Returning to the Garden: The Dragon Lord Behind the Scenes

I chose to begin by exploring the suffering of ordinary people involved in telecom fraud in northern Myanmar. Instead of immediately piling on the system's gratifying aspects, I first depicted the powerlessness and resentment of former national security official Li Mo. This sense of national and familial frustration hidden within the lives of ordinary people is the foundation for activating the system that punishes evil and promotes good. The detail of the national flag in the water dungeon was drawn from real rescue news. I deliberately downplayed the large-scale fight scenes and focused on the heartwarming moments after the rescue, aiming to create the image of a hidden guardian who "does not seek fame, but only to bring his compatriots home." The emotional contrast between the suppressed feelings at the beginning and the explosive emotions after the rescue was carefully crafted over a long period. Did you instantly break down when you saw the old man in the water dungeon pull out a small national flag?