Born with a God-Tier Comedy Performance System

Traditional crosstalk is in decline, while most mainstream sketch comedy forces tearjerking sentiment and praise for the authorities, with few laughs that truly connect with ordinary people. Small independent theaters struggle to survive, and capital monopolizes variety shows and talent competitions. The industry is rife with connections, rewritten scripts, and the worship of traffic. Meanwhile, genuine masters of traditional arts are treated miserably. As for me, after five years in Beijing, I have done odd jobs at theaters, carried props, operated spotlights, and played bit parts. I have filled a whole notebook with jokes, yet never had a chance to take the stage