I'm Just a Deathsworn, So Why Must the Fairies Die for Me?

The author's handling of the story is terrible. The protagonist is constantly being pushed around and manipulated, as if he's living in a cage, being raised in captivity. The freedom he craves is firmly held in the author's grasp, not letting go even a little bit. Once you immerse yourself in this protagonist, even the reader feels pain. He's despised, schemed against, and looked down upon. Although he wins the heart of a fairy, in this cultivation world filled with fairies, each with their own hidden agendas, can their sincerity truly be considered beautiful? Only things that evoke beauty inspire longing, and apart from Qiu and Xiaoqing, the fairies here are hardly worthy of your attention. Moreover, it's highly likely that Qiu and Xiaoqing will also be targeted...

Fang Ling is destined for greatness. Though taciturn, he possesses the qualities of a gentleman. His luck is exceptional, seemingly blessed by Heaven. He enters a cave to obtain treasure, becomes entangled with his ancestors, forms a love affair across three lifetimes, ascends to heaven in various places, and joyfully marries them. The saying "May you enjoy a thousand years of happiness and longevity" is true; his name will be sung for ten thousand generations, his fame lasting for ten thousand years. Details are too few to recount here. Formal evaluation: The main plot in the early stages revolves around Song Chanyi obtaining some divine sword; I don't remember much. I'll briefly discuss the roles of the various characters at that time. Fang Ling: Protects Song, fosters Song's emotional development towards Fang, and allows the "princess falls in love with a knight" narrative style to be successfully implemented. Song Chanyi: Obtains the divine sword...

Let me be blunt: you, the witch, regret writing *The Bull Demon King*? The protagonist says they're even one minute and then they're in bed together for dual cultivation the next? I can understand the witch's self-indulgent sentimentality, but I really can't stand the protagonist being genuinely moved. The first dozen chapters are all about life and death, and then a so-called "fighting side-by-side" scene and he's actually forgiven? Then why write so much? You might as well just say the protagonist never hated anyone, and that's all the plot you can write? In less than 100 chapters, you've written at least four instances of so-called "fighting side-by-side." I can forgive your terrible battle scenes, tedious daily life, and padded plot, but your handling of the romance is a mess. Is the protagonist a suicide soldier? If so, is the protagonist truly even one minute? If so...

I've been on Pineapple Bun for almost a year now, and this is the first novel I've subscribed to before it was even finished. It's also the first time I've considered writing a long review. First of all, I'm a staunch harem fan and have read countless harem novels. Unfortunately, most harem novels suffer from several common flaws: the villains are too weak-willed, there's always a traitor among the disciples, the heroines are given things inexplicably, and even the protagonist, perhaps for entertainment purposes, is deliberately made frivolous, acting without thinking and relying on the system or inexplicable fortuitous encounters to overcome obstacles. They lack planning, have no direction in life, and only ever think about picking up girls and becoming stronger, or else...

A bunch of stories that seemed certain to be finished have been abandoned, while others that seemed to be on the verge of ending have suddenly started updating again, which is quite ironic.

Why did you cut these numbers? Do you think your new book will be any better?

New cover [sfem:3:310]

New readers should be wary; I read over 200 chapters up to the end with Lu Shangshang, and the "chasing husband" plot is completely weak. The female lead's character development is poor, so poor that even after she wins him over, I still feel she deserves to die. This is also the most challenging part of a "chasing husband" novel—the female lead's redemption—and clearly, this one is poorly crafted. Furthermore, the plot is very dragging. A normal novel should have a dramatic plot with ups and downs, but this one is just a constant sluggishness. However, the first forty or fifty chapters are indeed well-written, with excellent foreshadowing and detailed descriptions of the "chasing husband" plot...

The biggest challenge in writing a "chasing husband" story is determining the magnitude of the conflict between the male and female leads. Too much conflict makes the female lead seem nauseating, regardless of whether she accepts it or not; too little conflict makes the male lead seem petty and narrow-minded, leaving the reader dissatisfied. The author skillfully established conflicts and character settings in the first two stories, performing exceptionally well from both the reader's perspective and the story's internal logic. If the later "chasing husband" arc is handled well, it could definitely become a model and benchmark for such stories. The third story, however, perhaps suffers from the author's failure to properly manage the character settings; there's a significant difference between a "naive and sweet" character and one with high blood pressure. Overall, it's hoped that the author will continue to work hard and bring this story to a perfect conclusion.

As an author, I inevitably encounter insults from low-quality readers, malicious smear campaigns, and criticisms from perfectionist readers who readily offer even minor flaws or simply because the characters or plot don't suit their tastes. The most dangerous thing in writing is when an author tries too hard to please readers by frequently changing plot points and characters. This might please some readers, but it immediately attracts criticism from others. Changing plot points and characters only creates a sense of inconsistency between the beginning and end of the story, which is unfriendly to normal readers. Simply put...