The Annals of the Five Provinces

The "wildness" of Song Xuan's character is fascinating. She is not the kind of traditional heroine who is "weak first and then strong", nor is she a conventional character who suddenly cheats by awakening her bloodline. Song Xuan's strength grew from his bones. Catching chickens at the age of one, biting cats at the age of two, beating dogs at the age of three, and becoming the leader of gangsters at the age of eight - this almost absurd childhood experience just constitutes her most charming background: she has never been disciplined by the world. In most fairy tales, the heroine's growth is often accompanied by implicit narratives of "learning to be gentle," "learning to give in," and "learning to overcome strength with softness." But Song Xuan doesn't need it. She is arrogant, domineering, and unreasonable. She punches directly when faced with injustice and draws her sword when faced with conspiracy. This kind of "beast-like agility" and "combat sophistication" are not golden fingers given to her by the author, but they grew naturally from the free-range education she received from her father, Dr. Song, in Anning Town since she was a child. What's even more rare is that her strength does not come at the expense of her femininity. She loves beauty, food, and knows how to act coquettishly, and she also knows how to appreciate Tu Changqing's beauty and intelligence. She doesn't need to "be like a man" to gain respect because she is the rule maker herself. When she says, "There is no better daughter than a mother," her natural confidence is the most touching highlight moment in the book. There is no need to explain to be strong, the wild does not need to be tamed, and women do not need to be perfect.

The dispute between the people of Xizhou and Nanzhou over the gender of God Xuanhua is so interesting. A relationship between master and disciple, admiration and following, has aroused the soul of my master and disciple Xipi. I wonder if there will be a good master and disciple in the future?! I'm really looking forward to it, I must have it! Keep chasing

Song Xuan is very powerful and speaks with his fists, while Tu Changqing fights with his head and conquers the world. The two are a perfect match. Song Xuan's final decision made me quite emotional. She has a kind of transparency of "If I don't go to hell, who will go to hell". Although she has always been brave, she also hopes in her heart that someone will understand her, believe her, pity her and love her. The final grievance made me feel heartbroken. Fortunately, Tu Changqing really understands him and is indeed wise and responsible. The two of us can see that my heart is soft🥺We want to be together.

The group portraits in this book are really well written, and every supporting character is not a tool. You think you have defined people, but in the blink of an eye there is an unexpected development. The characters are three-dimensional and forward, shining with their own light.

The role of Song Xuan is very interesting. Her freshness has not been disciplined, so she is a very fresh person. When I look at her, I feel as if I have also lived a fresh life.

The worldview is carefully set, and the races, beliefs, and systems in the five states are all related to each other. From Zhongzhou to Beizhou to Nanzhou to Xizhou, every new map is like playing a Japanese RPG, and the freshness is always online.

The plot of the story of the Highway Fairy Tale is broad, with Song Xuan riding a horse and wielding a sword, and Tu Changqing holding a scroll to trace the story. They go from mutual distaste to concentricity, with a full sense of contrast between the literary and the military. Travel across the five states and kill all the demonic mist. Anecdotes from various places hide various emotions of people's hearts. Underneath the laughter and adventure, there is a two-way journey across life and death.

Readers who are familiar with Juhua Sanli will always find a unique relaxation and sincerity in her writing. There are no deliberately piling up entanglements and sadomasochism, and there is no suspended and empty fairy tale world conspiracy. Her story is always light on the outside, affectionate on the inside, gentle and sharp. The female protagonist travels around the world with force, while the male protagonist uses pen and ink to observe the world and discern people's hearts. No one is dependent on the other or accommodating to the other. It is a fetter where evenly matched opponents support each other.

I watched it again, very happy, lively and interesting. Song Xuan is so cute! He is really a man who attracts cats and dogs and beats the whole town. How can such a person get married? Then break off the engagement, haha.

This book is full of a sense of fate, a tragic fate in the past life, the male protagonist sacrifices for the female protagonist, and the female protagonist only belatedly realizes that the male protagonist likes her. But in this life, the female protagonist and the male protagonist are much better. The female protagonist is more knowledgeable about people, and the male protagonist is not so soft. One has full force value, and the other has a walking knowledge base. The two work hand in hand from confrontation to sweetness. The settings of each state in the world are also very unique. It is a very interesting book.