
Douluo Dragon King: I Am Creating a Golden World Behind the Scenes!
About This Novel
Legend of the Dragon KingCloneBehind the Scenes Liu Tianran accidentally traveled through Dousan and obtained the sea of consciousness space where he could create a clone. As an ordinary person from another world, he suddenly gained this unimaginable power. Is he going to save the world or cause harm to the world? Or should we just show off and watch the storm with a smile? One by one, clones were created by it, Numerical weirdness? Weird mechanism? I want them all! Geniuses who are beyond the knowledge of the mainland's powerful people are born one after another! ..... Chen Xinjie: Where do so many hidden strong men come from? ! Yun Ming: Today's heroes are like crucian carp crossing the river! Qiangu Dongfeng: In this golden age, I will definitely achieve great things! ..... And the founder of this prosperous age chose to see the world with different eyes behind the scenes. Isn't this kind of life another diverse life?
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Official(13)Scraped 18d ago
The most interesting thing about this genre of shaping the golden world through various vests is the interaction between the vests in front of other people, do you understand? Let me put it simply, two vests of opposing forces can find a suitable opportunity to exchange a move in front of everyone, and then compliment each other. If you really don't know how to write, just refer to Feipeng and Chonglou in Sword and Fairy III. What's the point of just writing about each vest without interacting with each other?
The author has a few suggestions that you can refer to 1. The writing is too dry. After reading it, I felt like I wanted to read the outline. You could refine it and add some emotional scenes and fighting scenes; 2. The description of the clone is not detailed enough. You know it is a clone, but you can add more fights and descriptions of the characters. You can write the clone as another protagonist to enrich the color of the clone's character; 3. Your time span is too big. It jumps by several years. Although people don't like to read hydrology, you must at least explain it clearly. I know this requires writing is difficult, but it also requires you to polish it slowly; 4. Your clones are not very related. I feel that they are directly separated. For example, when writing the third clone, you can create two clones to join the Sun and Moon Royal Soul Master Academy and enter Shi's outer courtyard. Shi's clone can arrange a deep meditation or drag it away from dueling with the other two clones. It can mainly provoke Cai Yuer. Many people don't like this old woman. Later, add Shi's role to make it not weak to other clones, that is, hitting the old woman's face and adding color to the character.
How to deal with the obscene dragon king? At present, we don't intend to interfere with the process of her being seduced by Tang 50, so I finally suggest that she be killed after she gains strength and keep the diaphragm.
I haven't watched much yet, but I just want to ask, since the protagonist is in the same grade as Tang Wulin, what's the point of being two years older? It's not just for the sake of two clones. If that's all, there won't be much difference between two years more and two years less.
It doesn't matter if there is no heroine. As long as you don't make mistakes and write Tang-dynasty plots to make readers feel the emotional heartstrings, then that's okay. The pleasure that the plot promotes can cover sexual desire.
I remembered that the book was blocked. That book was about the original castle. He used the secret method, but he was also a clone of the Worm of Time. But for some reason, he went crazy. The original book also had very good results and was always at the top of the monthly vote list.
The so-called golden age is completely unrecognizable. Geniuses have appeared, but there is no linkage, nothing exciting, and it is boring as hell. The protagonist has been following the group, following the group and the clone. It feels completely unrelated and could have produced two books.
Very good, the author greatly appreciates it, keep up the good work.
Fill it in randomly, fill it in randomly, fill it in randomly, fill it in randomly, (just to see if I am the first to comment)
Rating
Community(0)
Official(13)Scraped 18d ago
The most interesting thing about this genre of shaping the golden world through various vests is the interaction between the vests in front of other people, do you understand? Let me put it simply, two vests of opposing forces can find a suitable opportunity to exchange a move in front of everyone, and then compliment each other. If you really don't know how to write, just refer to Feipeng and Chonglou in Sword and Fairy III. What's the point of just writing about each vest without interacting with each other?
The author has a few suggestions that you can refer to 1. The writing is too dry. After reading it, I felt like I wanted to read the outline. You could refine it and add some emotional scenes and fighting scenes; 2. The description of the clone is not detailed enough. You know it is a clone, but you can add more fights and descriptions of the characters. You can write the clone as another protagonist to enrich the color of the clone's character; 3. Your time span is too big. It jumps by several years. Although people don't like to read hydrology, you must at least explain it clearly. I know this requires writing is difficult, but it also requires you to polish it slowly; 4. Your clones are not very related. I feel that they are directly separated. For example, when writing the third clone, you can create two clones to join the Sun and Moon Royal Soul Master Academy and enter Shi's outer courtyard. Shi's clone can arrange a deep meditation or drag it away from dueling with the other two clones. It can mainly provoke Cai Yuer. Many people don't like this old woman. Later, add Shi's role to make it not weak to other clones, that is, hitting the old woman's face and adding color to the character.
How to deal with the obscene dragon king? At present, we don't intend to interfere with the process of her being seduced by Tang 50, so I finally suggest that she be killed after she gains strength and keep the diaphragm.
I haven't watched much yet, but I just want to ask, since the protagonist is in the same grade as Tang Wulin, what's the point of being two years older? It's not just for the sake of two clones. If that's all, there won't be much difference between two years more and two years less.
It doesn't matter if there is no heroine. As long as you don't make mistakes and write Tang-dynasty plots to make readers feel the emotional heartstrings, then that's okay. The pleasure that the plot promotes can cover sexual desire.
I remembered that the book was blocked. That book was about the original castle. He used the secret method, but he was also a clone of the Worm of Time. But for some reason, he went crazy. The original book also had very good results and was always at the top of the monthly vote list.
The so-called golden age is completely unrecognizable. Geniuses have appeared, but there is no linkage, nothing exciting, and it is boring as hell. The protagonist has been following the group, following the group and the clone. It feels completely unrelated and could have produced two books.
Very good, the author greatly appreciates it, keep up the good work.
Fill it in randomly, fill it in randomly, fill it in randomly, fill it in randomly, (just to see if I am the first to comment)









