Fairy Cage

What is a cage? When a person is struggling to stay alive in a large system and environment, looking at the black fog, but unable to break through it, he can only blend into the dark fog with a purpose, work hard, strive for a better life, seek greater benefits, and look at the bigger and darker fog above, this is a cage. Yu Lie, a little person who is not worth mentioning but always insists on climbing up. In this world full of crises, this little person is full of limited meaning and infinite splendor. In this world where the system and life are not worth mentioning, one person's force represents one's value. When Xin Xing used his will to fight for everything, he entered a small stage, embarked on a more meaningful life, and embarked on the path of pursuing more powerful power. The door to a new life was reluctantly pushed open, and he continued to fight for his life. Yu Lie understands that if he doesn't work hard, he may die in an unknown place one day, with no name. In this strange world with small systems, everyone is trying to live to become stronger. A person's value, whether it is life or his body, has been given an incredible value. Called the value of darkness, a person is given the word value. No matter how hard he climbs up, the word value ultimately runs through everything. People are like a cage. As long as they are in the cage of this big system, they cannot be liberated unless they break this cage that is invisible and intangible but always exists. This work of the author gives people a refreshing feeling. The grand view of the world, the dark style of the system, the cruelty in understatement, and the life that is not worth mentioning all enhance the unparalleled highlights of this work and bring an expectant attitude to watch the development of the following story. Efforts and struggles are just to change the current predicament and create a better life. Whether it is a cage or a rope, these will never wear away the courage and mentality of fighting upward.

I don't understand the point of forcing this plot at the beginning. At the beginning, the male protagonist has been in town for more than a year, hiding and not reporting for work, relying on the female Taoist priest who lives with him to ward off the trouble outside. The male protagonist saved his family fortune for a year and used it to upgrade, but he had no money in his pocket. The female Taoist priest made her first appearance and paid the money for the male protagonist. The male protagonist was embarrassed one second, but in the next second he said harsh words and parted ways with the female Taoist priest. From the perspective of others, the male protagonist is the concubine of the female Taoist priest; from the perspective of the female Taoist priest, the male protagonist is a handyman. Only the male protagonist considers himself an ordinary roommate. Maybe the author wanted to write about using each other and making use of all available resources from scratch. This is also an understandable character design, but I don't know why it was written in such a way that it sounds like self-deception and self-deception. Or you could simply write a character who started out as a humble person but turned his back on others. This would be a brand-new approach. However, the author repeatedly emphasizes that they do not owe each other, emphasizes that the female Taoist priest treats the male protagonist as a tool, and emphasizes that the male protagonist has been doing errands for the female Taoist priest for more than a year - but before the male protagonist was upgraded, he always kept a low profile in front of others. The master has not yet become famous in cultivation, and he is not even qualified to be a tool for others. The female Taoist priest can at least protect the male protagonist from disasters, but the others have not even given the male protagonist the slightest benefit, and they have not seen the male protagonist fall out with the others after he has been upgraded. If we really don't owe each other, why should we act like we're being bullied? To be honest, there were many people who looked down on the male protagonist and bullied him before he was upgraded, right? As a result, the male protagonist only fell out with the female Taoist priest hahaha. The funniest thing is to emphasize that the female Taoist priest only calls the male protagonist to do chores. Anyway, it means that she does not need to sleep with her, but our male protagonist is still innocent. Oh my god, the male protagonist doesn't have to go out to work for those insidious people in the town who skin and suck blood, and he doesn't have to sell his body. He just works for a female Taoist priest for a year, which is a big loss. No matter how bad it is, just hold grudges without being embarrassed. This article is not a world view of truth, goodness and beauty. The bad guys just do what they want to the end. In the end, they have to deceive themselves and others by saying that they don't owe each other anything. Why fall out with each other if they don't owe each other? How can you still hold on to the archway and not let go after traveling through time? I don't understand the author's positioning of the male protagonist, and I don't understand the significance of setting up this plot. This plot may just be used to satisfy the author's own pleasure. Good people have their own path, and bad people have their own path as well. Those who are neither good nor bad are mediocre people, and those who are decent and upright are low B--which kind of male protagonist is he?

I thought I had discovered this magical book, but it turned out that there was still the kind of female character who used aphrodisiacs, and the male protagonist could not avoid it, and forced sex. If you don't have anything to write about in your mind, don't write it. Dirty Eyes, such a high-class character as written before, turned into a slut in just a few chapters, it's really disgusting.

There are a lot of ill-written sentences, and the use of some idiomatic words is basically inappropriate for the scene or simply used incorrectly. The Chinese teacher will probably be furious after reading it. "Honghuan", "Qinggui", "xxx person", "xxx", these words are really nonsense. I don't know if I am really uneducated or if I deliberately use such sentences to appear old-fashioned, but it is not like a tiger but an anti-dog. There are countless "hanging out" in any chapter. Is this how the word is used? ? ? ? ?

Your novel doesn't make the protagonist Goldfinger appear to be taller, and then arranges illogical adventures and treatment that were set many years ago. It used to be fun to read, but now I feel like he is a fool with a low IQ. You can't just arrange a simple Goldfinger. You kill a seventh-level demon at the beginning of the novel and you haven't reached ninth level yet. . Then he explained that the magic weapon made by the seventh-grade Taoist priest he bought was powerful. It was expensive and could not be bought if he had money. When he entered Taoism, he had a seven-level success elixir in his hand which was also very expensive. You yourself said that you made money by relying on a pretty boy who did not complete tasks, and you also arranged for an unwelcome son from a run-down family. I don't know how you got these things, so I repeated the same sentence and planned for more than a year to explain. Giving back a wine glass obtained by slaying a demon would not give you a real golden finger for more than a year.

He is ruthless and ruthless, puts on his pants and refuses to recognize anyone, and breaks his reputation in front of others when he gets rich. Who is this author in real life? Can you deliberately write such a plot?

Start high and go low. At the beginning, I thought the dangers everywhere were the same as the dark world of cultivating immortals, but the result was similar to a routine novel. There are more poisonous points

I don't know if the author intentionally made the protagonist's character so disgusting. Let's just talk about the female Taoist priest who lives in the same house with the protagonist at the beginning. Anyway, when you first traveled through time and didn't understand anything, they raised you for a year. Although maybe a little tempered. Your attitude is a bit bad, but they have supported you for a year with real money. It turns out the protagonist has just gained power. Because I no longer want to work and serve this female Taoist priest. He moved away without saying a word, not even a good look on his face. What shape? It's just like having a real-life girlfriend who's been supporting you for a year. You finally got a good job, and you turned around and dumped him. Brother, this is not called decisiveness, this is called immorality.

When she broke through the Taoist disciples, She Qiang fell in love with the male protagonist. At the same level, he showed no resistance at all and kept making small moves. When you achieve a staged breakthrough, will you keep someone around to enjoy it? The protector is not included, the privacy of the place where the breakthrough is made is gone, and the male protagonist is sexually aggressive and in the same realm without resistance, the male protagonist makes mistakes and breaks through together. It is really poisonous. If you can't write it, don't write this kind of plot that you can't control! So tacky! ! !

In one sentence, the evaluation is anticlimactic.