I'm a Pure and Chaste Saintess, Don't You Dare Slander Me!

Every time this kind of scene appears, my liking for Leila decreases. I hate it when they give the protagonist a forced and blatant scene of being sexually assaulted and trained. It's so annoying! If the protagonist is just a pure bad seed being trained, that's one thing, but why is she being treated like this when she's doing good deeds all along? Yes, Leila doesn't know any of this from her perspective, but forcing a scene like this when the plot is poorly handled is just nauseating. How is this any different from those disgusting Japanese manga writers who say, "If you don't know how to write dramatic conflict, just have sex"? If you're planning to give Leila a tragic ending later, that's another story. The more you write like this, the more I want to see Leila suffer. This isn't about having fun; I find this...

I've read over 130 chapters so far. The novel's central theme revolves around self-sacrifice to gain the care and affection of others, appealing to an audience that enjoys this genre. While the early chapters weren't exceptional, they were still readable for those who enjoy this type of story. However, after subscribing to the entire book and reaching the middle, several issues became apparent. 1. Initially, the novel gave me the impression of a demon girl who donned the guise of a nun to increase her strength and strive for the position of saintess. But as I've read on, her demonic identity feels less clear and more like a plot device or a filler character used to advance the story or when more combat power is needed. This...

This guy can't write long stories, so those who want to follow a series are in luck.

The plot becomes increasingly bizarre after Willos enters the Holy City. First, the bishop of the Northern Diocese apostasies, then demons, who somehow infiltrated the Holy City, create a tenth-tier level dungeon in the Northern Diocese. Next, the son of an imperial duke manages to bring demons into the Holy City and plots to control the imperial princess and an eighth-tier court mage within the church's territory. Then, demons infiltrate the library, and a group of demons in the residential area nearly captures two potential saintesses. The Southern Diocese is no less problematic, conducting experiments on demons beneath the Holy City, then three months ago, things went awry, resulting in the death of a nun possessing holy light, and others...

Sigh, the comments section is full of criticism... Now I'm starting to feel sorry for the author. At first, I noticed problems with the book, but the comments were all praising it, so I didn't dare say much, just hinted at it. Later, criticism started appearing, which made me a little happy; someone was pointing out the mistakes. Then the criticism intensified, the comments section became like a chaotic battleground, everyone noticed the book's problems, and I started to feel sorry for the author again—from what the author said before, it seems they're probably not wealthy and definitely need the money to write the book. I also feel that the author's problem is just a lack of ability, not a problem with their character (at least I haven't seen it yet). So I looked at the comments...

I couldn't resist writing a book review. Well, it's not really a review, more like my rambling thoughts. I started reading this book around chapter 100, which was quite late, but thanks to that, I had a very good reading experience. The first part of the Saintess Examination is, in my opinion, the best part. It revolves around Lao Wei's basic strategy of "surviving by eating monsters" and "gaining gratitude during the Saintess Examination to overcome the threat of the mirror," which leads to her connection with Leila and portrays how Lao Wei's performance affects Leila's outwardly cold...

I followed it from beginning to end. The early and mid-game were exciting, but it started to decline after entering the Holy City and the conflicts with several potential saintesses. The enemies' methods and strategies became very simplistic, and the later stages became somewhat uninteresting. It's a pity; the more the world-building expands, the more it falls apart.

Why is Willow a god? First, there's Susie, who sinned in envy. Jealous of God's beauty and goodness, she wanted to seize them and deliberately tarnish God's name. Unbeknownst to her, God had already seen her sin and, unperturbed, redeemed her with kindness. Then there's Lode, who sinned in greed. God's radiance illuminated his darkness, making him vulnerable, so he tried to kill God three times. Little did he know, this was merely a ploy; Lode, using power to oppress, was ultimately killed by a higher power. Finally, there's Barna, who sinned in both greed and envy. Driven by money, he twice attempted to kill God. Because of God's excessive perfection, he wanted...

I gave two short comments last time, but the author got caught up in the anti-plagiarism campaign, and I don't know if the author listened. This time, I'm giving some more comments. Compared to the suggestions I made at the time last time, the extensive reuse of praise tropes has ended, which is progress. The remaining issues show signs of improvement, but it's far from enough. Now I'll mention a few issues that are gradually becoming serious. If this book wants to go further and better, these things must be considered: 1. Avoid the excessive appearance of stupid supporting characters and the overuse of praise-faking plots: As we all know, whether it's the formulaic reuse of praise-faking or the periodic stupidity of supporting characters, the ultimate purpose of the plot is...

Willow is a kind, holy, and innocent saint, but also a selfish, mischievous, and quirky witch. You might dislike certain chapters or characters that feel drawn out, but you have to admit, this is the most creatively designed character in the book recently (in my opinion). Even if some people stubbornly criticize it or insist the plot is weak, they can't deny the book's entertainment value and the excitement and imagination Willow brings to the reader. This duality of character gives her a significant advantage even in seemingly boring plots (not to mention the plot itself isn't boring at all; it's just that some people lack patience)...