The Witchcraft Agency

I am honored to write this book review at the author's invitation. In terms of word count alone, this book is still in its early stages, so this review will only consider the content of this one volume. Below is a summary of all the strengths and weaknesses, along with my rating of the book. Strengths: Unique world-building, well-reasoned, decent writing style, stable updates, no major flaws, suspense and conflict, substantial content, and relatively well-developed characters. Weaknesses: The title is a drawback, the dialogue is weak, and some scenes are depressing. If I were to rate this novel out of 100, I would give it an 83. Next, I will give my...

I've seen your eyes, and you're the one I'm most destined to meet. That's one of the reasons I'm writing this book review. What other reason could a die-hard fan of the "marriage-changing" genre write a review of a book about "changing to the Hundred"? Just read on and you'll see! Hehehe. I saw a reader tag for "The King and the Gluttonous Valkyrie" that said "The Most Miserable Internal Contracted Work." Once upon a time, I thought, like that reader who gave it that tag, that "The King and the Goddess" was the most miserable internal contracted work. Then I saw Xi Ba Wang's "The Witchcraft Agency," and I knew I was wrong. There are many hidden masters out there; Xi Ba Wang is the most miserable internal contracted master, okay? So, the question is...

Initially, I refused to write this book review. Writing a book review takes so much time; I'd rather play my mobile game with that time. But since it's a book written by that guy in my Shenhui (神绘) group, and he contacted me, I couldn't very well refuse. So, without further ado, let's get to the point. First, regarding my rating of this book, I'd give it nine points for the plot, since the story originates from the Shenhui world I created. As for the dialogue, I'd give it five points—a failing grade, a huge failing grade. This guy's dialogue is completely...

The beginning was quite good. Although there weren't many exciting descriptions or plot points, it was still very interesting and made you want to keep reading. The time-travel part was written somewhat hastily, which is a common problem for most time-travel novel authors. In fact, the events before the time travel, the process of time travel, and the inner thoughts after time travel are all very important. They not only allow readers to understand the protagonist's personality and past in advance, but also lay the groundwork for later plot developments. Although I've only read three chapters, the author's writing level is generally quite skillful, perhaps due to previous writing experience. The plot arrangement in the early part of the novel shouldn't be too rushed...

Because of a monthly pass and a few drinks from Shinbaji, I'm writing this book review... Well, although this is my first time writing one, and I'm a hopelessly lazy person, I'm doing this for money... So I'm going all out! Ahem, let's talk about the world setting. Shinbaji uses Tang Jie's Divine Painting Continent world view, so I guess you could say I'm borrowing from someone else's work, but correspondingly, I'm also subject to their limitations. Although Tang Jie's map is very grand and complete, I'm really speechless at the bizarre place names like "Eastern Sugar Land" and "Nokia Empire." Come on, give me an OPPO United Nations (not really). Plus, Shinbaji himself has also dabbled in Cthulhu Mythos...

Why isn't this book a hit? It's clearly well-written. Is it because people who like anime and manga don't like supernatural stories?

To be honest, I have a special feeling for this book, and I feel quite uncomfortable every time I see its dismal condition in my collection.

Looking back now, they're all full of memories.

How nostalgic, to relive it again.

You're still holding up!