The Magical Girl You Called Might Be Offline

At first, I thought it was a bit cheesy, but given the magical girl setting, it was understandable, so I didn't really feel anything. Then I felt the protagonist's personality wasn't realistic, and the villains' behavior and thoughts were childish, but considering it was leaning towards anime style, I tolerated it. Later, there were various awkward and messy plots and references, but the overall logic of the book was still acceptable, and it wasn't unreadable even without thinking. Until the "overpowered protagonist" section in the third volume, around chapter 10, I really don't understand what the author's mindset was when they wrote it. It was extremely inexplicable and meaningless, truly the third major hurdle to turning away from. If I weren't a fan of...

Ahem, I just finished reading Chapter 7 of Volume 2, and I feel like there are quite a few things to complain about, so I have to vent and write a long review. First of all, there are some issues with the pacing and atmosphere of the story. Judging from Volume 1, the author seems to have borrowed a lot of worldviews from Japanese manga and combined them to form the current worldview, which is fine. However, the pacing and atmosphere are created too haphazardly. While Volume 1 clearly aimed to create a dark and cruel atmosphere with multiple factions clashing, it forces in various references and jokes, trying to give it a lighthearted and comedic feel. As a result, from my perspective, this makes the atmosphere chaotic and...

Well, how should I put it? I absolutely love this kind of writing. Since rating on a phone means writing a long review, let me be the third person to do so. The overall tone of the story is a subtle sense of oppression, but amidst this frustrating reality, there are occasional sparks of joy. Like the protagonist, who, despite recognizing his bleak future and destined to be forgotten in an eternal war, doesn't give up. Instead, he strives to capture small moments of happiness within this limited framework ╮(‵▽′)╭ It reminded me of how I felt when I first read my favorite Oregairu. Finally, I'll write...

Author, I spent my first money on a private server to support your novel!

This work is excellent, with each element seamlessly connected, and it's quite healing (or so it seems). The author is definitely a master; there are many foreshadowing elements, and there are moments that make you laugh, like with Cai Kun. But overall, it's very depressing and realistic. Take Teacher Yang, for example—isn't that a microcosm of reality? Like the Qiao Biluo incident (press F to enter a Tiger tank, hilarious), it's a microcosm of people's pursuit of beauty, and the price of that is equivalent to suddenly becoming 60 years old. You could say the author's work is very realistic, and the character development is very successful, at least that's my opinion. The humor comes from the fact that just when you think someone is a good person, they give you a huge contrast...

Here we go again. The better stories about marriage reversal are mostly on themes I don't particularly like. I have to give the author's writing skills a huge thumbs up. It's very depressing, really depressing, that kind of despair with no hope of escape, no way to resist. I skipped through some parts, trying to find joy in the everyday. No. It's a tragedy from beginning to end. Moments of happiness are immediately drowned out by boundless pain and humiliation. Only my memories can bring you warmth… this kind of humble joy. The protagonist lives in the past, and can never forget his great father. This establishes the oppressive tone of the entire novel from the very beginning. I really hate this feeling…

It ended so suddenly, I didn't even have time to react. I thought I could continue enjoying my daily life, and then it was over.

My chuunibyou (middle school syndrome) is off the charts!

Is she going to marry her brother?

I feel there's a high chance this book will be used for a brother-sister marriage.