Only When You Cover up the Book Will You Know That the Night is Deep

I rarely read western fantasy or DND dragon novels. I recommended one last year and then forgot to follow it. I am reading this one.

The main plot line of this book is quite simple. Although it has such a famous name as "The Rise of Personally, I feel that the name of this book does not match the temperament of the content. Instead of calling it "The Rise of the Otaku", it might as well be called "The Story of the Otaku in Luhua Village". In a novel that is also about urban superpowers, the temperament of this book is wonderful (or weird if you don't adapt to it), which mainly comes from the Buddhist character of the protagonist and the fairy tale atmosphere on the supernatural side. Let's talk about the protagonist first. The protagonist of this book is a young man who dropped out of college. After squatting at home for a year (writing online articles and taking orders to be self-sufficient, not gnawing at his old age), he ran to an uninhabited old house in the countryside and continued squatting at home despite his parents' instructions. Maybe a mushroom grew on his squatting head, and he suddenly gained the ability to observe and contact the second dimension that overlaps with the third dimension through glasses. The story up to this point has been a normal start for an urban supernatural type. If it unfolds normally, the protagonist will definitely turn into a dragon when encountering a storm. Dozens of harem boys and countless villains are waiting for the protagonist to favor him... But our protagonist is very neither coquettish nor pretentious. He has not forgotten his original intention of returning to the village and stays in the village. If there is something interesting, he will ask the village children to come over and play with him. At other times, he is basically addicted to the daily life in the two-dimensional side. That is to say, the author arranged for him a die-hard brother to help him take care of the three-dimensional industry. Otherwise, the protagonist would have become a flying fairy and gone to the two-dimensional world to play... The advantage of the Buddhist protagonist is that reading this book is very easy to read, and there are no plots such as harems, business wars, and political sensitivities found in many urban novels. Not to mention the old question of whether the villain has IQ or not. If you look into this book, there is no serious villain. It basically depends on how the protagonist plays. There is not even a female protagonist. There are probably only a few protagonists who achieve the achievement of being a great magician at the end. The shortcomings are not without, but the protagonist's character, which sounds Buddhist at best but doesn't seek improvement at worst, is probably a big poison to some readers. It's not that I don't have any personal problems, it's that the protagonist has very little sense of boundaries. To put it simply, he doesn't protect his family. Sometimes I want to go in and kick him to make him move. The supernatural side is the two-dimensional world in the book. The basic setting is to live together with the three-dimensional world but have no physical influence on each other. The two-dimensional world can observe the three-dimensional world in one direction, and the development of the three-dimensional world can affect the two-dimensional world in one direction. The protagonist is the only person who can contact both worlds. The settings of the entire two-dimensional world, such as political power, organization, and methods of war, have been treated with cuteness. This harmless world view makes the protagonist's experience in the two-dimensional side almost like a fairy tale adventure. Readers only need to watch it happily without being too worried. Overall, the atmosphere of this book is very relaxed, and it can be regarded as a rare afternoon dessert masterpiece. It should be a good leisure book for those who are tired of watching Long Aotian's bulldozers.

Wonderful.

It's a time-traveling experience in Dream of Red Mansions, but it's more uniquely cast as a character outside the Jia family, and it focuses on detective work, which is quite interesting. To be honest, I don't really like Internet articles about "Dream of Red Mansions" because the value orientation of Internet articles is generally fundamentally contradictory to the connotation of "Dream of Red Mansions"-Internet articles generally rationalize an unequal and unfree society, and then try to make pig's feet the largest vested interests in this society. This is obviously contrary to the vague belief in equality and freedom in "Dream of Red Mansions". In fact, many Red Mansions fan fiction has indeed taken the superficial aspects of "A Dream of Red Mansions" and discarded the internal content. They used the female characters in "A Dream of Red Mansions" to build a harem, and the three-dimensional and vivid female characters in Cao Gong's works were re-flattened into sex symbols. When the authors tried their best to laugh at Jia Baoyu's incompetence, they made the pig's feet in their works become the beetles in Jia Baoyu's mouth. When it comes to debauchery and lust, they are no different from Jia She and Jia Zhen, which can be said to be the same. On the other hand, the treatment of original characters in Red Mansions fan fiction is often quite superficial. For example, Lin Daiyu is often portrayed as a sarcastic girlfriend, but there is no exploration into the fact that she lost her mother at the age of seven and left home to live in Jia's house. After her father passed away, she had no one to rely on, and she could only leave everything to her fate. In this case, is she just suspicious of Jia Baoyu? What she doubted was clearly her future destiny. And this psychological state is not static in the original work. With the development of the plots such as "Shifending", "Wind and Rain", "Trying Busy Jade" and "Golden Ranchi", her attitude towards Baoyu has become more and more determined, and her relationship with Baochai has also become better and better. After "Golden Ranchi", there are no longer plots in which Lin Daiyu is jealous of Xue Baochai. Talking back to this book, although it still follows the harem routine of wielding a stick to conquer the world, its handling of the original characters is superior to other Red Mansions online novels. This is what I appreciate about this book. Perhaps because of the non-Jia family start, the house-fighting plot that is commonly set up in Red Mansions fan fiction due to conflict templates in the web is eliminated. Sister Feng, Bao Yu, and Mrs. Wang, who have always appeared as villains, finally have the opportunity to appear in front of readers with a more multi-faceted face. What is particularly surprising is the growth of Bao Yu, Miao Yu and others. This non-static character setting shows that the characters in the author's works have their own vitality. The current update situation is a bit unsatisfactory. I hope the author can work hard and have fully subscribed to support it.

This author is only suitable for writing about daily life, and his comments are superficial. In fact, this kind of behavior of saying something good is called commenting, and saying something unpleasant is called stealing, is becoming more and more common in Qidian novels. In the final analysis, the country has been depoliticizing control of public opinion. More and more young people are accustomed to expressing their political ideas through a more trivial and daily discourse system, that is, packaging their political views into outlook on life, values, and world view and then exporting them. Of course, this kind of packaging is unconscious, and its encoding system comes from the metaphorical correspondence in the inherent cultural structure. As for the response of the other party in the game, the control party has obviously also sensed this new form. An example is that a certain book of Chun Di Xiaolong was harmonized. Without further ado, let's talk about this book. Of course, the inclusion of private goods is quite common in online articles, but it also involves a level issue. For those with high standards, such as "From Chief to Captain" and "The Rise of Literary Heroes of the Republic of China", although you may not agree with some of the views, the author can give a certain degree of self-justification, and you can get a glimpse of his own system of ideas. This kind of reading can be regarded as a stone from other mountains, which can be used to attack jade. As for the author of this book, it can at best be regarded as a cross talk, just to make people laugh, probably because it is not systematic and scattered, but it is self-contradictory. For example, somewhere in the book there is a discussion from the service industry claiming that China is more equal than the West. I was furious when I saw this paragraph. The author was moved by his narration about the old and new democratic revolutionary periods, but completely forgot that both the concepts of freedom and equality and communism came from the spread of the West. Furthermore, when China was still under the rule of the Qing Dynasty, the West was engaged in the French Revolution, the British Chartist Movement, the Sicilian Textile Movement, etc. You said you had a culture of equality, and others did not lack this tradition. Another example is that the author seems to admire that generation of people for throwing their lives and blood, but he also created a bunch of aristocratic families, which makes people feel chilly. Today is September 9th, the memorial day of an old man. In his later years, he cried bitterly after reading Chen Liang's "Niannujiao: Dengduojinglou". The last sentence of the poem was "What happened to the Six Dynasties? It was just a private plan." Today, students at the Yuquan Campus of Zhejiang University spontaneously commemorated him, but were stopped by the school and the flower baskets were blocked by security guards. This shows how much some people hate him. And those people who hate him, are they part of the Qin family? Or the Zhu family? Mr. Ye is so fond of dragons that it is enough to make him laugh.

Look in.

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⊙∀⊙!

Although I don't like gender stereotypes as a single female protagonist, I feel that female authors are indeed better at portraying cp feelings.

I like the single heroine (for now), and she's also a yandere with three evil intentions and a high IQ.

Bitch.

Look in.

Look in.

Look in.

Collection of short stories.

Currently watching. It's a very good farming article, but I don't recommend reading it late at night, as it will starve you to death.

（临高昨天开会了，提一下。） 临高这本书的有趣之处一在于群穿二在于群写。当然，首先声明我不是工业党或者缓则，反而比较烦马前卒他们。 《临高启明》在起点有今天这样的成绩其实让大家挺震惊的，因为最初这本书看起来不过是论坛老油条们的小圈子自嗨之作罢了，谁也没想到这本书最终并不是大家以为的小众作品。分析起来，我个人认为的主要原因是站外口碑传播与讨论度。 所以真正说起来，虽然有着穿越等元素，这本书其实并不是一般意义的穿越网文，更多的是《论工业党在十七世纪亚太地区的施政纲领》才对。换而言之，这本书可能存在网文意义上的爽点，但这根本不是本书所关注的，对作者们而言更重要的是工业党人政治意图的二次元实现以及生产力设定下的世界线演进。 “文席主万寿无疆，马总理永远健康，王洛宾比较健康，钱议长满面红光，马甲桑勉强健康，萧主任身体微恙，邬院长时常受伤，吴部长带病在床。”——知乎@苏凯 同类型推荐：《新宋》《宰执天下》《赤色黎明》

It should be said that in the context of the death of Western fantasy, the popularity of "Release That Witch" is unexpected, but on the other hand, it is also reasonable and well-deserved. In fact, "The Witch" is not so much a Western fantasy as it is about farming. Its Western fantasy worldview would not be too inconsistent if it were replaced with other settings. Overall, this is a farming story that steadily uses golden fingers to "build walls high, accumulate food and slowly become king". The success of Ermu, as analyzed by many online writing colleagues, lies in its writing style, plot control, and precise and stable narrative. For example, the evaluation of Dancing is "The writing power of this book is excellent, at least among online articles, its writing power is excellent, thick, and the narrative ability is good. It is eloquent and the rhythm is well controlled." It is very comfortable to read this book, because the author did not do any ostentatious processing, nor did he try to express or instill any personal ideas. He just conscientiously wrote an enjoyable article with his writing ability that is beyond the average level of online articles. This is actually rare in online writing. Many newcomers cannot be said to have poor writing skills, but they always think about expressing this and that in their own books, but forget to think about whether they can control so many ambitions about expression. In fact, it is better to write seriously and write a refreshing article without being stupid. It is also worth mentioning that an interesting feature of "The Witch" in terms of characterization is that it uses some pan-ACGN characters as prototypes for character design, such as Lightning and EZ. This way of writing is helpful for readers to have a three-dimensional understanding of the characters in the book. At the same time, the popularity of the original characters is also a way to attract fans. Finally, I am looking forward to the anime version of this book.

The third scumbag is really scumbag. . Now let's look at the first few books, which are totally deserved. I started reading this book at the beginning of the year before last year, and I was really surprised at the time, because Feng Bujue is my favorite type of protagonist - lawful evil, with a bit of cold humor, which is more appealing to me than the chaotic good or chaotic evil protagonists commonly seen in online books. What is very good about this book is the plot design. Whether it is the advancement of the main plot or the digging of hidden foreshadowing and branch plots, the author handles it in an orderly manner. Considering that "Thriller Paradise" shares a world view with several of Sanzha's previous works, Sanzha's ability in layout is even more valuable. What is slightly flawed is the characterization. Although Sanzha is very successful in the portrayal of the protagonist Feng Bujue, the portrayal of other characters is somewhat unsatisfactory. To put it simply, Sanzha has incorporated too many personal attributes that belong to the protagonist (or the author himself) in the creation of characters other than the protagonist. The most typical one is the abuse of cold-humorous complaints. From supporting characters to passers-by, Gintama-style descriptions such as "complaining with empty eyes" often appear, which obviously greatly weakens the recognition of the character itself. Of course, it is this ubiquitous Gintama-style daily life that gives the book "Thriller Paradise" a waste-gas quality, and perhaps everyone's love for this book stems from this. The supporting characters sacrifice their own recognition to bring a more unified and distinctive temperament to the work itself. As for whether this sacrifice is cost-effective, it can be regarded as a matter of opinion. Finally, I routinely complain about the updated question of a well-known up owner at Station B: The bastard author Sanzha eats, drinks, whores and gambles, owes thirty-five chapters, and ran away with his sister-in-law! You bastard, you are not a human being! I've been following you for more than half a year in vain!

Martial arts~