My Senior Brother Is Far Too Steady

I came here because of the name, and I read 300 chapters. The first part is quite interesting. The protagonist in the fantasy world hides his cultivation at home. When he goes out, he relies on his incarnation to do what he can. He is the only one who can maintain his stability to this extent. His new way of doing things is surprising. It's jaw-dropping. I've read too many hot-blooded novels and it's refreshing to change my taste. But it's hard to praise the writing style. This article contains rich funny colors. The author uses a lot of pen and ink to describe these points, especially psychological description. But many places in the back are just trying to create laughs. The first two hundred chapters are okay, but the rest are a bit broken. It is inevitable for the author to write so much and be repetitive. There is also the problem of my aesthetic fatigue. Maybe I can read chapter by chapter when I catch up, but I feel numb after reading too much, feel uncomfortable, and feel a bit embarrassed. This is why I rarely read books with funny elements. I have not seen a few books that can balance the two styles of seriousness and humor. Ever since I had this idea, this idea has been in my mind I can't get it out of my mind. Looking back, I feel that this book is a bit frivolous. Although it is not my cup of tea, it is not a bit better than the "masterpiece" of Tomato next door. That is, it is abandoned at the 30th chapter. I can't appreciate this book through colored glasses. I withdraw. I advise you not to read too much of a book at one time. Anyway, I am numb and have little interest in this book. Chapter 300 is a watershed. If you think it is interesting, continue. If you can't stand it, there is no need to continue. Chapter 300 is a test, and if it doesn't work, you can stop the loss in time. Maybe my laugh point is too high and I feel embarrassed. This book is still worth reading.

The protagonist Li Changshou is a novel in which the protagonist travels back to the prehistoric period. Ancient Chinese mythological stories are unfolded from the perspective of the protagonist, and there are always unexpected discoveries. The plot is very vivid and smooth, and the micro-expressions of each character are described very delicately. The writing is meticulous and not aggrieved. After reading it, you will have endless aftertaste. .

"The trees are beautiful in the forest, but the wind will destroy them." This is especially true in the world of cultivating immortals where the weak prey on the strong. If you want to have the last laugh, you must not show off your edge. This book can be said to be the best book on Taoism and immortality in my opinion. The protagonist of this book is a person who is cautious to the extreme. He does things extremely steadily, makes plans secretly, and plans cleverly. He never puts himself on the table. Of course, he succeeded in the end. Book friends who like Gou Daoliu, don't hurry up and get into the trap. First of all, this book is about a young man who travels to the prehistoric world. He is cautious by nature and has been developing in a wretched way. Unexpected surprises come one after another. Li Changshou opens the Gou school. Many supporting roles compete for glory and write a different wonderful story of Chinese classical mythology. Fighting against burning lanterns, fighting against golden cicadas, Fa Di Zang, enemy Taoist ancestors, calming monsters and suppressing dragons, high-energy plots, memory highlights keep appearing, three battles against the sky, and later The chaos of the Seven Emotions of the Earth, the Battle of Saints, Zhao Gongming, the God of Wealth, the King of Porcelain in the Ancient World, and the constant battle of wits and courage with the Western religion, the mortal love story of the Jade Emperor and Queen Mother, the past and present life of Ling Zhuzi, Yang Jian's script of conquering the sky, live broadcast in the Moon Palace, fishing in the ancient times, Ksitigarbha's descent into hell, the Great Tribulation of the Gods, the Small Tribulation of the Journey to the West... Funny and passionate intertwined, the protagonist and the supporting role take turns to shine, and finally become a giant in the ancient world. Secondly, let's talk about the author and writing style. The author of this book is very good at writing relatively relaxed articles on immortality, and the quality is guaranteed. The overall atmosphere of this book is also relatively relaxed. Although there are some descriptions of the struggle to cultivate immortality, it is not too detailed, so it is more suitable for book lovers to relax through this book. Finally, let's talk about the characterization of this book. The protagonist of this book is really outstanding. That image of going to the extreme is really deeply rooted in people's hearts. For example, descriptions such as "The success rate of overcoming the tribulation is 98%, rounding it off, what's the difference between sending someone to death?" Makes the setting very stable. In addition, the protagonist of this book does not just talk about it, but his actions such as "super meal package" and "white paper doll" reflect the consistency of the protagonist's words and deeds. It's not like the protagonist in some novels who says one thing but acts inconsistently with it, leaving the character with a sense of separation. Of course, the supporting characters are also well portrayed. I like the Monkey King very much, it fits the image I have longed for since childhood. Yunxiao's "kneeling down" is still fresh in my memory even though it has been three years since the book was finished. In short, this article is an excellent article on cultivating immortality. The description always reveals the cautiousness of the protagonist, but without losing humor, without being ruthless, without being a virgin, and with a human touch. Personally, I think this kind of protagonist is really good; the characters are very vivid and full-bodied. The longevity of Gou, Ling'e's brother-chasing, the piano... Um... Poisonous, Jiu Jiu's free and easy, etc., Etc., Made me couldn't help but twitch the corners of my mouth, thinking it was wonderful. The word "stable" is used throughout the entire text, which is wonderful. The emotional issues in this book are also very wonderful. Because of "stable" and "gotten", longevity will not have too many violent fluctuations in relationships, and it will be smooth and smooth. The story is wonderful, thank you brother for the laughter and touching moments.

The steadiness of Shou, the playfulness of E, the gentleness of Yun and the cheerfulness of Gongming, the yin and yang of Taiyi and the senior brothers of the three religions (except the archmage) may seem simple but are actually full of scheming. Of course, there is another side. Shou put down his previous firmness and faced Master Tiandao when Qiyuan Lao Dao was sprayed to death by Jinwu. Ling'e put down her previous weakness when Duxian Sect was robbed and opened the Small Qiong Peak Formation to protect her fellow sect. There is also Yun Zai's majesty among those close to her (the kind that can make Jiejiao kneel down more than half when he kneels down). Many of these stories are either funny or touching. The most impressive one is that the Fire King Suiren led the human heroes to rise up and fight against the sky. After locking the selfish desires of heaven with his own life, he passed the human fire to Shou. Later, Shou returned the fire to Nuwa. I couldn't help but shed a few tears as I wished that the fire could bring you some warmth. All in all, it's good-looking and worth a look!

It is indeed very solid. I fell asleep several times while watching it. The plot is as bland as water. It is said that the background is in the ancient times, but hundreds of pictures still focus on describing life in Xinshou Village. There are only a few pictures of the outside world. I can see the protagonist Gou, but the process of the protagonist becoming stronger is inexplicably written. A few strokes, anyway, they are always a little bit better than the new supporting characters, and then you spend a lot of time on the sinister villain supporting characters. You have to portray the protagonist without causality, and you have so many supporting female characters. What on earth do you want to write? I was confused, and I skipped the plot to watch the drama, but it didn't affect me.

This book is worth reading, but there are some problems. First of all, from the beginning to the middle, it has been laying the groundwork for the Great Tribulation of the Gods. Immortals from the two sects of Interpretation and Jie have appeared one after another and introduced Western religions. In particular, they spend a lot of ink on important figures such as Yang Jian, Li Jing, Nezha, etc., Making readers feel that there must be a war of the Gods in the later period, and it is also a super-large-scale Tribulation of the Gods where the West joins forces to fight against the Jiejie. What is the result? Jie Jiao wiped out all the disciples of the Western Sect and made the Western Sect quit. The Conferred Gods ended after four or five chapters, and the main character destroyed a saint. You spent more than a hundred chapters training Yang Jian, Nezha and others, and kept a countdown clock for the Conferred Gods. King Zhou was established in the Shang Kingdom, and Jiang Ziya was born. The novel explains that the purpose of training these people is to weaken the Western religion and Taoist ancestors playing chess, but you wrote the process of becoming a god in too detail and too simple. In the later stage, few of these characters played a big role, and the reader experience was very bad, making the readers feel top-heavy and indifferent. The second drawback is that the final boss is Tiandao. In addition to Tiandao, there is also the old cliché of a former time-traveler who split into several personalities due to schizophrenia. This old cliché makes readers boring. The third point is the heroine issue. The junior sister is used throughout the whole story, and Yunxiao introduces the cause and effect of interception. However, except for adding some laughs in the early stage, the two girls, Uncle Jiu and Youqin, are basically useless in the middle stage. They are two useless heroines. Overall, this novel is interesting in the early stages, boring in the middle, and has the same old routine at the end, and the process is top-heavy, but it can also be seen that the author has really thought about some foreshadowing and details. It is not a water-filled novel. It can be read at a glance, but there are some flaws in the plot frame. It is many times better than ordinary short stories.

There are big flaws in the main plot concept! The protagonist is a heavenly water god who plans this and calculates that every day, almost arranging all the heavens and all the worlds. It's so nonsense. He is so careless that it's untenable not to let him be the co-lord of all the worlds!

(Spoilers ahead) In the later stages, the only absolute weakness of longevity should be the spirit moth. However, Jiu Cheng Ba is too stable and has put layer upon layer of protection on the moth (Speaking of Tianyan Four-Nine, this Tiandao is Jiu Cheng Ba's biggest fan 😂). If Dao Zu breaks the bottom line and takes advantage of Ling Mo, the ending should be completely different. Personally, I feel that the spirit moth is to longevity, just like the baby in Chinese comics is to Chu Lan (especially in the later stages), but the character creation of the spirit moth may not be so full. But as a saying goes, companionship is the longest confession of love, and what the spirit moth gives to longevity is the simplest companionship (its scale may be measured by the prehistoric era of cultivating immortals). This kind of simpler emotion may become more precious in the prehistoric world. It is this kind of simple emotion that continues to deepen the bond between moths and longevity.

After reading Chapter 188, Gou Sheng... All kinds of calculations, just to survive! Then you can become a saint directly, or you can become a saint secretly. It's all because the author said: Only the saint plays chess, and everyone else is a chess piece! Jump out of Panlong! The Tao can be Tao, but it is not Tao; the name can be named, but it is not named. The nameless beginning of heaven and earth; the named mother of all things. Therefore, if there is always nothing, I want to observe its wonderfulness; if there is always something, I want to observe its beauty. The two have the same origin but different names, and they are both called xuan. Mysterious and mysterious, the door to all mysteries.

At first glance, it appears to be lighthearted and humorous, but in reality it is just a gag, with the same humor points and tired aesthetics. After reading Chapter 149, I have no expectations to continue reading. The plot recommendation is too slow and too verbose about being steady.