That Boy

It's a bit like a war, let's just discuss the matter, the author shouldn't be angry!

The writing is very good. From time to time, the author will separate a few chapters to write about some of the people the protagonist meets. The writing is really good, and it really makes you feel empathetic when reading it. Anyway, you will feel some emotions after reading it. But as I read more and more, I was not very patient enough to read the chapters that have nothing to do with the protagonist, and I skipped some chapters directly. This book is very realistic, so realistic that I feel that this novel is more like a record of daily life, and it is indeed a bit too bland in terms of plot. Other novels try their best to bring out the halo of the protagonist, but for this novel I just want to say that you should try your best to play the halo of the protagonist. Also, I wasn't very satisfied with the romance part. The male and female protagonists met once and the elders of the two sects made an engagement. The amount of plot between them was not more than one chapter, but the relationship between them seemed too deep. Overall, I feel that the author's short stories are really good, but the whole big story is average. Take the battle between Songfeng Mountain and Yanyu Tower, for example. This is considered the first climax in the novel. The battle between the two factions is straightforward, with little strategic suspense. More importantly, the protagonist's participation is basically zero. Such a large part of the battle plot is not described from the perspective of the protagonist, which makes me feel that it is a pity and boring. I really don't feel like staying up late reading this book, but this book is both readable and literary. I think highly of this book and can read it carefully. I suddenly thought of a sentence that is very suitable for this book. You can say that this book is not good-looking, but you cannot say that this book is not well written.

The author's writing is very interesting, keep it up!

Two hundred and nineteen days, five hundred and two hundred and eighty-seven words. The biggest worry once was not the poor story and writing skills, but the inability to persist until this point. Too many people gave up halfway for too many reasons. The road was very long, but they chose to give up when they first got involved, which undoubtedly affected their original confidence. I write 500,000 words at a speed slower than most people. I often feel anxious because of the too slow coding speed, and then I laugh at myself whether I am a group that will be eliminated in this industry. In the past, the sun became slower, the cars, horses, and mail were all slower. There was only enough time to love one person in a lifetime. Everything will get better, just like the young man gradually becomes flesh and blood. Thank you to all the readers and author community for your support. See you in the next fifty thousand words.

Reading this book feels like a small "sword coming", each with its own merits. The narrative and the rise and process of the small characters can all see the shining point of "from small to big", making the protagonist more vivid. Let's not take advantage of the heat, just be yourself and come on!

I hope more people will support me, it's very well written!

I just read ten chapters and I excitedly came to post. After watching a lot of current Xianxia, ​​I found a very homogeneous place: they all use constant dialogue, action, and psychological description to unfold the story in order to pursue a strong sense of substitution, but they cannot withstand careful scrutiny. A good work should be relaxed and relaxed, with renderings of the surrounding scenery, background narrative, leisurely moments, and tense points of conflict. In many works, in order to pursue the word "cool", the proportion of text is completely tilted to the protagonist. There is no shaping of the images of other characters, and there is no description of all living beings and the entire world. It's like our camera is always carried by the protagonist, and occasionally we can look elsewhere, but we still have to be by the protagonist's side, never leaving. It's okay for a short story to be so possible, but a million-word novel seems to be very "scattered", shallow, and difficult to digest. When I see such works, I sigh that they are rare. The style is different from those books where the protagonist is absolutely central. You can feel many lifelike characters, setting up the oil, salt, sauce, vinegar, customs and customs of a small place. Big cheers for the author!

What does it mean to send a monthly red envelope suddenly? In the blink of an eye, more than half a year has passed

I have seen it before and it looks like "threshing grass". I am not remembering it wrong.

Guaranteed monthly pass