Tales of Herding Gods

Is the story about a cultivator who went from scratch to become an invincible god? No, I feel like the main character has always been a person, a real person. The protagonist's innocent heart, kind heart, innocent heart, compassionate heart, brave heart, intelligent heart, and cunning heart. A person who moves forward at the same time creates a road, keeps moving forward, and inspires others. A person who longs to seek the truth but has no choice but to give up his own path of seeking the truth and shed a tear. Perhaps he had always understood that he had given up on the girl he liked, but it was not something that should be done right now. Qin Mu has an innocent heart. He grew up in Canlao Village, then went to Daxu and then to Yankang step by step. He experienced countless life and death situations, but his innocent heart has not changed. He has a broad mind and never cares about anything. Even if everyone calls him a big devil, he will not be angry and he will wholeheartedly serve the people of the world. The beginning is simple and clear, but it also lays down deep foreshadowing, which just proves the author's undoubted writing skills. A magical jade pendant that can protect babies from darkness, the mystery of the surviving child's life experience, and a strange village. The compact and exciting plot deeply attracts readers to read further. Outside the four bodies? Mortal body? Dominant body? Qin Mu was just an ordinary mortal, but he carried the hope of the entire village. The fact that he was a mortal was concealed by the village chief and the pharmacist, and they made up the theory of a hegemonic body in addition to the four bodies. Qin Mu also always insisted on his belief that he was a hegemonic body, but he never expected that the lie would become true. The plot has a big twist, just as the village chief said, "As long as you have faith, the mortal body will be the dominant body." Qin Mu has been practicing hard all day long and has always adhered to the belief of hegemony. He has the courage of a newborn calf who is not afraid of tigers. Only when he dares to break through can he open his hidden spiritual wall and make himself stronger. The pearl will never be covered with dust, but the dust on the pearl must be wiped clean by yourself. Just like Qin Mu, only by studying hard and exploring can he slowly grow and progress, and one day he will reach the top. The protagonist's ideas in the process of strengthening himself also have room for development. People must keep pace with the times, create new cultivation systems, magical powers, reforms and innovations, and not stick to ancient ideas. There are thousands of avenues, and finding a new path is the kingly path. A new path can last longer, and talents can keep making progress. I think this concept is also necessary for social and human development. It does a very good job of combining stories with science and ancient wisdom. It may not be the best, but it is really rare to be able to write fantasy to this extent. We learn to be kind, strong and work hard while reading the book. "As long as there is faith, the mortal body will become the dominant body." This is what the village chief said. I like this sentence very much. Qin Mu was originally a mortal, and the fact that he was not a hegemon was concealed by the village chief and the key. He firmly believed that he was a hegemon, trained hard all day long, and persevered, and finally he really became a hegemon. As long as we work hard with a kind heart, we will become our own nobles.

I stayed up until 4 a. M. When I was in high school. Now I am reading it for the second time. It is very well written. Most of the characters in it are very profound and realistic. The Great Master who is greedy for life and fearful of death finally died to save the people, Wei Suifeng who keeps working hard to become a saint, Yu Tianzun who is devoted to the Tao and the Imperial Master who never forgets his original intention, Emperor Yanfeng. The plot is even more outstanding, interconnected, digging holes in the early stage, starting to backfill in the middle stage, and basically filling in the later stage. The village chief blew up the legend of the Overlord, the Emperor's White Sword God saved the protagonist and the protagonist became the Emperor's Sword God, and the Ten Heavenly Lords in the middle stage were as intriguing as The Legend of Zhen Huan. All I can say is that it is still the best fantasy novel I have ever read! (I've also read the "Zhetian" trilogy, "Jianlai Lai" and "Lin Yuan Xing", but I still prefer "The Shepherd God")

Stop watching it, give it up. The plot is scattered, and there is no main thread that runs through the whole text. It is written completely at random. Wherever the protagonist goes, there is no destination. The second is that there is no level division. There is no level or proficiency in martial arts. After reading this book for so long, I have no idea what level the protagonist's martial arts is in the world. A mess

I watched The Shepherd God for the first time in seventh grade. At that time, I saw it accidentally and thought the introduction was very interesting. After watching the setting of Don't Go Out After Dark, I was immediately attracted to it. I began to wonder why there was such a setting. Zhai Zhu is a very good storyteller. He is very good at laying a lot of foreshadowings inadvertently, and some inconspicuous little actions may be related to the development of the entire plot. The protagonist sometimes looks like a silly roe deer, and sometimes the things he does make people laugh. Especially the interaction with Long Qilin, a living treasure, sometimes makes people excited. I still remember the sentence "Kill the son to pay for the drink." Every character in "The Legend of the Goddess" is very full, they have their own story and their own charm, even the villains have their own characteristics. You will often be obsessed with your life-long Taoist friends, sighing that even if they come to kill you, they will still be polite. I seem to have entered a world of martial arts. When I was in eighth grade, I read "The Shepherd God" again. At this time, I began to think about the meaning of the reform. It is no longer limited to the character dialogue and plot. I began to appreciate the persistence of the protagonist and his friends. I began to understand why Shi Tianzun wanted to suppress Yankang. I feel more and more that The Shepherd God is a masterpiece. It is not only a fantasy novel, but also a history of political reform. After the death of the great master, I began to understand the sentence "You can't be too bad to good people, and you can't be too good to bad people." I have read The Shepherd God four times now. I remember every character in it and every plot is clear to me. I have also begun to read The Shepherd God carefully. It is not perfect, and its ending is actually a bit vague. But even Hawking has not found a solution to the increase in the entropy of the universe. How can I ask you, a nerd? 🤔 This does not affect that it is a masterpiece. I hope that my comments can help many book friends understand The Shepherd God✊

The characters' personalities are basically the same. One moment they are serious, and the next moment they are making awkward jokes like a fool. There are all kinds of people in the world. I only wrote one of them, as if to highlight the out-of-the-box personality. But people with this kind of personality are rarely encountered in normal life. But here, the most common one is this kind of personality, or decent villains. They all have the same personality. So does the aloof uncle, so does the god, so does the teacher, so does the apprentice, so does the emperor, so does the minister, so does the good guy, and so does the bad guy.

It's very interesting to read, the villain is very intelligent, the main character has a big identity, so it's quite fun, and the laughs from time to time are also very interesting ("Overlord" hahaha). In my mind, it's a first-tier fantasy novel.

It gets uglier as you go to the back, it's so messy, it's so messed up that there's no logic. Jian Lai loses because the world is too big, but Mu Shen Ji loses because the timeline jumps repeatedly, which tests the author's strong control ability and the reader's patience. I really can't hold on until I get to chapter 1200, just like it doesn't matter whether Jianlai has been updated or not, or whether it will be unfinished.

The rest of it is full of rubbish. I saw the high comments and tried hard to read it, but I really can't stand it anymore. A monk with a low level of mortals wanders around fighting wits and courage with the highest gods every day, and he can't be killed. They all have a grudge against him. Killing him is easy, but he dare not kill him. What's the point of killing him? What's the logic?

Found a very strange phenomenon. In the article, the author always likes to talk about people who are on the right path: you talk to him about doctrines and he will reason with you; It shows that the author is advising people to seek truth from facts and be reasonable. But if you look at the comment section, some people say that this novel is not well written, and many people will blame you for not being able to understand it, and they won't complain about why others can't understand it. They will complain that you can only read white text, and you will not give anyone a chance to speak. Logically speaking, shouldn't those who like the author be reasonable? Weird! And this phenomenon is common in many popular novels.

Boring, really boring. I just watched 70% of it. I don't even know what you are writing about. It has nothing to do with passion or mystery. I don't know what the plot is about. As for the world view, I don't even know it. It's full of nonsense and a bunch of so-called truths. It was the first time I read a novel and I couldn't finish it. There doesn't seem to be anything outstanding in any aspect, so it's a headache. Even though I try my best, I can't stand it at all.