He is cold and ruthless, the heartless ingrate everyone says feels no grief for his family. But no one knows that this is only a disguise he wears to hide his pain.
He is raising a four-year-old child, and everyone says he has forgotten his dead parents and moved on to a happy life of his own. But no one knows the child was the last survivor of a fire.
He transmigrates through time and space, searching for the source of the fire. But he never expected that it was no accident: someone set it deliberately.
Again and again, he investigates the culprit, saving one relative after another from dying in the fire, but the final truth is too much for him to bear.
Was his fiancée's arson connected to the nanny, or was there a mastermind behind it all? Zhou Sheng found the answers on that phone.
On his final perilous journey through time, Zhou Sheng sends the real arsonist to prison, uncovering the sleepless night from sixteen years ago. The culprit blames the families who sat at the village entrance gossiping back then for the once-close family being torn apart.
With the culprit caught, those who died in the fire two years ago miraculously appear in the world two years later. It is as if it were all a dream, a thrilling, heart-pounding dream.
After the house burned down, all the relatives found the male protagonist and asked him to pay for it??? Is it necessary for the author to set up such an exaggerated and unreasonable social environment? Is this really realism?