
Spell Return: Devour
by Writervkluey
About This Novel
In the ordinary streets of Tokyo in the 15th year of Heisei, young Lin Shen guards a heavy secret: he is not from this world, and he can see in his eyes the horror that ordinary people cannot touch - cursed spirits. In an accident, he awakened the mysterious vortex in the palm of his hand that could swallow up the spirit and power of spells, but he also knew that he was in the dangerous world of "The Return of Spells". In order to protect the warm daily life of his parents and his sister Xiao Yudian, Lin Shen chose to act as an ordinary student in the sun and grow up quietly in the shadows. He sneaks silently like an underground river, uses his weak spell power to break pencils, stabilize building blocks, and hunt for wandering curses in uninhabited places. Each devouring brings an increase in strength, but it also comes with the risk of erosion and exposure of negative emotions. The warmth of his family is his anchor against the darkness. The sweetness of the birthday cake and his sister's innocent laughter are his motivation to move forward with a heavy burden. However, Tokyo's shadow runs deeper than he imagined.
What Readers Think
Rating
Community(0)
Official(1)Scraped 25d ago
97.8% probability, 37.64% of it is AI-assisted part.
But I think the whole novel has a fast pace, precise and concise wording, and a ridiculously smooth structure that makes people want to learn from it. But when I got to the back, I felt that the smoothness was a little weird. Moreover, this is written by a new author, and the narrative style is so different from ordinary fan works that I can't feel the author's psychology as a fan author. There is nothing interesting about this work. The protagonist is like a passerby, with no personality traits, the character design is too standard and template, and has no memory points. It adopts a fan world view. We all know the content ourselves, so there is no need to retell the setting from the perspective of the protagonist. And the protagonist is a time traveler, so he needs to use time traveler to explain his psychological precocity, but he also seems to have no memory of the original plot at all, so there is no information gap. There is no confrontation plot or character relationship in the story. The protagonist has both parents. I can't even tell whether this is a forward narrative (going toward the future) or a backward narrative (digging into the past). Writing about ordinary people cannot describe the deep psychology of ordinary people (sober despair, numbness, fear). Writing fear is just to serve the plot, let the protagonist discover that he is a magician, and then dissolve the emotion, and say whether it is light or light (relaxed), and whether it is heavy or heavy (heavy). If you are impatient, even if you ignore the fact that this work may be created by AI, as an ordinary fan work, I do not recommend reading it.
Rating
Community(0)
Official(1)Scraped 25d ago
97.8% probability, 37.64% of it is AI-assisted part.
But I think the whole novel has a fast pace, precise and concise wording, and a ridiculously smooth structure that makes people want to learn from it. But when I got to the back, I felt that the smoothness was a little weird. Moreover, this is written by a new author, and the narrative style is so different from ordinary fan works that I can't feel the author's psychology as a fan author. There is nothing interesting about this work. The protagonist is like a passerby, with no personality traits, the character design is too standard and template, and has no memory points. It adopts a fan world view. We all know the content ourselves, so there is no need to retell the setting from the perspective of the protagonist. And the protagonist is a time traveler, so he needs to use time traveler to explain his psychological precocity, but he also seems to have no memory of the original plot at all, so there is no information gap. There is no confrontation plot or character relationship in the story. The protagonist has both parents. I can't even tell whether this is a forward narrative (going toward the future) or a backward narrative (digging into the past). Writing about ordinary people cannot describe the deep psychology of ordinary people (sober despair, numbness, fear). Writing fear is just to serve the plot, let the protagonist discover that he is a magician, and then dissolve the emotion, and say whether it is light or light (relaxed), and whether it is heavy or heavy (heavy). If you are impatient, even if you ignore the fact that this work may be created by AI, as an ordinary fan work, I do not recommend reading it.









