After Transmigrating into a Book, I Somehow Caught the Emperor's Eye?

I finished it in one go, and overall it was pretty good. Although the plot was a bit too idealistic, it's a sweet romance novel after all, so there's no need to nitpick too much. To be honest, it's not easy to finish a romance novel these days, so I'm grateful for the author's persistence and hard work. I also wish the author all the best in achieving the success they desire.

Later on, everything fell apart, creating a jarring disconnect from reality. The beginning was alright, but it became increasingly absurd later on. For example, in the episode where the female lead is kidnapped, the romantic relationship between the male and female leads hadn't progressed much. At this point, the male lead likely only appreciated her talent. However, upon learning of her kidnapping during a court meeting, a normal emperor would send his trusted confidants or attendants to rescue her. Instead, the male lead mobilized the entire army, making a huge fuss. This felt like a forced plot device to deepen the relationship between the male and female leads, and such a scene could only occur when their feelings for each other were sufficiently strong...

Ancient novels can incorporate modern technology and humanities, but you need to rationalize it, not simply fill in the gaps in a few chapters. The differences in productivity, technology, and education, and most importantly, the communication gaps in ancient times, all require you to find ways to make them plausible. Without supplementing this knowledge, it's easy to create a plot hole. The biggest problem with time-travel novels is the forced insertion of modern humanities and technology. At least in typical "Mary Sue" time-travel stories, there's a system to make these elements plausible; you don't even have a system, so how can you make them plausible? Don't you think this forced insertion is incredibly awkward? Writing about a female protagonist isn't about her...

This book can be viewed from two perspectives. If you're looking for a romance novel, it's quite good. The characters are well-developed and nuanced, the plot isn't overly clichéd, and the character interactions are relatively lively. However, if you're viewing it as a historical novel, it falls short. It essentially just transplants modern systems and ideas into an ancient setting. The protagonist's language and statements are detached from the historical context, many details are illogical, and the ideas and reforms are presented from a modern perspective without considering the national context, creating a distorted feel. I suggest the author study more about ancient systems and agricultural knowledge, and spend more time creating a more rigorous and detailed narrative...

I think Jingyuan shouldn't frequently ask the Empress's opinion in court. After all, he's the Emperor now and should have some imperial bearing. Otherwise, he might as well just make Qiu Bai the second Wu Zetian.

When will the new book be released?

To put it simply, novels with a touch of hard history like these will always be criticized by people from all walks of life for various aspects of their content. Economics experts will point out the protagonist's poor management, history experts will say the food selection is inappropriate, and political experts will say the reforms have major problems. The author is essentially bearing the pressure of millions of people; it's incredibly difficult. Author, don't worry about these things; just write your own story. It's quite good.

The story is finished!

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Happy New Year, little fish!