Wife, Please Divorce Your Husband

The writing is smooth, the plot is compact, the emotions are real, and it's a master's degree. . . It's a pity that the man's fairy tales turned out to be romantic and sadistic novels about women. . . The real situation of the male protagonist is that he has a little money, but his whole family is dead. He is a time traveler in the era of open thoughts, but he must follow the inheritance of the family line. He is a licking dog that the goddess licks in his mouth, but he likes to be tough on his mother-in-law. . . If you don't have the ability, you can't control your lower body. If you have the ability, but don't show it, you will have to kill a bunch of people with one attitude. . . If you think about it carefully, there is actually nothing wrong with the heroine and her mother. The hero has been eating and drinking for free for several months. It was not a big deal if he lost the fight for the family property. The protagonist of the problem just intervened to give people hope, and then immediately gave people despair and forced the heroine to express his stance. . . The contracted fake marriage is the male protagonist's return to the female protagonist's family for taking her into her home for a few months. . . What's the problem? On the night of the wedding, the heroine made three arrangements. If your protagonist is in control, you will naturally not care about it. It is just a fake marriage. . . You just want to seduce the heroine, write love poems, talk about love, and seduce people as much as you want. And in this kind of environment, no girl can stand it. It's not like you have no place to sleep, so you have to sleep together. . . It's too late to retreat in time, but you sacrifice yourself for someone else. No one can bear this, right? If this wasn't planned step by step by the protagonist himself, no one would believe it. . . . O>_<o o That's why I give you two points, but the beginning is both the peak and the end. . . No matter how many plots follow, the climax ends with it. . . O>_<o o>_<o As I said before, the protagonist's IQ is low, but the correct way to say it is that he doesn't have enough emotional intelligence. He unconsciously seduces the heroine to death by writing love poems, and his brain is filled with thoughts about fake marriages, old-fashioned, rigid and smelly things every day. . . Normally, in a modern society with an open mind, a son-in-law is only the object of malicious speculation in novels and movies. In reality, chaotic relationships also exist, and the word dignity is not important most of the time. . . Logically speaking, the character of the protagonist is either something that everyone has heard of or even seen, or something that they have never seen before, and even studied in late-night movies. . . So he could accept being a son-in-law and accepted it. Why couldn't he accept the bad words from his mother-in-law? The worst he could do was become Long Aotian, right? If the emotions are real, it would be natural to restore some of one's own image, and to treat the mother-in-law with a low attitude and a low attitude are all normal filial son behaviors. Why can't the protagonist not do it? Do you have to ask the heroine to give up her family and elope to the moon with you? Then you really want to be side by side with the sun, and you are pretending to be big. . . This is not passionate, it can only be said to be brainless. . . The plot of Long Aotian is not like this. After all, the heroine has already been licked into your mouth, and you still pretend to be awesome, so it's just Sabi. . . . O>_<o o>_<o There is another biggest fatal point. The world of the novel is a world of immortality. The eldest daughter of the heroine's family is a monk and a person with family defects. The whole family has nothing but money and business skills. The social status is far different from those of immortals. So the protagonist has become an immortal. Why is the idea still focused on gathering wealth at the bottom? O>_<o Normally speaking, immortal cultivators are bigger than ordinary people, right? Power, money, and beauty are all easily obtained. . . The protagonist's approach at the beginning should be to awaken his talent, let the beauty come to his arms, and the power come to give him a hug, instead of: I want to make money to buy your daughter, so that you will never have contact with each other until you die, and I will piss you off. . . O>_<o o>_<o o>_<o It forms an incident in which the heroine is injured. . .