Doomsday: The Supreme Throne

I read "One Emperor, Two Queens, Three Sovereigns, Four Kings and Seven Unrivaled Cities" in the introduction and was immediately conquered by the author's talent. Are you writing about the apocalypse or fantasy? Can you come up with a reliable title? Seriously, why are novels like this now classified into the end of the world? It is said that it is the end of the world, but it is actually an alien fantasy wrapped in the skin of the end of the world. Fighting monsters, upgrading and exploding equipment, there is no trace of the end of the world. If you say that killing a person and showing darkness is the end of the world? There are so many dark places in fantasy, but the focus is on survival in the doomsday. If you can live a comfortable life after defeating monsters, can you still call it doomsday?

A good-looking book, with the same world view as Ta Xing. In a sense, it is a forward twist, and it is also the story of Thunder Lord and Baiyun City in Ta Xing. The two time and space will not collapse the setting, and it is brave and strategic. Although the protagonist sometimes has less scenes, he will not leave the main line. The love line is even better than Ta Xing that came after it. If you like books on this subject, this is a book not to be missed.

Many people say that it is a prequel to Taoxing, but I haven't watched Taoxing yet so I can't make a detailed comparative evaluation. As far as I'm concerned, the overall story is pretty good, the plot is coherent and exciting, the writing is excellent, and the world view is grand. However, the description of some plots is awkward, and the emotional scenes are a bit strange. I can only say that the author is not suitable for writing emotional dramas, and the ending made me confused. Also, it may be due to the copying of Qimao. The place names and some details are very uncomfortable to look at. It felt like eating a very delicious pastry that turned out to have a lot of sand in it.

The first two hundred or so chapters are quite exciting, but starting from the time travel, the quality of the book is mixed, the chapters are messy, there are too many characters, and most of them are a bit speechless. Various names can be packed into two groups. The story of the little Karami who is a sidekick is written in more than ten chapters. It is not easy to find the protagonist, and it is done in a few strokes. The later chapters of more than one hundred chapters about the protagonist can be said to be less than half a chapter. What are the meanings?

Nice

/⌒ヽ Don't want to go to work く/･⌒ヽ |3(∪￣] く､･ (∩￣]

The previous chapter was well written, with the protagonist doing his best to fight against the zombie mutant beasts in the apocalypse, but once Black Bead freely traveled through time and space, the book became a mindless read. With the help of cheats from the sky, the apocalypse was written as a cool story about the protagonist fighting for space and time, with various upgrades, pretentiousness, and threats. Except for the interesting confrontation between Black Pearl and the underworld organization before he can travel freely, the rest is quite boring and can only pass the time. A cool article with the title of apocalypse.

Like Taxing, there are a lot of foreshadowings, foreshadowing, and various plans. The plot is exciting. The place names are a bit confusing

Overall, it's good, but the "city" in the article has all been changed to "county", and the "province" has all been changed to "state" ("state has been down for a long time" everywhere) and no matter what country it is, it is () Chu State, which is confusing. The book friends from Taixing, Thunder Lord Jiang Fengjiang (Nangong), Chen Jiang (Nangong), Qingyue and the Thunder Rabbit all have explanations

Coming from Taxing, I can only give this book a passing score of 6. I can only say that the author has made great progress. As for this book, although I have finished reading it, I would not recommend anyone to read it because it is so ordinary that it is meaningless. The plot and Taxing are almost completely separated, so there is no need to read it. The script design is relatively mediocre. Here I would like to mention that the chapters at the beginning of the book are obviously written somewhat similar to this one, but later they were written in their own unique style. Other narrative writing and so on are very mediocre, and many flaws can still be seen in Tao Xing. Anyway, I can only say that this book is not bad for a Virgo, but it has nothing to do with reconciliation. Also, if Sui Feng should consider writing a romantic drama in the third book, it would be more abstract than the last.