How Should I Deal With Being So Popular After Being Reborn?

This book has a very fast pace, and many say it started strong but declined quickly. Even a stable S-rank book with only a couple hundred monthly votes is struggling to maintain its momentum. The book's data is essentially dead. Considering the dramatic drop in popularity, the fact that it hasn't been canceled yet is already a testament to its legendary resilience. However, I still want to offer a few comments. The direct reason for the book's decline was the long stretch of slice-of-life content after the imprisonment arc ended—it was all filler and filler. Then, when the author wrote several chapters about playing games, it exploded in popularity. Regarding this, it's difficult to comment, because looking at the title, slice-of-life content is relevant, but the author's long stretch of slice-of-life writing was simply too weak, which is why the comments section exploded. Some might say, "It's not like..."

I personally don't like writing reviews when I read books, and I usually just walk away if I don't like a book. But I really couldn't stand this one. The book opens with the author calling someone out, and that person said the author's writing was disgusting. At the time, I thought it was a bit much, but after reading it myself, I realized that person was right; this author's writing really is disgusting 🤢. The first problem: the bad woman easily gets into trouble at the airport, and the protagonist is rescued (it's not that I like reading about protagonist suffering, but the author's treatment of the bad woman is too overpowered). The second problem: the younger sister's character design (I personally think the author wanted to create a cold-on-the-outside, warm-on-the-inside, seemingly emotionless younger sister)...

I lost a bet with Momo and had to write a book review. Momo insisted on objectivity and honesty, so fine, I won't hold back. Actually, I really wanted to analyze the book from the author's perspective, but… the book's review section… I'll give up on that now. This is a good book, and Momo has indeed made great progress. The character development is excellent. I noticed this while reading; the character development is very good. The book is excellent, with delicate psychological descriptions and carefully designed dialogues and actions. Every character Momo writes is vivid and lifelike, especially the portrayal of the yandere/obsessive type and the female protagonist, which allows the reader to deeply immerse themselves in the story and experience the emotions…

This book shows some improvement, especially the first volume's depiction of imprisonment, but the author clearly doesn't understand why the first volume was so compelling. The first volume focuses on the conflict between Xiao Liang's desire to escape and Luo Zhuyin's desire to keep Xiao Liang alive. As the plot unfolds, this conflict intensifies, inevitably leading to one side's plans failing. The highlight is the struggle between the two sides to achieve their goals, and the first volume's brevity and tight pacing contribute to its appeal. The subsequent three volumes are rather bland because the character conflicts aren't well-developed. The second volume does touch on the conflict between Xiao Liang and Yun'er, but there's less development after that...

This is purely my personal opinion. Because I'm more of an observer than a reader. Most people might just glance at it and move on. But I'm different; I might read it over and over again, paying more attention to the subtle details and feeling more involved. From the perspective of both the author and a fellow reader, here are some thoughts, feelings, and minor points of contention. Let me start with my opinion. What I enjoyed most about this book was the writing style, the emotional descriptions, and how the characters felt real. Every action and word felt authentic, giving a sense of everyday life. Honestly, a little over a month ago, when I was at my most vulnerable...

It could have ended when they were rescued; writing well afterward was really difficult. I didn't know what to write. Ending it with the part about walking towards the sun and embracing a bright tomorrow (Chapter 55) was really good. Author, your handling of the situation back then was wrong. You started another book while you still had traffic, but I haven't read it since around chapter 60. I came back to check after the cover change and saw the comments. Sure enough, you didn't handle it well. Several authors have stopped updating; the themes are good, and some have good writing, but some haven't returned.

While Yoona was escaping, I was already keeping the book under wraps, not reading it at all. During that time, I saw someone in a QQ group saying that some haters were criticizing the author, saying the writing was bad. At the time, I thought the author's writing was so good, the haters must be blind. But when I finally started reading, I suddenly noticed the problem: the writing gradually became mediocre. The author's explanation was that it was a transitional period. Later, I discovered even more serious problems. The character settings in the elementary school scenes were extremely inconsistent, it was practically a complete collapse. After that, I stopped reading. My personal feeling is that it started amazingly well but ended terribly, and I couldn't continue reading. The author...

This book is practically abandoned... It only revives occasionally, like squeezing toothpaste. It's a classic case of starting strong and ending weak; the initial descriptions of the imprisonment built up reader anticipation, but the daily life after the rescue wasn't as engaging. The conflicts also felt forced. In short, the writing lacked polish; you can vaguely discern what the author wanted to write, but what remains unexpressed is always just an idea.

All four of his works were unfinished; he's truly a genius.

The beginning was alright; the writing was quite good thanks to the few characters and the mentally ill mother. As for the later parts… well, it wasn't just angst, I've had my share of angst, but is this angst? This is just stupid, okay? The class monitor and the younger sister you created, honestly, even my dog's actions are more logical than these two. My god, you almost broke the fourth wall and went straight for the protagonist! No purpose, no reason, logically nonsensical, I have no idea what to make of it. But let's look at it from another angle, from the author's perspective: the author is about to torture the protagonist. How? Hey, you, the younger sister, right? Give me that...