An American Comic Life That Begins with a Killer

It looks good, even if the male protagonist's cheats are very special, he can still write about them and give up the previous cheats. Just after the male protagonist started to become a super god, the second stage of cheat stealing was deliberately abandoned by the author. Logically speaking, stealing this ability can also steal superpowers from mutants. The protagonist destroyed many mutant clone bases, but none of them were stolen. Moreover, the author doesn't care about the male protagonist's measurements. If the measurements directly overwhelm the villain, many plots would not be written at all. For example, the male protagonist's clone was transplanted with ten mutant abilities. The male protagonist can actually blow him up physically without having any superpowers.

It was okay at first, but then it got worse and worse, and to confuse the plot, there was basically no father-in-law, only one girlfriend that Gwen never slept with until her death. It should be written by a female author or a pseudonym called The Harem is really about a eunuch visiting a harem.

No character in the Marvel plot dares to move, because the author has no ability to construct the plot and only dares to use the title of a killer. In fact, he is not worthy of being called a killer at all. While saying that it has nothing to do with whoever dies, he also looks forward and backward. This one has something to do with his girlfriend and cannot be killed. That one has something to do with the main line and cannot be killed. Another one saw my true appearance. It was not mentioned in the mission that he cannot be killed. The people he killed were all people who had nothing to do with the Marvel plot. This character is outside the main line of Marvel. I think when reading fan fiction, you want to see differences and changes or the protagonist's own story, rather than retelling the Marvel plot from Hawke's perspective. What's the point? Marvel has a huge worldview, and Hawke can completely make himself part of this worldview. Whether he is a decent or a villain, he is better than a meaningless character attached to the main line. On the one hand, the protagonist has not stepped out of his own story, and on the other hand, the protagonist has not made any changes to the main line of the Marvel story. So what is the point of reading this novel? Why don't I just go to the movies?

It's too watery. You can change the name to "The Story My Father-in-Law and I Have to Tell"

It's quite der

Use American comics as a framework to write different stories. The main plot is just a background board, but the characters are all familiar and not out of character. The protagonist has a lovable personality and is not irritating

It's hard to watch, your subject matter is Marvel! The writing is too niche. I think I'm smart, but I'm actually very stupid. The writing is too rough. There's a lot of nonsense, I can't write the heroine part, I feel like the word count is too low

She is indeed the famous queen of American comics. Although she is good-looking, every one of her books is extremely slow.

It's simply outrageous. A Marvel novel is written as a detective story. A novel with more than 400 chapters has almost 100 chapters all being the same story.

I've seen about a third of it, except for the Skrulls, S. H. I. E. L. D., And all the killers. Only one member of the Avengers appeared, Hawkeye, who was defeated by the protagonist. I didn't have time to wait for you to write about the Battle of New York.