I Refuse to Become the Princess of Fusang!

Greetings, esteemed readers. This is Gongzi. This book review is a response to the previous review, "Memories." To be honest, I've pondered for a long time how to write it, and even whether I should write it at all. I was quite annoyed after reading the previous review, though I'm not one to easily lose my temper (those of you who have interacted with me in the group should know this). Especially when it comes to readers' words. I always address my readers as "esteemed audience members" because I sincerely thank everyone who clicked on "Fusang." Whether you've added it to your favorites or not, you've definitely...

The title states the attitude. Ahem, now let's get to the main content. In recent years, Chinese animation has shown a rapid development trend, with a series of excellent anime being adapted into animations. As a frequent user of Bilibili, I've seen excellent works like *Rakshasa Street* and *Fox Spirit Matchmaker*, as if the spring of the anime world is about to arrive. Thinking of the large portion of Japanese anime that consists of light novel adaptations, I decided to check out the development of Chinese light novels. The moment I opened the SF website and saw the book *I Don't Want to Become a Japanese Princess!*, I... Think I understand what love at first sight means. "Crossdressing," "pseudo-yuri," "training"—a...

The cross-dressing style in the ancient Chinese setting has a unique charm. The author's writing is excellent and delicate; the courage to write a novel with an ancient Chinese feel shows that they are well-read and have a strong grasp of their craft. Indeed, whether it's the grand scale of war or the delicate portrayal of romance, the author showcases their mature and unique writing skills in this work. They have successfully constructed an alternate historical world with well-developed characters and a high level of immersion. Of course, the various "TJ" (a euphemism for sexual acts) poses are also admirable. However, more detailed war scenes and a clearer division of power would have made the work even better. Keep up the good work, veteran writer!

Hello everyone, I'm Coconut Sauce. This book review only expresses my personal opinion, and there may be some inaccuracies, please forgive me. [Due to various reasons, this review only covers up to the first volume. If you want to know the rest, beg me! (Scratch that!) Readers who want to know the rest can enjoy reading it themselves; your writing is far superior to mine!!] First of all, I must say that the first three chapters of this book are extremely captivating. I remember I was preparing to sleep when I was suddenly jolted awake (not because of any fan service!). The story's setting is somewhat reminiscent of ancient Japan. The beginning is very self-respecting...

It feels like the author often finds themselves in a dilemma. They want to write a Warring States period version of a prince's revenge, yet their deliberate plot manipulation inexplicably leads them astray, resulting in many unnecessary scenes. Besides the somewhat disjointed plot, the overly simplistic and one-dimensional character and storytelling create a sense of artificiality for the reader. For example, they want to portray Hua Jian as kind and resourceful, but the mindless inclusion of dialogues about rescuing soldiers and little girls, lacking focus, makes the characters even more one-dimensional. Sometimes, trying to create more perfect characters backfires; simpler content might be better...

Before writing this review, I need to follow the usual book review convention and recommend my own book, *The Perfect Me and the Extraordinary Life!* Okay, now it's time to write the review. How should I put it? *I Don't Want to Become a Princess of Fusang* leans more towards romance. The author's writing style is quite mature, but it still feels very sad, which is my least favorite style because it's easy to get caught up in the emotions, and that makes me unhappy. So I prepared myself before reading this book, and indeed, the author's writing is excellent; even casual dialogue...

Terrible review! My scathing criticism is in full swing! Giving a full star rating is just a personal habit; this is only about the work itself and has nothing to do with the author. Just my usual casual book review! This is simply a personal opinion; I have no right to represent anyone else or any trend! I take full responsibility. If there's anything inappropriate, well, you've already pointed it out, and I don't know how to delete it. I stumbled upon this story while chatting in a group. Seeing its good ratings and the author seemingly being a young boy, I decided to take a look. At first glance, it seemed normal: a typical plot development, some fan service, and a reasonably decent narrative. Okay, I really can't keep this up...

This is a book I often see on the homepage, so I was already quite familiar with its title and cover before even reading it. Let's set aside the effect of the title and cover for now; as a dark horse in SF's market, discussing these things isn't particularly meaningful. I believe the author would prefer me to dedicate more space to the book's content in this review. The book's descriptions are quite detailed, employing a somewhat archaic style. As a reader without much systematic study of this style, I find it difficult to judge it from this perspective. Judging from the various nouns and language style throughout the text, the author...

Sister Yezi, you've been late with your update for over a year, and I finally couldn't resist writing a review. *Fusang* is truly a wonderful book; it accompanied me through high school. I hope Sister Yezi can recall this neglected book during her free time while writing *Lord Lucifer*. I'm really looking forward to the next chapter. The strong and kind young master of the Flower Garden, Kui who yearns to become stronger but goes astray, the innocent Zhuli, Lin Yuewan who harbors ambitions for her younger brother, Shi Fangtong with his twisted love… I love every single character… So, Sister Yezi, I hope to see the next chapter; I'm really looking forward to it!

I suspect the author is a very perceptive person in real life. From his emotional portrayals and dialogues of each character, I can sense that it might be the author's own understanding of emotions in life—exquisitely beautiful, like a fine wine that intoxicates. I personally really like Luo Jiu because I'm worried about what Hua Jian said: "Everyone has selfish motives." People often try to change others using what they think is the best method, unaware that it's just their own selfishness. Perhaps I'm being sentimental, but perhaps it's also a reflection of the author's own experiences (similar things have happened to me, so I feel it particularly strongly). Also, the part about returning to Linzhou is truly the climax...