Devil's Test Paper

The whole plot is too far-fetched. It takes immortality as the theme, but at least gives them a real hope. For example, a virtual lifespan is displayed on the test paper, and the lifespan is increased at each end based on the completed results. The author just shows their desire for eternal life forcefully, but they can't prove that the author can indeed give them eternal life. It is just empty talk. In vernacular, after reading it for a long time, it can obviously revolve around survival and stimulate the development of the plot, but it often emphasizes the goal of eternal life, which gives me a false and empty feeling. Immortality can be said to be the final reward, but the author often shows it directly to the audience. It is obviously a very important thing, but it gives me a feeling of lightness.

I started to like you in Hell Apartment. When I was very young, the salesperson was afraid that I would damage your book. He scolded me not to touch it. Now in my senior year of high school. I watched you open a trap in the hell cinema, and now the devil's exam paper opens a trap. The accumulated disappointment is growing. Hell Apartment is really popular, so your books are becoming more and more formatted, following the pattern of Hell Apartment. To cater to readers, I understand. Filming in the hell cinema, answering questions on the devil's exam paper. Along the way, the ghost setting becomes more and more pale, and you start to write about human nature. This topic is too broad. I know that many people like to read about the evils of human nature. If it is successfully written, it will be like Forensic Doctor Qin Ming and The Ten Deadly Sins of Spiders. But you have a lot of fire. I liked you at first because your words can bring me different feelings from others. And now, you're trying to be like everyone else. In the original Hell Apartment, there was hope in despair. I wanted to watch the same content several times. Now, in the Devil's Examination Papers, I read section by section. Complex interpersonal relationships, long paragraphs of explanations of human nature, great firepower, don't you think it's too long-winded? I think most of the people who read your books are Chinese, but your writings increasingly like to involve foreign history, culture, and even religion.

I was really shocked when I watched "Hell Apartment" a few years ago. Although I have forgotten the name of the protagonist, the horrific plots are still deeply embedded in my mind. The next Hell Cinema didn't touch my adrenaline, I hope it can shock me this time!

Bai Yaran can seize the candidates' abilities, and Zhu Sunling can give absolute orders to the candidates. These are only part of their abilities. . . So brainless, how should the protagonist play?

You all said it's not scary... Am I the only one who got chills on my back_(:з∠)_

Brother, I have followed four of them, from Dead Curse Island, Hell Apartment, Hell Cinema to the current Devil's Examination Paper, but only Hell Apartment has been successfully watched. As a long-time reader, I have been holding back some words for a long time. I didn't want to say them but just couldn't help it. I hope you don't mind. My advice is hard on my ears. I don't know what you think - your material and opening can be said to be very good, and your character creation is also very detailed. But you seem to have misunderstood the starting point of our readers. We are all a group of readers who love horror literature. Since it is horror literature, monsters, monsters, foxes and ghosts should be the eternal theme. Your recent two books are really unsatisfactory. They start to deviate from the theme in the early and middle stages. Humanity, darkness, and horror are inseparable from these elements, but they are definitely not as sticky as marshmallows. Well, you want to transform in the mid-term, so you want to write about this, and you want to mix in some fantasy things. Brother, I am also a long-time reader, so I will say it bluntly, your fantasy writing is really unsatisfactory. It's not that your descriptions of fights and the like aren't rich and gorgeous enough, or that your plot arrangements aren't appropriate enough, but that your classification of fantasy levels isn't appropriate enough. No matter how much the protagonist grows and how many cards he has, he may be killed by a new little character appearing on the side of the road at any time. It seems that everyone is growing, but the protagonist is not growing. The protagonist is always being abused. After being abused, he does not make much progress. He is still caught up by the younger brothers around him. No matter how hard he tries, it is useless. No wonder some people will say that you are maliciously abusing the protagonist. If you blur your strength and see that you are a comic fan, I will use jojo as an example. Jojo's success lies there, so I can't distinguish between good and bad. But I understand one thing: each person cannot arrange too many rules-based abilities, because it is easy for bugs to occur and be criticized by readers. Not only do they appear in this book, but there are countless more of them. Later in the plot, I wonder if you discovered that categorical commands are too outrageous, and in the end you came up with a permissions to justify it. In addition, the heroine and the hero give orders to each other, just like playing tongue twisters. Whoever gives the order first has the higher authority. I know you are afraid of our criticism, so you try to think from the perspective of each character and make the character creation as full as possible - yes, you did it, but it also made everyone uncomfortable. In the later stage, we couldn't tell who the protagonist was at all, so sometimes I saw the villain as the protagonist, which felt quite satisfying. Even if I died, I would definitely shout: Hahaha, it's worth it! On the other hand, the protagonist - it's hard for him to live like this. Next, the two protagonists are very innovative and bold, but easy to fail. Throughout the history of novels, there are no very satisfying novels with two protagonists. Even Sherlock Holmes, after all, Watson can essentially be regarded as a personality of his inner hysteria - no flesh and blood. What's more, the settings of Gao Ying and Zhu Sunling are so similar that you can only sacrifice one person's IQ in exchange for the shaping of the other. The result is that we all can see that since the meeting between the heroine and the hero, the hero's IQ has dropped sharply. Relying on luck many times to survive tribulations. The biggest coincidence in history. I think this is something that no one wants to see. Finally, the image of the heroine you created has made everyone sick. I can see similar comments on every novel software - the heroine is just a bug. I really agree with this sentence, and I agree with it with both hands and feet. We don't have Stockholm Syndrome, we just hate this kind of scheming bitch heroine who constantly disgusts the male protagonist. It's no secret that her scheming is less clever and more cunning, like a stone in a latrine. If you take away the appearance and gender settings, even if she has a tragic life experience as collateral, it cannot save her almost zero personality charm. If anyone asked me who I most wanted to die, would it be Mr. And Mrs. Wilvin? Is it Dong Xie? I must say to him with a smile, no, she is the heroine. Brother, I say this from the bottom of my heart. I have never wanted to say it. I think your powerful writing will definitely turn things around. I have been waiting for one... Two books... Until today when I saw the announcement of your new book, I really couldn't bear it. Brother, listen to what your younger brother has to say. If you are poor, you will want to change. Everyone has been waiting for you to restore the glory of Hell Apartment. Don't ruin your good cards.

Dear author, I feel your troubles from your words. No matter what life is like, we must face the days ahead of us positively. You still have a home and parents. No matter how troubled the people and things around you are, they are just passers-by in your life. You have to have a better attitude💪. You can go hiking, go to the amusement park, or get yourself drunk! Appropriate enough to make yourself feel more relaxed! Don't be too pretentious, dear author, you have to be happy to be real!

Although I like the campus chapter very much, I feel that the author's portrayal of Agnes is not in line with the character's growth background, and the character's character is monotonous and not full. Although he is a descendant of the Gerzwaren family, the family's honor is engraved in his bones. But because his family left early and he grew up in a war-torn environment like the Middle East, many people are chasing him. It is not easy for a little girl to survive in such an environment. She must be ruthless and not take human life seriously, but she is very nimble, smart and sophisticated, and knows what to do and what not to do. In order to survive and rejuvenate the family, she is willing to endure any hardships and sins. She is very resilient and has an adaptable temperament. But the author just made him into a ruthless, brainless and high-profile SB who only shows off his bloodline. . . This person doesn't even know what he relied on to survive in the past, just by killing people? What a joke. Her character should be a powerful assistant to Gao Ying, or she might become Gao Ying's opponent later and become a major villain. Instead of becoming a dragster around Gao Ying, his survival depends entirely on the family bloodline given by the author. . . . I hope the author can write a fuller picture of this character in the future

It's not scary at all... I think it's because 1. The protagonist relies on his mind to survive that the novel is not scary. I think it should rely on external forces, such as props and luck, to make the novel scary for readers. 2. The theme of the protagonist from two perspectives allows readers to think about splitting and sudden interruptions, which seriously affects the horror psychology. Generally speaking, the current chapters are all failures. Horror novels do not make readers scared, but instead require them to read multiple-choice questions. They also require readers to use their brains to analyze the multiple-choice questions and use their IQ to understand the content. Generally speaking, most readers cannot understand the multiple-choice questions, so there is no sense of horror. Generally speaking, after reading this novel, I felt like I was thinking and analyzing the psychology of the plot, rather than the horror psychology I felt after watching it in the cinema...

This kind of story with a Western background is enough. It's hard to remember the names of people and the family relationships are confusing. For people who don't understand Western religion and the power of big families, it's really boring. I also abandoned the last movie Hell Cinema after seeing the episode about the Demon Family. Not only was it not interesting to read, it was torture. If I have this time, I might as well read more history books.