Reading Record Archive, Read Less but Talk a Lot

Chapter sixty-five in progress. So far, I feel very good. The author's writing style is very spicy. First, he is very good at writing from the perspective of the protagonist, and it has a very camera-like feel. Second, it completely created the feeling that the crazy protagonists in the world are also mentally unstable. The protagonist here is not a Western-style crazy male protagonist, but really looks like he escaped from a mental hospital. The psychological description deliberately highlights the instability of fear and delusions of being persecuted. Writing the plot is a bit slow. I can't see a clear direction in the current sixty-five chapters, but it's interesting. It's currently in the process of accumulating foreshadowing. To a certain extent, it must have dissuaded many people, because the author made up his mind to write from the perspective of the protagonist without using the plot to explain any settings. Those who are used to the feeding rhythm of online writing may not be used to it, but it is very good-looking.

When I read the first three chapters, I had high hopes for this book: 1. The protagonist's ability is not boring, but it also provides a very comfortable reader's perspective. 2. The courage to write a male protagonist with high IQ and psychological problems (a weird character who also worked part-time as a detective in his previous life) must have some skills. Abandoned at Chapter 16, I only felt that the author only knew how to play tricks and fool the readers. The setting is quite interesting, and the behavioral logic of teammates fully embodies the central idea of ​​lowering the average IQ of the surrounding characters if you want to write a protagonist with a high IQ. The male protagonist is buried under the golden finger. His reasoning and psychological activities, let alone solving the case, would be too much to write an 800-word essay. As soon as the supporting characters come out, they are full of a three-dimensional sense that the author is eager to create stereotypes and play tricks on. It's still a matter of having too high expectations. If you're in the mood of reading a novel where the protagonist pretends to be sexy, it's probably fine.

"Starting from the Red Moon" This is a work that I have been updating recently. This article will probably continue to be updated: Progress: Chapter 255 Pros: I haven't read the author's previous works, but this one is very interesting to watch, and the setting is very suspenseful and interesting. The male protagonist is a popular Schrödinger's psychosis, not new in terms of type, but the portrayal is quite interesting. The author *occasionally* has amazing writing skills (eg: the one that left a deep impression was when he wrote about the male protagonist's expression switching from normal to crazy under the changing lights). It's hard to describe, it has a weird and weird camera feel. Disadvantages: The rhythm is not very relaxed, and the climax plot happens one after another. It makes you breathless and easy to get tired of aesthetics. Another point that may cause me to abandon the book later is that this book is too heavy on the setting and the foreshadowing of the protagonist himself. The author's work in some basic aspects such as emotional enhancement and narrative blankness is too average. It is not bad, but it is not worthy of the previous opening. This is especially obvious when writing about Lu Xin's own emotional problems and memories. It is a purely writing problem that cannot be solved in the short term. After the suspense is gradually revealed and everyone gets tired of it, it is probably inevitable that the plot will become homogeneous. There are too many places where the writing could obviously be better, but the limits of the author's writing power are clearly seen, which is a pity.

"Once upon a time there was a Lingjian Mountain" It's over, Xianxia, it's okay. There are two or three previous works by the author with the surname Wang, and they all have very different personalities. They are talkative, talkative, and very clever hound-type male protagonists. Generally speaking, there are only two possibilities for writing such a similar type of male protagonist: 1. The author has substituted this type of character; 2. The author is good at it. Lingjian Mountain combines the author's own clever style with a lot of two-dimensional neta. The shortcoming has always been that the structure is too scattered and there are too many private articles and serious unfinished content. A certain ending of the author's previous article: I forgot which king, pushed the time back tens of thousands of years, watched my harem die one by one, realized that the true meaning of life is that living is nihilistic bullshit, and then went back in time to embrace the harem. It's obviously a fucking mess, but I really remember it for many years. I would like to call it the cold-blooded Tang Bohu type male protagonist.

"Under the World" A textbook-level POV narrative, the author's writing style is too orthodox and sophisticated, and he is very good at using characters as points to unfold the lines and surfaces of the entire era. The entire narrative style is so condensed that it is incompatible with Internet literature. Two or three descriptions can outline the character's sex, fragrance... And you will be hooked when you read it.

"Devil's Law" It was finished long ago, Western Fantasy, (it should be quite) good to watch. I read it in junior high school. I suddenly came across this book while chatting with my friends. I can't remember clearly whether the political battles and the main plot are good or not. I remember that Du Wei seemed to have entered a fantasy or dreamland that was exactly the same as modern society. He went to the supermarket to buy a pack of cigarettes and smoked it. He said that he really missed it, and then broke the fantasy... It was the first time I saw such an open-minded and helpless nostalgia in an online article, and I still remember it now.

"Arcane Throne" Completed, Western Fantasy, okay. Also known as "The Overbearing Empress Falls in Love with Me", this book combines mystery and undoubtedly reveals some of the squid's habits: 1. Likes the sister who can hold her princess in her arms 2. Likes to let the protagonist penetrate the lily. As time goes by, the latter becomes more serious, and now likes to let the protagonist dress as a woman and penetrate the lily.

"Return" I haven't read the final article on kayaking yet. I added this book mainly because I want to recommend the author's "Infinite Obstacles". If you ignore the phonetic input with typos, it is a very interesting and personal work. The author is very good at explaining complex theories in simple terms, and may be more suitable for self-media science popularization.

"Immortality, Caishikou was beheaded at the beginning" Slowly catching up on the update, and it's okay to overcome the immortality system. The first time I saw this theme, it was quite fresh. The beginning was actually very interesting. The weirdness and danger of the Ke system were combined with the cultivation of immortality, turning it into a "deviant" method in traditional cultivation of immortality. It feels like the hook for the male protagonist is quite big. Let's see how it works next. This is the author's second book. I haven't read any of his previous works. The setting of this book is very attractive, but there are still some problems with various plot details: whether it is the in-depth background of the era or the logical arrangement of the characters, it is a bit casual. It is not harmful at the moment. I will add more when it is.

"Thriller Paradise" Completed, online game, nice to watch. To say that this is a novel about online games that has an unlimited flow, it is better to call it "A Collection of Weird Talks for Three Days and Two Sleeps". Compared with the previous and subsequent works, the structure seems to be a loose chat, which also fully exposes the author's preference for joker-type male protagonists. But overall, Feng Shuang is the most benevolent person of order among the protagonists of Three Days and Two Sleeps.

"Zhou Lin" It's finished, it's a superpower, it's beautiful. After writing the previous part, there's not much to say. The sequel to "The Crime" has guest appearances by characters from the previous film. It continues the sharp camera sense of American dramas, pungent lines and metaphors, and endless poop and piss jokes. In terms of group portraits, I prefer "The Crime"

"Crime Trafficking" It's finished, it's a superpower, it's beautiful. The style of Three Days and Two Sleeps is too typical of the brain-selling genre. His works are not so much stories as they are a cramming output of talents, rants, ideas and ideas. One notable feature is that compared with the common contrasting designs between normal supporting characters and mentally ill protagonists on the market, the crazy weirdo characters in his works are like cockroaches. As long as one appears, it must be not one but a nest. This is very concretely reflected in "Ghost Scream", "Trading Crime" and "Zhou Lin". On the one hand, this shows that the author himself is very "weird" and has the ability and imagination to design all kinds of weirdos with different styles in a work. On the other hand, the collision and interaction between weirdos and weirdos are very magnetic. In short, they are handsome and pretentious, which is very enjoyable to watch, similar to the enjoyment of watching fast-paced American dramas. The trash talk lines and shit metaphors are absolutely beyond the characters and are an extension of the author's own will. "Trading Crime" and the sequel "Zhou Lin" are both POV narratives. Compared with "Thriller Paradise", the structure and rhythm of these two films even have traces of dazzling design, and each character is the finishing touch of the story. It is worth mentioning that although the author is always criticized for his poor writing of emotional dramas, I actually quite like the way he writes, "The male protagonist pretends to be a coward, but he is scratching his head about emotions but pretends to be very skilled at it." Tianyi's emotional line was sudden and short-lived, but this emotional line immediately dissected his entire character from his chest, revealing some hysteria inside... It can only be said that it is very relevant. The author has also fully implemented the concept of "I will write less if I don't know how to write", but it is this kind of large area of ​​blank space for relationships, and it feels good to record only this moment. But generally speaking, the emotional line is really stretched. I have to say that it just happens to be to my liking (a very cold shit joke) If you have anything to say, please add.

"Lord of Mysteries" It's finished, Cthulhu, it's great. The promotion of secrets in this era is the same as the promotion of full-time in 2014. It belongs to the "you need to say this damn thing" type of good-looking, but it still needs to be included as a souvenir. This book can be regarded as a masterpiece of the author's writing style. The writing style is very steady and steady, and each sentence guarantees the amount of information. It is a Cantonese soup-style recipe. It is simmered slowly over low heat and the aroma lingers in the mouth. The control of plot design and rhythm and the ability to mobilize emotions are already the ceiling (in my mind). The setting is meticulous and complex but not obscure. Klein's entire positioning, personality, and way of thinking are very consistent with this work. Through the perspective of thinking, readers can repeatedly sort out the plot > deduce/mislead ideas > hint at development. The immersion is very strong and the reading experience is also very good. And I have become more and more aware of how suitable Klein is for all ages. The protagonist created in this absurd and weird worldview has a complementary, sad and warm sublimation. The author cannot say that the humanistic feelings under the grand narrative are particularly perfect, but he definitely put his heart into it. While writing about the wheel of history, I also wrote about the sound of the gravel under the wheel, about the confused, painful and helpless chatter and screams, and also about the noise that can only be the background of this era. The detailed descriptions of suffering in many branch plots not only do not overwhelm the protagonist and interrupt the rhythm, but they all come together at critical moments to create an emotional blow to Tian Ling Gai. The protagonist is as insignificant as the masses, and they all become a kind of lens that freezes this crazy world, but in turn gives new meaning to these crazinesses. All in all, it looks good... And I'm having fun speculating on various stocks!

"The Remaining Fire of the Night" In the middle of the update, Wasteland looks great. With detailed foreshadowing and rigorous but interesting settings, the style and rhythm are as consistent as ever. Although it adopts a new and popular mental illness protagonist model, Shang Jianyao is more "upright" compared with his fellow patients. Although he holds a certificate to work, he is still essentially a (chaotic) kind-hearted savior. His radio waves are unstable but trustworthy. He knows a variety of monster howling languages. The vulnerability and determination under his unpredictable personality are also very suitable. I feel that this peer difference is also a reflection of the author's thinking camp (?) To a certain extent. Although the protagonist's thinking jumps, he always makes people think "this is a good person...". Although he does not feel like the popular psychotic protagonist, he is really handsome, and it is also suitable for the wasteland setting. I have only watched Arcane and Mystery in its entirety, so it feels like this is the first time that the author has completely avoided the psychological drama of the protagonist in writing. This allows Sister Mian to play the role of Xiao Ke to a certain extent to explain and deliver information to the current plot. It was really fresh for me to read... But a little problem that arises is that the combination of four or even two people is too stable and unchangeable (it feels like the whole plot can't move without Mian's guidance, haha). Sometimes there will be a bit of aesthetic fatigue in the way of getting along. But the overall plot rhythm is relaxed and relaxed, and it is not tiring to watch, so overall it is very good to watch!