. The average audience around me is very professional, and I understand the protagonist instantly as soon as he makes a move...

61
TI
Time Waits for Me_eb13mo ago

It was okay in the early stage

What follows is a monotonous repetition of the previous routines. In the beginning, passers-by cannot understand and feel that the protagonist is at a disadvantage. In the mid-term, the protagonist has the upper hand. In the later stage, the opponent will definitely fight to the death and survive in an infinite loop.

5
BO
Book Friends 202310163486029mo ago

If you don't know how to write a slap in the face, don't write it; if you don't know how to turn a corner, don't make a hard turn...

A good novel does not necessarily have to include a slap-in-the-face counterattack plot... If you don't know how to write it, don't forcefully write it... Suppression first and then improvement does not mean sacrificing the protagonist's character, nor does it mean being aggrieved, nor does it mean forcibly reducing one's intelligence. I can feel that the author let the protagonist lose to this Lao Deng in order to slap him in the face later, and even stepped on the protagonist before leaving, paving the way for a slap in the face and a counterattack later. But the most important thing about a story about the rebirth of a genius-style boss is his character. If his character is lost, what's the point of coming back with a slap in the face later? The protagonist's lost character as a boss can never be regained, and this article cannot be pursued... If you want to write an inner turning point, you can just lose to Su and let Su come to complete it. Moreover, it is so ugly to lose. It is outrageous that the loss is due to your own lack of ability and mistakes, rather than the highlight of your opponent. Hey, I finally found a book that I think is pretty good, and I've ended up here. Sigh... I have to search for articles again

54

Featured in 23 Booklists

Official(23)

[Real Long Reviews, Detailed Reviews of Popular Books]
25,79277

🌿[Grain][Rebirth] Traveling through the theme of rebirth and Go competition, the story starts from the hustle and bustle of a math class. The protagonist Yu Shao witnesses the youthful chatter of his classmates after their love break-up as a bystander. The seemingly ordinary campus daily life has hidden foreshadowing - his true identity is a national Go player from the future. On a high school campus in a parallel world, he wanted to make up for his youthful regrets, but due to an unexpected chess show in a Go club, he was involved in a fierce collision between traditional chess and modern thinking. Different from the Long Aotian Ti of traditional competitive writing, the author uses "the world of Go that is not completely dominated by AI" as the background, making every move of the protagonist full of subversion: a strange move that does not block the air in half the game, and a killing game with thirty goals in the middle, embodying the game between the innovation of chess and the tide of the times. The plot runs in two parallel lines. The campus line uses details such as recess exercises and encounters in the corridor to depict the youth and growth of young people. The Go line uses the questioning of professional players and the advancement of international competitions to show the changes in the chess world. It is commendable that the author transforms Go terminology into an easy-to-understand plot, so that even non-chess fans can feel the thrill of the game. The setting cleverly combines the advantages of time travel and the innovation of chess, and the shock and confusion of professional chess players at the "God's Hand" is a metaphor for the conflict between tradition and modernity. The characters are vivid, whether they are opponents who are both enemies or friends, or teachers who are silently supportive, giving the story a sense of depth. The rhythm in the early stage is a little loose, and some daily descriptions are suspicious of the number of words; the control of the professionalism of Go is occasionally flawed, and the logic of some chess games cannot withstand scrutiny. Settings: 6 Plot: 6 Writing style: 6 Others: 5

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