Ian, who transmigrated into an orange novel, became the butler to the eldest daughter of the Saintess family.
Just when he thought the young lady loved him, reality dealt him a brutal backstab.
His young lady, Her Highness the Saintess, still confessed to the Phoenix-Princess.
Reeling from the blow, Ian awakened his memories of a past life and decided to help the Second Young Lady conquer the fickle Phoenix-Princess.
But why did the System turn him into a dragon girl?
A year later, the Second Young Lady's gaze toward him grew increasingly strange. Even the eldest daughter, the kingdom's princess, and the elf princess were closing in on him.
Where's the Phoenix-Princess? Aren't you going to do something about your heroines?
But the Phoenix-Princess ignored the heroines and kept approaching Ian, who was trembling in fear in the corner.
"I've finally found you."
I quite like Dragon Princess, but I can't stand the controllable transformation. It's just a dual-body story, and the dual-body story with the yuri label is a bit too much for me. Although it's said that the future will be fixed, when exactly is that future?
Note to those who come after: The protagonist of this article has a low IQ.
You mean, the protagonist not only has a low IQ but also changes gender repeatedly?
Is the author really a primary school student?
After reading six chapters, I decided to give up. The logic is flawed. I suggest a major overhaul; it's clearly written based on gut feeling without any outline. In the old parlance, the first three golden chapters are the most important, but in the first three chapters I only saw the words "turtle man". I gave him the chance to read six chapters, but without conflicting with the plot, the male lead and many female supporting characters had already become unrecognizable in terms of their characterization. The brushwork is weak and lacks strength.
The rambling dialogue was excessive; the opening section, filled with extensive internal monologues, almost turned me off. I don't know if the author mistakenly believed that more words equated to greater depth, or if they were simply padding the word count. Few new authors write like this, as this kind of crammed, piling-up style easily tires the reader. I suggest both new and experienced authors avoid this approach.
The story is quite chaotic from beginning to end; the plot's narrative flow is poorly executed. The comments section can be used as a reference, but you absolutely cannot follow it blindly, or you might as well start a new book.
The book has a good concept, but its flaws are obvious. The author lacks the skill to handle the premise, and the subplots aren't clearly foreshadowed when characters appear. When characters do something illogical, it's all explained with a simple "it will be explained later," which I find irresponsible. Furthermore, the author's writing style is too immature; the descriptions of characters' emotions and actions are too simplistic and direct.
If you just slowly push through the main storyline, you'll just have to wait for the book to die out.
I'm adjusting the update time; for now, I'll be updating every night at 11:30 PM.