Miss Keruru has two bodies.
One is human: unable to cultivate, foolish and slow, and isolated by the girls in her class because of her privileged background and stunning beauty.
But her other body, a little octopus, has already become an overlord in the depths of the sea!
Now Keruru's true body is about to return, seeking a safe place to evolve, lay eggs, and ascend.
She rescues an empress, helps her govern in peace, and provides her human incarnation with a stable life.
The empress comes looking for her, saying she wants to repay her kindness. She wants to sign some kind of contract and live inside Keruru's body while she evolves?
Then one day, Keruru discovers a huge collection of tentacle-monster books in the empress's room.
She's just a cute little octopus, so why is she being mistaken for a tentacle monster?
The empress's elegant, icy image begins to crumble. She drops the act and reaches out to Keruru in prayer.
"O divine one, please let me bear your child."
The author seems unclear about what they want to write about in this book, or what the main plot is.
Everyone came for the smutty vibes, but since you like playing with dark jokes, I can only wish you good luck and that you'll become like a cat.
I initially started reading it because I thought the subject matter was novel. The first hint of the story came from the scene with the poor girl in thin veil in front of the whole class. Later, the plot after the awakening of the human clone consciousness got really over the top, becoming tedious and completely incomprehensible. However, compared to most of the purely softcore pornographic trash of the same period, it was much better. It left me with a feeling of being neither good enough to read nor bad enough to discard.
A work with an original concept but poor pacing.
Many readers interested in this book are likely drawn in by the dual-body concept, especially the octopus's perspective. However, after reading nearly 200,000 words, I've noticed several serious plot issues regarding the human body. Firstly, the repetitive use of the same events and atmospheres excessively drags on, smearing the same points repeatedly with similar wording. This feels like padding and could negatively impact the reader's interest in subscribing, creating an awkward sense of over-exaggeration. Secondly, the character development of minor characters is too superficial. Christine's character is quite controversial, and her redemption arc deserves more nuance and development. This unnecessary...
This synopsis and opening... It sounds so familiar, doesn't it? It's strangely familiar.
In just over 30 chapters, you plagiarized Empress's Gratitude, Genshin Impact, and Honkai Impact 3. You dare to judge me? How much did you plagiarize?
This novel is probably a reboot by the author next door who abandoned the project and is just trying to make easy money. I have a feeling it'll be abandoned again.
Too many rotten ideas, tasteless to eat but a pity to throw away.
When I first saw that it was the same as the one next door, I wondered what was so great about copying that thing, until I saw the line in Chapter 10 that I am his hater and I want to snipe him head-on and crush him. Okay, okay, you're going to play like this, right? I'll follow along. [Sfem:3:298]
The core concept is very similar to a book by 🦔