The Song Dynasty’s One-Strike Blade

The early and middle stages were good, but the later stages were a bit boring. From the beginning of building the hospital, there was no main line, no depth, the same routine of seeing a doctor, seeing a doctor, and writing one or two chapters for each patient, and the plots were not connected at all. An important plot, such as being framed and beaten, can be a deep plot, but after the beating, the protagonist has nothing to do with it. If a scapegoat is found, the plot is over! The male protagonist and his whole family were under house arrest. It was supposed to be a well-written and exciting plot. However, I was worried and frightened for several days. When I came out, I found out that it was just a show and the plot was gone. Then the bombings were talked about in general terms again! The heroine saved a few people during the emergency, but she didn't even get off the operating table during the emergency surgery!

The plot is okay, you can watch it. But you really have to overcome your own mind's auto-correction and self-serious behaviors. After all, the director of the emergency department in his twenties time-traveled into the body of an eighty-nine-year-old child. From a Shudi village boy whose parents both died, he worked in six years to become the first surgeon in the Song Dynasty (not a fiction, it is really the Song Dynasty). No one can do it except the keyboard.