Dutian Lingguan Road Starting from Daobing

I'll give it four stars first. It's interesting that the protagonist majors in the Taoist art of war, but the author may have misunderstood the Taoist soldier you set. The Taoist art of war you set is just a practice method, and it requires lower qualifications and is easier to popularize. Then it is obvious that many princes, generals, princes and nobles will follow this path, because they are born with no Taoist qualifications and only have Taoist military skills, and other high-level Taoist priests are basically their parents and brothers. How can there be obvious contempt? There are also low-level Taoist soldiers who are consumables and should be changed to those without command rights. It doesn't matter whether you are a Taoist soldier or a Taoist priest. Someone from a noble family of the royal family sends you to a dangerous place with military orders. Can you resist on your own? Obviously it has nothing to do with whether you are a Taoist soldier or a Taoist priest, it only has to do with your status (power)

Normally it wouldn't work if he accepted the banshee. Just kill him directly. He talks so much nonsense and imitates Erlang Zhenjun. Are you qualified for that?

The author wrote a bunch of rubbish and deleted the book review!

He's so stupid. He dragged a random monster into the family. He was originally thought to be a person with outstanding talents, but he turned out to be a fool who stirred up trouble. Did he find a mother? Or found a little wife? The main supporting characters are three women, a sister-in-law, a shemale sister, and a disabled classmate. The protagonist is a big bastard, a licker who uses the family's money to give away everywhere. No profit at all.

Nowadays, the rules of the book review area are corrupt and traitors are everywhere. This is due to the lack of updates. If the author diligently updates 10,000 words every day, then the traitors will be afraid and retreat, and the moral gentlemen will rejoice. This is a feat worthy of praise by Yao and Shun! I have heard that calves born in sheep pens do not behave like sheep when they grow up. You are at the starting point and your computer keyboard is often used, but you have lost interest in updating it. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, the pressure has nowhere to release, and instead you become tired. Isn't this the same as abandoning the roots of the tree and pursuing the treetops? If this continues, great disaster will surely happen! The reason why Bai Jin can have tens of thousands of royalties and not be harmed by villains is precisely because they are willing to listen to what upright gentlemen have to say. However, Poujie cannot get royalties and is even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing for which the author can cry bitterly, and six things for which the author can sigh. Since ancient times, when performing actions, the words are often very passionate. If they are not passionate, they will not be able to move the actor's heart. Harsh words are akin to slander. Author, you should think carefully about whether such a thing is right or wrong. Those authors who updated less, delayed updates, or missed updates had no time to feel sad about themselves, so they were drowned in the torrent of works, leaving only later authors to feel sad about them; later authors felt sad and did not learn from it, and future authors felt sad about it.

There is nothing wrong with this book as a whole, but what I don't understand is the family setting. How can a large family that has been around for at least hundreds of years, without experiencing either internal strife or external harm, manage to have only one young legitimate son (the younger sister is a concubine) left in the family? It's okay for the author to want the protagonist to be a person with no one in the clan but a wealthy family, but you have to be more reasonable. How did the protagonist's parents die? Are there any uncles or elders? Did the ancestor in the Archmage realm die of old age or in an accident (it's not clear if this Archmage is the protagonist's grandfather, so let's assume it is, because if not, where are the elders of the protagonist's grandfather's generation? It can't always be a single generation, right? There are only two people in the protagonist's generation)

In the chapters after the protagonist becomes an immortal, it feels like the author kept emphasizing the heel in order to add a halo to the protagonist. If the protagonist has not become an immortal before, and emphasizes the heel, world status, innateness, the first batch of creatures, etc., I think it is okay and can give the character an aura such as the weak overpowering the strong. Now that the protagonist has become an immortal, the Supreme God of this era has become the Supreme Immortal Capital, and he is competing with the transcendent beings or those who have crossed the ancient historical era. It is a bit superfluous to emphasize the heel, character, etc. Of this era.

The settings are pretty good. But the author likes to mince words too much, is too influenced by Dream of Red Mansions, and doesn't do much to correct typos. I really can't stand it anymore.

The advantages of the evil method are that it is insidious (the skill itself is insidious, and most of its users are cunning and cunning. PS is equivalent to continuous damage, with a slightly lower burst) and strong contagion (or it is a unique way of training that leads to a special attack on the soul. The quality of PS may be one or two levels lower, but the quantity is huge). The disadvantage is that the more you pursue power, the faster you die (Zheng Xiu's wanted, Tiandao's "divine descent"/Destiny protagonist's plot, the passage of life span/the power of the natural disaster during breakthrough is doubled). The evil method has a low lower limit and a high upper limit. If there is no threshold, death is almost certain. The forbidden method has a high lower limit and a high upper limit. There are thresholds for its use. You will die but you can be pulled up. Zhengfa focuses on adaptability. If it is suitable, there is no lower limit for debut, which is the upper limit. If it is not suitable, there is only a lower limit and no upper limit, that is, there is a certain threshold.

It's rare to see soldiers flowing in the aisles. I don't know how the author set up the Kyushu worldview. Why didn't Gu Tianting get the things related to the Three Emperors that the ancestor of the Xun family obtained in Chaos in the latest chapter? How did the things from Kyushu escape into Chaos? There was also a Taoist priest who was probably Zhang Jiao. And the introduction is about whether the ambition of the protagonist is low. Generally, the introduction is about the protagonist's final status. Taiyi Leiyin Yinghua Tianzun is just the boss of the Lei Department, an incarnation, and the ancient heaven is gone. I always feel that Golden Finger is not good. (Although this status is not low, the problem is which one of the novels is not the protagonist but the boss) I have read too many Shuang novels, and although the protagonist, a mortal, has a great desire to become an immortal, in the novel, he is not allowed to have the ambition to be respected and become an ancestor. Or does the author want to slowly pave the way and not write out the protagonist's final growth, so that the protagonist can grow up step by step and slowly change his ambitions.