Only When You Cover up the Book Will You Know That the Night is Deep

The third scumbag is really scumbag. . Now let's look at the first few books, which are totally deserved. I started reading this book at the beginning of the year before last year, and I was really surprised at the time, because Feng Bujue is my favorite type of protagonist - lawful evil, with a bit of cold humor, which is more appealing to me than the chaotic good or chaotic evil protagonists commonly seen in online books. What is very good about this book is the plot design. Whether it is the advancement of the main plot or the digging of hidden foreshadowing and branch plots, the author handles it in an orderly manner. Considering that "Thriller Paradise" shares a world view with several of Sanzha's previous works, Sanzha's ability in layout is even more valuable. What is slightly flawed is the characterization. Although Sanzha is very successful in the portrayal of the protagonist Feng Bujue, the portrayal of other characters is somewhat unsatisfactory. To put it simply, Sanzha has incorporated too many personal attributes that belong to the protagonist (or the author himself) in the creation of characters other than the protagonist. The most typical one is the abuse of cold-humorous complaints. From supporting characters to passers-by, Gintama-style descriptions such as "complaining with empty eyes" often appear, which obviously greatly weakens the recognition of the character itself. Of course, it is this ubiquitous Gintama-style daily life that gives the book "Thriller Paradise" a waste-gas quality, and perhaps everyone's love for this book stems from this. The supporting characters sacrifice their own recognition to bring a more unified and distinctive temperament to the work itself. As for whether this sacrifice is cost-effective, it can be regarded as a matter of opinion. Finally, I routinely complain about the updated question of a well-known up owner at Station B: The bastard author Sanzha eats, drinks, whores and gambles, owes thirty-five chapters, and ran away with his sister-in-law! You bastard, you are not a human being! I've been following you for more than half a year in vain!

Martial arts~

This is the first book I thought of adding to my book list. In terms of temperament, this is almost the least "starting point" or "Internet text" book I have ever seen. It is very quiet. After being reborn, the protagonist Chu Qing did not obtain the golden fingers of memory reserves that are common in the entertainment industry, such as variety shows, books, movies, and music. He was a shoe repairman in his previous life, and he was a rag picker after time travel. It seems that the protagonist does not have the literary and artistic flavor of the title. This is indeed the case. When Jia Zhangke, a well-known young man in literature and art, appeared in front of him, perhaps the half cigarette in his hand or the girls coming in and out of the school gate in the distance were more worthy of his attention. Of course, the section chief at that time did not look any better than the young Chu Qing. In this way, Chu Qing, who starred in his debut film for a salary of 2,000 yuan, embarked on a bright road to stardom. In this book, the author does not give the protagonist too many golden fingers. There are only three golden fingers: one is appearance and figure, and the other is acting talent. The third thing, and the biggest golden finger in my eyes, is Chu Qing's temperament of slowing down and being quiet, and not rejoicing first when encountering success but warning himself first. This is a rare protagonist's character in both the entertainment stream and the broader world of online literature. Only slowness and quietness gave Chu Qing a meticulous, craftsman-like artistic attitude towards film and television; only the self-discipline after success prevented Chu Qing from losing his original intention and nature in the vanity fair of the entertainment industry because of money and beauty, flowers and applause. This is the real golden finger. A reborn person no longer needs to copy books, songs, and movies to become a top person in the entertainment industry. It is this kind of practicality that is neither arrogant nor impetuous. Looking back at today's impetuous entertainment industry in reality, isn't this kind of solidity what is most lacking? Going back to the content of the book, what I appreciate most about this book is that not only does the author not follow the trend in terms of the character of the protagonist, like various entertainment trends, pursuing money, power, fame and sex, but he also does not follow the trend in the core of the story. I think there are two main plot lines in this book. One is the growth of Chu Qing, which is an overt line; and the other is the growth of the Chinese film market, which is a hidden line. The bright and dark lines are intertwined. Chu Qing's experience undoubtedly reflects the development of the Chinese film environment, and the author's plot arrangement after Chu Qing returned to China, especially the part about the Beijing Film Festival, also contains the author's expectations for the development of the Chinese film market. This kind of expectation is a kind of sentiment, which is why the temperament of this book is very different from other entertainment novels - for Chu Qing, movies are not a tool to gain fame and fortune, but a hobby called art; similarly, for the author, writing this novel is not to weave cool points to stir up readers' emotions to obtain financial benefits, but to present his opinions and wishes for the development of Chinese films in the form of a novel. Regardless of whether I agree with the author's ideas about the development of Chinese films, as a film lover, I am very grateful to the author for weaving such a beautiful dream.

Everyone, please support the author's book, and wish the author an early fortune and money to make independent games. I really want to play the game planned by the author.