Shu Embroidery

Love words are all learned, but loving you is true. This book is really good.

At the invitation of Qi Shi, I am writing a thousand-word review for my beloved Mr. Qunfang. "Shu Embroidery" is a book that requires careful reading. It tells the story of the heroine Shen Chuqing who participated in this embroidery feast (Embroidery Grand Prize) as an apprentice of a famous master when she was studying art. This banquet not only fully demonstrated the history and development of Shu embroidery, but also popularized science about the characteristics and origins of Su embroidery, Hunan embroidery, and Guangdong embroidery, which have been included in the intangible cultural heritage list at the same time. While Shen Chuqing personally participated, she was also like a tour guide and a bystander, using her perspective to lead us readers to a deeper understanding of embroidery culture. I have read several other books by Shi Qi, and each of them resonates with people. The friendship between Feng Lao and Su Lao in "The Bamboo Carpenter" made people cry. In "Shu Embroidery", although there is no dramatic story point, the beauty of human nature is vividly expressed. The kindness of the Shen family, the helplessness of Jiang Wenxuan, the longing for family love of Jiang Yan, who has both high IQ and EQ, and Feng Li, who lives a superior life, does not always go as he wants. Shen Chuqing's resistance to her life experience and her restraint in wanting to recognize her relatives, as well as her respect and awe for her teacher, are all fully demonstrated in Shi Qi's words. The exquisite embroidery works displayed one after another, especially the detailed description of Qin Liang's jade python phoenix shirt, brought the image of the heroic female general to life. The various displays of dragon culture gave me the illusion that perhaps the real protagonist of this book is actually Mr. Qunfang. The beautiful flowers in the provincial capital and the quiet beauty of Qunfang Garden formed a contrast between Xuan Ming. Mr. Xuan Ming had gray hair on his temples, was knowledgeable and talented, and was arrogant while retaining his nature of being at odds with himself. The superficial dislike of Shen Chuqing is not a sign of recognition. No matter how much she likes the lively Sangzi, how much she agrees with the diligent Han Jing, or how much she tolerates the enthusiastic Feng Li, she has never thought of accepting them as her disciples, because in her mind, Shen Chuqing has long been unique. Perhaps when he accepted Shen Chuqing, he was more or less willing to show off his skills, but after getting along with him, he gradually recognized him, and the protection of Shen Chuqing's master at the embroidery award moved the gentleman's somewhat closed heart. Speaking of Xiushou Yangzhen, it is really heartbreaking. It is precisely because of her existence that the world understands Mr. Qunfang's strict requirements and persistence in the inheritance of skills. Shen Chuqing cleverly became Mr. Qunfang's hope and Zhou Yang's hope at the same time. The moment when Qunfang Garden became lively also indicated the Xiulong people's open-mindedness. When it comes to education without discrimination, we have to mention Anjing's Double Needle Tang. Tang He does not accept apprentices, but only establishes embroidery studios to provide a learning platform for all those who are willing to learn embroidery, and to provide a stable income for all ordinary embroidery girls. Perhaps in the future, there will be specialized embroidery schools... Seventeen uses three generations of embroidery masters, old, middle and young, to frame the contemporary development process of Shu embroidery. Mr. Qunfang, Zhang Mingqiu and Shen Xingye represent the famous teachers of the older generation and the senior teachers with unparalleled virtues and skills. Shuangzhen Tang, Master Hao, Zhang Zixing and Ziyu represent the second generation of embroiderers. Whether it is the hosting of the Embroidery Grand Prize, the holding of the Anjing Local Competition, and the joint efforts to reform copyright issues, it is all for the embroidery industry to become more standardized in the future. The third generation refers to young embroiderers such as Shen Chuqing, Sang Zi, Yang Qi, Han Jing, and Peng Shaolie. They have the spirit of diligent study, broad vision, and colorful ideas. They want to pursue the flourishing scene of a hundred flowers blooming. It is precisely because of their youth that embroidery becomes more and more dazzling. Although there is relatively little portrayal of Shen Chuqing's growth path, Zhou Yang's return is the best recognition of her achievements. Still saying the same thing, I want to read the stories of Shu Xiaosheng who devoted himself to painting dragons, Shen Xingye who built up his business, Zhang Mingqiu who ran Yijin Pavilion, and the domineering and arrogant Mr. Qunfang when they were young. (Please ask for a prequel, please ask for a prequel, please ask for a prequel) Important things must be said three times.

This book is so beautiful, and the characters are vivid and vivid. As the characters appear, the embroidery knowledge and culture that I didn't know are presented one by one through various competitions, family ties, teacher ties, nostalgia, friendships... All kinds of friendships are complex but sincere, simple and touching. The protagonist is embroidering, but he is actually embroidering culture and spirit. Embroidery is no longer embroidery, every stitch and thread is love, and it is an exquisite and broad cultural inheritance and spiritual inheritance.

This is a connotative, meaningful and in-depth work that is rare nowadays. I admire the author's deep understanding of the intangible cultural heritage projects of the motherland and pay tribute to your profound efforts in the early stage. It is definitely not what those haphazard things can achieve. After reading the author's article "The Bamboo Craftsman", I couldn't stop reading it, so I immediately found your novel and continued reading. I particularly like the rich folk flavor and pyrotechnics in this type of writing. Thanks to the author for sending us such good spiritual food, and I look forward to reading more of your good works.

My knowledge of Shu brocade and Shu embroidery began with the costumes of concubines in court dramas. After reading this book, I understand that traditional culture is profound and profound, and that ancestral things need to be excavated and passed on. It is undeniable that it is a good book worth reading.

It is well written and introduces Shu embroidery in detail. You are very attentive. You must have checked a lot of reference books to be able to explain embroidery in such a detailed and clear way. Thank you for your hard work. I support Seventeen. He is a rare good author who pays attention to cultural heritage and concentrates on writing about cultural heritage and customs. He is full of positive energy. Qimao has meaning because of you, 🌹🌹🌹🌹🌹🌹🌹🌹🌹

Good subject matter 👍

"If a worker wants to do his job well, he must first sharpen his tools." Mu Shiqi must have done enough homework before writing this story, and he was able to tell the story while interspersing it with knowledge about the historical development and changes of embroidery. After reading it, it aroused a strong sense of respect and pride. The love, persistence, noble quality and superb skills of the old and new embroidery masters all deeply affected me... I am lucky enough to read such a masterpiece, and I feel that the time spent is worth it. Give the author a big thumbs up

Absolutely amazing! The author's writing style is really good. I followed every article carefully! It's all related to intangible cultural heritage, it's really beautiful! ! !

It's a very good book, but it's updated too slowly. Every day I see that the book is not updated, so I want to delete it, but I still want to know what's behind it~ I'm confused if the author doesn't update it~~😭️😭️😭️😭️ Please update it soon