There is Nothing Normal About the Fourth Disaster

Yue Buqun sighed: "It would be fine if you followed the path of the Sword Sect, but you..." Yu Lianzhou was heartbroken: "If I had known you would be like this, I would have passed on the tiger-clawed hand to you." Qiu Chuji was helpless: "Naughty! You... You... Ugh! As a teacher, I'd better help you go to your uncle to ask for the Nine Yin Manual." Uncle Jiu raised his forehead and shook his head: "This is the "Corpse Refining Technique", and this is the "Taiyin Refining Technique". Don't do those crappy things of yours. I'm afraid that one day the Patriarch will come down to clean up the house, and I will be cleaned up too."

[Art coefficient:★★] [Abstract coefficient:★★] When martial arts encounter the fourth natural disaster: the collision of the collapse of order and the carnival of players Deconstruction and reconstruction of traditional Jianghu The novel places Jin Yong's classic martial arts characters (such as Yue Buqun and Yu Lianzhou) under the framework of the fourth natural disaster. Through the disorderly intervention of the player group, it breaks the hierarchical order of the traditional martial arts world. For example, Yue Buqun's complaints about the player's "Jianzong path" imply that the player's behavior has exceeded the cognitive scope of Jianghu rules, forming a subversive deconstruction of the martial arts narrative. Unpredictability of player behavior The core characteristics of players as "natural disasters" are embodied - they may become variables that promote the plot (such as helping the protagonist to gain reputation, planning martial arts conferences), or they may cause nonsensical chaos (such as using modern thinking to misinterpret martial arts inheritance). This duality creates a tension in the novel between serious machinations and absurd comedy, such as the player's alternative transformation of the martial arts event in the chapter "The First Guangmingding Martial Arts Conference". Localization adaptation of the fourth disaster The novel does not copy the science fiction settings of games such as "Stars", but instead implants the concept of "natural disasters" into the martial arts world view, and achieves genre fusion through creative ideas such as "Demon Cult Remake" and "Sect Technology Tree". For example, players brought modern business thinking into the world, and derived cross-border gameplay such as "insurance" and "reputation system", demonstrating their ability to innovatively deconstruct traditional themes.

Grain and grass The copy of Tianlong becomes the "Dad King", returns to the good state, and puts it on the top of the list. Very abstract, but somehow reasonable (bushi). The martial arts world, the heavens. Because the further forward the timeline of gold-type martial arts is, the higher the upper limit of force. The timeline is from back to front: Xiaoao, Yitian, Shendiao... Xiao Li Feidao, Tianlong... Uncle Jiu's zombie copy is very boring. You can jump directly to Chapter 242, the copy of the Sentimental Swordsman's Ruthless Sword.

The protagonist, whose offline status is so low that there is no offline, starts the world by playing games, explores and fights BOSS, and starts the fourth natural disaster gameplay that is not human. A lot of fun, highly recommended!