Futianshi

First, give "Futianshi" a total score of 99.9. The score is composed as follows: 1. The ultimate life experience is reversed, Ye Futian is actually the son of Emperor Donghuang, subverting the entire narrative +0.1 Points ​ 2. Jiuzhou asked for the title of god, and Ye Futian from the barren state swept the geniuses of the eight states. It was full of satisfaction +0.1 Points ​ 3. The Cottage protects the weak throughout the whole process, and the passionate friendship between the same disciples is particularly touching +0.1 Points ​ 4. The character design of Emperor Ye Qing is reversed, breaking the inherent impression of a tragic hero, and the impact is +0.1 Points ​ 5. Hua Jieyu returns from death and completes the character's growth arc, which is tear-jerking and complete +0.1 Points ​ 6. The two-way brotherhood between Ye Futian and Yu Sheng, no suspicion or betrayal in the whole process, pure and touching +0.1 Points ​ 7. Crouching Tiger, Hidden Dragon in Sifang Village sets a surprise, which becomes a key turning point in the protagonist's growth +0.1 Points ​ 8. The worldview progresses step by step, from Qingzhou Academy to the World of All Heavens, the pattern is steadily expanding +0.1 Points ​ 9. The ending is about the sublimation theme of confrontation with heaven, perfectly recycling the whole foreshadowing +0.1 Points ​ 10. I am from the same city as the author Jing Wuhen, and I focus on a related household, so I will directly add 99 points🙃 Next, I must make a few remarks: What makes me feel the most inconsistent is that this book clearly carries the core label of "killing decisively" and "refreshing writing", but the actual plot does not fit this character design at all. The most outrageous thing is that the core revenge line is completely unfinished: in the early stage, the protagonist was tricked by people from the two major colleges until his cultivation was gone, and he could only escape by pretending to die. Such a deep blood feud was left unsolved in the end, and there was not even a decent revenge; and the Lihuang Realm, which paved the way for countless conflicts and blood feuds in the early stage, was not even mentioned later, and simply disappeared out of thin air. Throughout the whole process, he was indecisive when he needed to be tough, and he was sloppy when he needed to be decisive. It completely failed to reflect the cool character of the text that the label should have. However, from the perspective of plot advancement, I personally can understand this design: the protagonist gives up some personal grievances in order to focus on the larger main plot and avoid the infinite revenge branch from slowing down the overall rhythm. It is also in line with his character growth and changes in the later period when his realm improves and the pattern becomes larger, and he is no longer obsessed with personal vendettas. Secondly, the plot has been criticized by many people for being too repetitive. From Qingzhou Academy to Huangzhou, Kyushu, Shenzhou, and then to the original world and the world of heaven, it is basically an infinite cycle of "changing maps - being despised and ridiculed by local forces - hiding strength and counterattacking - upgrading and changing maps again." The routines are highly homogeneous, and it is easy to get tired after watching too much. But looking at it from another perspective, this design is actually the core creative rhythm of Shuangwen back then. It can not only continuously and stably bring positive emotional feedback to readers, but also gradually complete the protagonist's growth line in a cycle. At the same time, it naturally unfolds an increasingly grand world view. It is an arrangement that is very suitable for the reading habits of online readers at that time. There is also the plot where the heroine Hua Jieyu dies in Kyushu. When I watched it, I was really upset for a long time. She was obviously the heroine who accompanied her all the way, but she was forced to go offline when the plot was rising, which many readers could not accept. But looking back now, this plot is exactly one of the most important turning points in the book - it not only completely stimulated Ye Futian's growth motivation, allowing him to move forward and break through the realm in order to resurrect his lover, but also laid the most reasonable foreshadowing and foreshadowing for the subsequent awakening of Hua Jieyu's remnant soul, catching up with the protagonist's cultivation after her return, and growing into a unique empress, making this character's arc more complete. Another thing that has been criticized by many readers is the plot where the survivors of the original world and the ancient gods of Kyushu join forces to ask for help, but Ye Futian directly refuses to take action. When I read it at the time, I thought it was completely unreasonable. They were obviously allies who could join forces, but they were pushed to the opposite side. But from the perspective of the main plot, this seemingly unreasonable plot is actually an important foreshadowing for subsequent development: this rejection not only planted the seeds of the ancient gods' hatred for Ye Futian, but also provided a reasonable motivation for the subsequent conflict between the two sides. There is also the problem of villain creation. The villains in the whole book are almost all carved from the same mold. From the children of aristocratic families in Qingzhou Academy, to the geniuses of Kyushu and the heirs of the imperial family in China, most of them follow the fixed routine of "having a good family background, putting your eyes above your head - mindlessly despising and provoking the protagonist - getting angry after being slapped in the face - asking the elders to help." The characters are too flat, and the entire process is forcibly reduced to set off the protagonist. There are many flaws in the logic. However, this kind of design is actually a very common technique in the creation of Shuangwen. The purpose is to maximize the highlight moments of the protagonist, using the arrogance and shortsightedness of the villain to set off the growth and strength of the protagonist, making the feeling of a slap in the face and counterattack more direct and intense. It is a plot arrangement that fully serves the core positioning of Shuangwen. Finally, there is the problem of serious expansion of the combat power system in the later stage. In the early stage, the powerful princes who were able to control an area became cannon fodder for mass production. Even the gatekeepers may be human emperors. The emperor who could rule the entire supreme realm in the past became a soldier who could be crushed to death casually in the later stage. The combat power setting in the early stage was almost completely overturned, and it became more and more dramatic. But this is actually a common design for very long fantasy online novels. As the world view continues to expand, the corresponding level of combat power must be matched to support the protagonist's complete growth line from an ignorant boy in Qingzhou Academy to a world powerhouse who can fight against heaven. Otherwise, it is easy to have problems with combat power being capped in advance and the plot being unable to advance. Of course, it may be that I have seen too many works of the same type over the years, and my requirements for this type of online writing have become higher. If I had read it a few years ago when I first came into contact with online writing, I would have found it very amazing. Moreover, this book is an old work many years ago. It is indeed a bit too harsh to judge the creation at that time with today's vision and standards. The above is just my personal reading experience, please don't comment if you don't like it.

Maybe Ye Futian is arrogant, narcissistic, venomous, and even a little sinister, but he always walks on the open road of cultivation: If you bully my family, I will bully them; if you humiliate my brothers, I will humiliate them; I will not kill innocent people indiscriminately, and I will not forgive sins. He dares to love, hate, do, take responsibility, pick up and put down; he is passionate and dedicated, cold and gentle; he was born in a humble age, but he pursues his godless throne step by step and never wavers. So he won, this heavenly law could no longer cover his eyes, and no one in this world could match him! So he kept walking forward, without fear of enemies coming from all directions, just because he had a beautiful woman by his side and brothers side by side.

Memorize formulas and write articles. . .

After reading about sixty pictures, I decided on a female protagonist. There were more than fifty chapters in which she was flirting with other women. Finally, in chapter forty-five, I changed places and went to find the female protagonist. I started meeting women on the boat again, and then all kinds of women. I really can't stand it anymore, it's just mindless flirting. Got it by cheating on ratings.

I read hundreds of chapters and can't stand it anymore. The details of the realm system, weapon fighting, etc. Are a mess, and I don't know what I relied on to practice, but I suddenly advanced. All the enemies you encounter have the same character, they are arrogant, look down on others, and nothing else, they mock and look down on them and then get censored. Can you have some intelligence? Does it do you any good to look down on others, even the protagonist? Are you so proud that you look down on others, but you are still in a good mood? The plot, of course, is to change the map, meet someone who looks down on you, and then. . .

I really finished reading it. In fact, this book was not good in the later period, but this book can be regarded as my youth. I read it again and it is really good.

The background of the story of "Futianshi" is set in Eastern China, where there are emperors who established Taoism, sages and sects preached, princes dominated a kingdom, and there were many powerful powers. The main line of the story revolves around Ye Futian, a talented mage who was mistaken for a loser because his soul was sleeping. As the Soul of Life awakened, Ye Futian gradually showed his true strength and began a legendary journey. Ye Futian is the protagonist of the story. He believes in his destiny and shows off to his enemies like the wind, but he treats his brothers and elders with sincerity, respect and love. There are also many characters with distinctive personalities in the story, such as senior brothers and sisters, junior brothers and sisters, masters and elders, etc., Forming a rich group portrait. During the journey of adventure and upgrade, the protagonist constantly demonstrates his wisdom and strength. He has the pleasure of being slapped in the face with passion and is also touched by the deep love of brotherhood. The story structure is tight and the plot is compact. Suspense is set up at the beginning. As the story progresses, the suspense is solved one by one, bringing surprises to the readers. The protagonist Ye Futian is confident and arrogant, and shows no mercy to his enemies, but he shows loyalty and trust with his brothers, respects his elders, and shows a three-dimensional character. As a group portrait work, the characters in "Futianshi" are rich and diverse, from brothers, masters and apprentices to beauties, each character has a distinct personality. Although the heroine's emotional existence is a bit dull, I felt that Futianshi was really well written in the early stage. It feels different from other novels and has its own route, and the growth process of the protagonist is also very eye-catching. However, when it ends in Kyushu, the main plot has not yet surfaced. The heroine Hua Jieyu was written to death in the middle of the emotional line. There were hundreds of empty chapters in the middle, and then she was resurrected. Xia Qingyuan is such a good princess, accompanying you from Kyushu to Tianyu, hanging Xia Qingyuan, and flirting with other powerful fairies in the middle. I wonder if your hair turned gray overnight because of Hua Jieyu's death in Qingzhou City. In the end, whether you really love Hua Jieyu. There are also descriptions of other characters. There are later characters, and the early characters are forgotten. Maybe the early characters can no longer keep up with the protagonist's realm, but it really seems unrealistic to completely leave out the previous characters. There should be more descriptions of psychological activities and relationships between them. For example, I, Ye Wuchen, have followed the protagonist for so long in the early stage, and his position has been replaced by the sword master of Lihen? I have been with you for so long for the rest of my life, but you only have one page, and you will become an emperor for the rest of my life? Secondly, the unclear realm will give readers an empty feeling. Without a name, it is an old man or a powerful person, which will confuse the logic. How powerful can this powerful person be to intimidate everyone? How strong can the gods be to ignore all the forces? Why is a series of exploitation all about me, Ye Futian, and you forget the warning of the Xu Emperor Palace and want to take Ye Futian away by force? Where else do you like to bring the younger characters with you, specifically for the chance to fight with Ye Futian for the rest of his life? However, the overall worldview is grand and rigorous, the story progresses smoothly, and there are no major problems.

Let's briefly summarize it! I found this book in the fantasy series. It begins 90,000 years later. Where is this place? Do you write spells and auras? What is the main thing to practice? Qin sound spell, isn't the qin playing out? Was it caused by magic? I've read more than fifty chapters and can't stand it anymore, all kinds of nonsense! My girlfriends are out, are the elements of immortality magic mixed together? Why not just introduce what kind of world this is at the beginning?

After the copy of Tianyu, it was obvious that the combat power collapsed too much. Princess Xia picked it up too late, as if she was forced to pick it up by the readers.

It's great. I've read a lot of interesting articles. The first thousand or so chapters in this book are full of ups and downs and fascinating. It's really a good article!