Quick Transmigration: I Became the Cannon-Fodder Heroine in a Period Novel

The name is "Quick Travel" but it has nothing to do with "Quick Travel"... There are only two world stories in total. The background of the protagonist's "Quick Travel" is not clearly explained and there is no cheat system or anything like that. Even if the two time travel stories are spelled together, there is no connection between them and the plot is very bland... If you are interested in "Quick Travel", you don't need to read it...

It's not just a slow time travel story. I only read the first story. Anyone with eyes can see that the male protagonist and the second male protagonist are all competing for her. The second male protagonist even went crazy. The female protagonist still did not deal with it in time. It was not until the second half that she finally refused. She said that she only wanted to be friends with two people. The premise for saying this is that I spent a night in the male protagonist's arms and spent a night alone in a room with the second male protagonist. Really, the reader's thinking is not feudal. You and these two people have to be close due to the environment. It doesn't matter. It would be better to clarify and explain instead of letting things get out of control. The second male lead and the second male lead sister are both top-notch crazy love brains. The country is so big, but the three people on the ex-husband's side are so inexplicable. By this coincidence, they all came to the heroine's farm to create trouble. The heroine walked three or four times at the critical moment of life and death. I thought you came to the farm to cultivate seeds steadily, take the route of agricultural modernization, and bring agricultural products to the city. However, you took the action-adventure route, and the part of building the farm that should be highlighted was directly passed ten years later. No wonder it ended after only two worlds were written. The priorities were unclear. The entire story was obsessed with the chaotic relationship between men and women, with no substantial construction content at all.