I Became the Second Personality of the Villainess

I never expected to see such an exquisite and romantic scene as "knighthood" in a new BLB novel. As the first minor emotional climax in the entire book, it fully considers the characters' backgrounds and personalities, integrating various story fragments and foreshadowing from the previous twelve chapters. This includes, but is not limited to: * The differences in magical talent and family treatment between Christia and her sister; * Even when Christia is exhausted from her lessons, as the older sister, she still needs to read storybooks to her younger sister; * Nolan's first appearance is when he pawns his grandfather's knight's sword to raise money for his sister's tuition; * The unusual behavior and attitudes of the siblings regarding whether Nolan should learn to read as well...

A book with a promising idea gradually deteriorated, leaving readers with nothing more than a long, tedious, and meaningless read. Ultimately, with the author's increasingly infrequent updates, it became like a forgotten story.

As a connoisseur, I'm not confined to any particular genre. I think the relationship between two characters sharing one body is also a very interesting aspect. Personally, I hope the two characters don't end up separated. Sharing a body is a very special bond and an irreplaceable relationship. Two people sharing one body and falling in love with the same person, like in XB2, are connected on a spiritual level. It's a pity that XB2 ended up with two separate people. Similar to the concept of two souls sharing one body, there are also possession and symbiosis themes, such as the relationship between the protagonist and the catgirl in Reincarnation Sword, the relationship between Venom and its host, and the relationship between the Milk Dragon Emperor and the Red Dragon. These are all...

The romance is stubbornly refusing to progress; the plot is contrived and filled with conflict; the villains are deus ex machina; the main characters are just acting on impulse; none of the characters seem human; the writing is extremely sparse in information; each update leaves me feeling like I've read nothing. If I wait a few months to read it again, well, I still haven't made any progress.

No, the two female leads are already on par with Lu Mingfei's mastery of misfortune on a god-like level.

I've recently seen many comments criticizing the female lead (her second personality, "I"), so I'd like to briefly share my personal thoughts. First, the female lead is indeed intentionally portrayed as an immature and irrational character, a point acknowledged by the author in the epilogue. The intention behind this arrangement isn't truly revealed until the very end of the volume: the plot of the first volume is actually just the "background story" of the entire book—a difficult yet romantic journey experienced by a naive young boy and girl. Amidst numerous crises, this journey is as brilliant and fleeting as fireworks, ending with the female lead being taken home and the male lead's memories being erased, but the mark it leaves on their hearts will last a lifetime...

Feeling nauseous could be described using information or a more sophisticated approach, but I have a particular fondness for riddles and deus ex machina, especially continuing even when I have no chips left. I know you want to write about the independence and crisis of a second personality, but completely abandoning logic leaves readers confused and insulted to their intelligence.

The book review section is now corrupt and full of scoundrels, precisely because of insufficient updates. If authors diligently updated 10,000 words daily, the scoundrels would retreat in fear, and virtuous gentlemen would rejoice—a feat worthy of praise even from legendary emperors like Yao and Shun! I've heard that calves born in sheepfolds inevitably behave like sheep when they grow up. You're in a private server, constantly using your computer keyboard, yet you've lost the motivation to update; is that reasonable? The strength of BL (Baidu, Alibaba, Tencent) lies in its inheritance of ancestral etiquette and skills. Stopping the constant updating leaves no outlet for pressure, leading to fatigue—isn't this abandoning the roots and chasing after...?

After hundreds of thousands of words, the only impression this book left on me was the part where the female lead "conferred a title" on the male lead. There was very little other information, and the author didn't seem to care about building up the emotions. No matter what happened, it left almost no memorable moments for me.

It's normal for the writing to be slow-paced; I just hope the quality is good. Honestly, I feel the reading experience worsened after chapter 40. I think the main and secondary personalities are well-developed, but I hope the other characters aren't so overpowered, and that the writing isn't so weak. Finally, could you pay more attention to developing the main and secondary personalities? It's rare to encounter such conscious character development.