After waking up, Yun Yan transmigrates into the body of a sickly, dimwitted girl with the same name, in an apocalyptic world. Either she becomes zombie food, or... (Use your imagination for what comes next.)
Ye Ziyao, her childhood friend who was reborn from twenty-one years into the apocalypse: "Yanyan, those zombies are so weak, what are you afraid of? Watch me take one down in a single slash."
Yun Chen, her older brother and a big shot in the future, puffing on a cigar: "Yanyan, stay behind me and watch closely. Time to show off. I'll turn everything around."
Meng Yuxiang, the Zombie Queen, holds Yun Yan and says, "Yun Yan, come into my arms. Come experience the joy of corruption with me."
Come see how the frail, dimwitted girl Yun Yan gets carried through the apocalypse.
Author, is this story primarily about a dominant or submissive character? Is it one-on-one or one-on-many?
The innocent and adorable Yunyan could only deceive herself into having a clone, Yun Xiaoyan.
Now the author has over 190,000 followers! Does that make me a long-time fan? I hope the author does well! 🙂
Double update today, but the second update might be a little late.
Actually, I think the author is in a rather awkward position right now, simultaneously straddling the post-apocalyptic and infinite flow genres. If you focus on the main plot, the time-travel portion of the story has to be shortened and can't be too long. But if the time-travel portion is too short, it feels like the emotions aren't well-developed (in my opinion).
A second trip?
I really enjoyed this book; the opening, the setting, and the character descriptions were right up my alley. Now, having read up to chapter 48, I feel my enjoyment has declined a bit. It reminds me of the author's previous comments about how they've hit all the wrong spots in post-apocalyptic and infinite flow novels. If I had to offer some suggestions, it would be that giving the protagonist a power-up in a few paragraphs is more satisfying than giving them one in a row or two. The second part of the journey somewhat diminishes the tension and urgency of the post-apocalyptic survival. The idea that the protagonist will grow through the journey seems a bit far-fetched. After all, the more the protagonist travels, the more the supporting characters feel like mere plot devices, and the less emotionally resonant they become. Aside from the power-ups and skill acquisition, the emotional impact diminishes. I'm thinking...
I only just realized this after looking for so long! The content of your book doesn't suit your frail and sickly condition!
Yay! Yay!
Thoughts after watching it all in one day
I personally dislike formulaic stories, so this book was a breath of fresh air. It's the first post-apocalyptic/otherworld novel I've read on SF, exceeding the traditional post-apocalyptic template of superpowers, bloodlines, inheritances, and time travel. Instead, it focuses on characters bringing back cultivation achievements from other worlds to enhance their strength. While it has a bit of anime/crossover feel, I still give it a good review. The author's definition of strength is rather vague; character ranks are often only mentioned after several or even dozens of chapters, and the author intentionally reduces direct combat scenes, making it easy to forget the characters' strength. I remember Meng Liuxiang's ranks from three to six being mentioned, but he often silently broke through after several dozen chapters, without any deliberate emphasis on the post-apocalyptic setting...
Lots of fresh ideas, a coherent plot, good writing, and completely free—it's incredibly generous!