My Ancient Chinese Proverbs Book List (Only the Final Text)

Overall rating: 3.5 Stars Have you finished reading: Yes Whether to review: part of the plot Author's brief comment: These are all long stories about house fighting, so stay tuned. Heroine design: Reborn heroine, wise and almost demonic, resolute and decisive Character of the male protagonist: a Taoist emperor who is gentle and restrained, tolerant and kind, and possesses both civil and military skills. Supporting character designs: Very many, the image is not flat, but the villain's IQ is slightly unstable Plot line: In her previous life, she was flattered by her stepmother and framed by her stepsister. After the inhuman heroine was reborn, she changed herself, used her past life's predictions to gain family recognition, exposed her stepmother's conspiracy, and avenged her biological mother. Later, she joined hands with the emperor's grandson to defeat a series of villains and ascend to the throne. Emotional line: The male lead and the second male lead are both good, but there are very, very few emotional scenes. Completeness: The take-up is complete Extras: Extras of main supporting characters, and some follow-ups Writing style: smooth and natural, slightly redundant Brief comment: Compared with the latter two works, I think this one by the author is better. The common questions asked by authors remain the same. First of all, the details are very rough. Including but not limited to confusion of ages, confusion of names, and NPCs written dead in the past may later be faked. Secondly, there are very few emotional lines. It has a length of more than 2 million words, not counting the extras, and the total emotional line may be about 10,000 words. In terms of plot, it is still a series of small dungeons interspersed with large dungeons, so the pace is relatively fast and not too frustrating. The male and female protagonists may sometimes lose the initiative and passively defend, but basically they fight back within a few chapters, which is much better than the previous work by the same author. In terms of character design, the male and female protagonists are both pretty good, although they are not perfect characters. Because of her past life experiences, the heroine doesn't dare to trust people easily, and she doesn't dare to be emotional anymore. Because the male protagonist has been a Taoist priest since he was a child, his personality is very plain, with few fluctuations, and he is easily merciful to the people around him. In general, it is a must-read for lovers of literary wasteland or otaku fighting.

Overall rating: 3 stars Have you finished reading: Yes Whether to review: No Author's brief comment: You can follow the works, but do not follow updates Design of the heroine: Reborn heroine, smart and good at strategizing, with big breasts Male protagonist design: Exiled male protagonist, strategist, cold-hearted and sinister Supporting character design: basically no flat tool person Plot line: After the heroine is reborn, she is no longer unruly and willful, and uses the skills of emperors and generals she learned in her previous life to change the fate of herself and her family. Emotional line: The plot is not particularly rich, but the whole process goes in both directions, and there is no need to buy stocks. Completeness: Basically everything is explained clearly Extras: Extras with follow-up and past and present lives Writing style: fluent but not dramatic, with occasional modern expressions* Brief comment: A widely recommended work, I suddenly realized that I forgot to write a book review before, so I will make it up. In terms of the overall character image, both the male and female protagonists and the supporting princess are quite good. On the contrary, the second male lead who felt distressed by all kinds of things really didn't poke at me very much. Maybe he didn't like this kind of one-sided paranoid relationship, and he insisted on continuing even though he knew it would cause trouble to the other person. This is actually not for the other party, but for yourself. Moreover, the second male lead abandoned his new wife and ran away while getting married. He was irresponsible to himself, his family and his wife, and was very immature. Apart from that, the first half is exciting, but starting from the middle, I always feel that the plot becomes more and more scattered and the attraction weakens. Although the house fight in the early stage seemed worried and anxious for the heroine, it was still quite exciting as the heroine gradually broke through the situation. After starting the Chaotang line in the middle, I felt a little overwhelmed. The strength of the male and female protagonists is becoming more and more superficial. It means that they are both strategizing and they will definitely succeed, but the connection between the plots is not particularly able to support this. The most exciting part of the book and the one that left the deepest impression is the part where the heroine gives advice to the Lei family. It is interlocking and well-founded. Overall, it's watchable, but you can lower your expectations appropriately.

Overall rating: 3 stars Have you finished reading: Yes Whether to review: No Author's brief comment: You can follow the works, but do not follow updates Heroine design: Time-travel heroine, calm and sober, good at pondering human nature, usually not aggressive Male protagonist: The leader of the emperor's secret guards, calm and taciturn, strong in martial arts, and caring about his family and country. Supporting character design: basically no flat tool person Plot line: After the heroine time travels, she gradually changes the unfavorable situation of herself and her brother, and manages her own life before and after marriage. Love line: The male protagonist appears early, the love line progresses quickly, and he gets married early, but there are not many interactive plots after marriage. Completeness: Most of the explanations are clear Extra: There will be a follow-up extra Writing style: fluent but not dramatic, with occasional modern expressions* Brief comment: Compared to the previous book, I feel like the characters in this book are more fleshed out. It is still the early house fighting part that is more brilliant, the heroine's layout and counterattack are relatively clear and clear. When I read the comments before, many people thought that the heroine was too cruel to Wu Niang. After reading the article, she could understand that Wu Niang was a potential danger in her mind, so she didn't dare to let go of her feelings at all. First of all, she was scheming and was discovered by the heroine several times (targeting others or suspected of targeting the heroine); secondly, her aunt killed the heroine's mother, and the heroine's brother and sister will have to take revenge sooner or later. This suspicion reached its peak when Aunt Cui contacted Wu Niang after she escaped, but Wu Niang chose to hide it. An accident happened later, and the heroine had some regrets, but compared to her brother's state when the accident happened, the closeness was very obvious. However, the heroine's attitude toward the hero changed suddenly after marriage, and there was almost no process of marriage first and love later. It is obviously designed that when the male protagonist proposes marriage, he only has a superior-subordinate mentality, but instantly changes to a love heartbeat, and after marriage, it is almost a deep love. This process is very abrupt. It would be better for the two people to have a crush on each other first, which would be less strange. The character of the male protagonist feels completely inconsistent. It's just that he often travels for business and is disconnected for a long time. His methods are almost not written except for his martial arts skills. Every time the heroine encounters trouble, it is the hero who speaks harshly, but the solution is basically the heroine or other supporting characters who happen to help. Therefore, it seems that the charm of the male protagonist is greatly reduced. The plot in the second half is very scattered and interspersed with some invalid plots. Not only the male protagonist is offline, but the female protagonist is also offline. The villain boss either remains unsolved or goes offline in a second. The palace fight part is like an outline introduction. There is a hidden boss throughout, which killed countless people, and the emperor was able to let it go just because he begged for mercy, but the ending turned out to be that Shenyin eloped with his lover. By the way, this boss's emotional line is bl. After getting married twice, both wives failed to consummate the marriage and did not end well, so forget it. The author said in the postscript that this supporting character was a pitiful person, so he couldn't bear to let him die, as if he was stuck in his throat. In addition, there is a place in the postscript where I say I don't know whether the male protagonist's father is dead or not. I feel like it would be better not to say it. If I did, it would leave something unclear. The hero's father is not dead. He has left his wife and children without coming back for so many years, which is no different from death. Moreover, basically the scumbags in this novel don't get any retribution. The heroine's scumbag father, the irresponsible playboy grandfather, and the male protagonist's playboy friends all have a good life.

Overall rating: 4 stars (0.5 Stars gives better suspense) Have you finished reading: Yes Whether to review: part of the plot Author's brief comment: Follow-up works will be discontinued, so please pay attention. Hostess design: Reborn heroine, smart and generous, with big breasts, ruthless methods, but emphasis on feelings Male protagonist design: Lang Yan is unique, elegant, complex situation, deep thoughts Supporting character design: There are many supporting characters, but there are basically no flat tool people. Some supporting characters have quite interesting story lines. Plot line: The female protagonist is killed by the male protagonist and reborn as her infamous great-aunt thirty years ago. While changing her image and the fate of her father, brother and family, she joins hands with the male protagonist to solve the mystery of her rebirth. Emotional line: The male protagonist appears early, and the interaction is not much, but it is still sweet. The emotional line is relatively frank, and there are no bloody misunderstandings. But the heroine is slightly more charming than Mary Sue. Completeness: All buried threads have been collected, relatively complete Extra: a past life extra, a follow-up extra Writing style: smooth and natural, no drama Brief comment: I read reviews before that said the heroine had bad views and was too cruel to her ex-fiancé, so I just watched it recently. I didn't expect that the whole story was quite interesting. There are no big holes in the logic, and the ending clearly explains all the suspense and foreshadowing buried earlier. It's still very complete. The heroine's methods against her ex-fiancé's family are actually quite reasonable from the text. One is that her ex-fiancé's family has always looked down upon her, but they still want to rely on the power of her father and brother. Even though she was at fault and the hostess' family took the opportunity to withhold the marriage certificate, they still pretended to be confused and refused to give up the engagement. During the process, the prospective mother-in-law teamed up with others to frame the heroine. If she succeeded, the heroine's life would be over. The fiancé himself has always had the attitude of being a gift but hating the heroine. The elders in the family even planned for the heroine to come in, take a concubine, and use the heroine as a decoration. The fiancé's younger brother also plans to seduce the heroine to benefit himself. In addition, the heroine had previously learned that the original person in her previous life would end badly if she married her, so she must have hatred for the family. However, later the heroine also mentioned that she had just been reborn at that time, and she felt uneasy and resentful, so she resorted to more violent methods. Overall, it's not a good read. Both the protagonist and the supporting characters are fatalistic about being themselves. Therefore, the gentlemanly character of the heroine's father, a scholar-bureaucrat, is sometimes really irritating, and the hero and heroine's inability to eradicate the problem makes people fearful. But from the logic of the story, these are very consistent with the character's personality. What I don't like a lot is that in the middle of the book, there are several arrangements where the heroine racks her brains to make arrangements, but when she turns around, she realizes that the hero had anticipated it and had done a better job. And the second part is too focused on the female protagonist's role, and the male protagonist seems to have no role. Kind of jumping between two extremes. Furthermore, the hostess is suddenly arranged to meet someone he loves, and the leader of a foreign country has to take risks to abduct the hostess while still respecting and pampering her. Mary Sue's is a bit cliché. But it's still worth reading.

Overall rating: 1 star Whether you have finished reading: Skip reading Whether to review: No Author's brief comment: None Heroine design: Reborn heroine, pretentious, with a lot of inner drama Male protagonist design: Reborn male protagonist, able to fight, loves the female protagonist, not good at expressing Supporting character design: not only a tool person, but also a tool person whose character can be adjusted at any time Plot line: After the heroine is reborn, she changes her family's fate of being convicted in her previous life and renews her relationship with the hero. Love line: The love line between the male and female protagonists only begins in the middle. It's not sweet, but it's a bit of a back-and-forth looking for trouble. Completeness: Skip to the end, it probably has a complete ending. Extra: The truth about the past life and the aftermath of this life Writing: Smooth and readable, a little unclear Brief comment: Once again, I fell into the trap because of a favorite joke, and the result was unsurprisingly unsatisfactory. The supporting characters have no logic. The father of the heroine, a minister of the Ministry of War, relies on the heroine to remind him of political affairs. He cannot handle family matters clearly, and he only listens to others. The prefect's granddaughter was completely insane and went to the palace to quarrel with the princess, talk about the queen mother, and compete for the queen's seat. The emperor was living in exile, but was rescued by the male protagonist's family, and grew up with the male protagonist. After finally regaining the throne, the first thing he did was to suppress the fearful male protagonist. Everyone in the court is not one of his own, and then he chooses to be suspicious of his own people. There is also the second female protagonist who was given a marriage to the male protagonist in her previous life. She would rather sacrifice her identity as a princess and suffer a miserable end in this life in order to allow the male and female protagonist to be reborn and have a happy life. Is this a CP fan? The heroine's design is even more sophisticated. I like to criticize other people in my heart without saying anything. In the process of house fighting, innocent people are implicated, and I also pretend to say that he is in such a miserable state because so-and-so is too vicious, but you are the cause of everything, and you don't care about it. And every time I deal with my aunt and cousin, I always beat them to death, as if they fight, but there is no result. My cousin danced all the way to the end and turned into a concubine. To the second female lead, when I was not looking for him, he said he was grateful for her acceptance and shelter in his previous life. Once you find it, you must try to make the other person have a good impression of you. Besides, there is no need to have any intersection or hate in your heart. When the second female lead is married, she is happy so that she can't compete with the male lead. This Moreover, he always used dreams to tell others about his past life, especially to the second female lead. He could talk to a stranger casually. Even though he knew that the second female lead's identity was different, he still told others about his past life without fear of being suspected. The emotional lines between the male and female protagonists are even more magical. The heroine thinks that she and the princess never got what they wanted in their previous lives, but the worst thing is the hero who is successful and famous, marries the princess but does not treat her well, and suspects that the heroine is not dead and will not find her. When they meet in this life, the male protagonist is enthusiastic. She feels that this is not the male protagonist in the previous life, so she doesn't want it anymore. Later, the male protagonist didn't confess his love, and she felt that it was okay if the other person didn't say anything about the two of them. What about the obsession from the past life that you promised? Later, she arranged for the emperor to grant her a marriage, and only then did she realize that she liked the heroine. The female protagonist sees the male protagonist drawing a picture of her past life, and is misled into thinking that she is a stand-in. So I couldn't help but skip to the end and forced myself to read the ending. Well.

Overall rating: 3.5 Stars Have you finished reading: Yes Whether to review: part of the plot Author's brief comment: Follow up Hostess design: Time-travel heroine, free and easy without being pretentious, optimistic and positive, lively and cheerful Male protagonist: a peerless master with a complicated life experience, lack of family warmth, and a love charm. He looks taciturn but is sincere and passionate in his heart. He has full love talk skills. Supporting character design: NPC is not a background, but it is basically unimportant Plot line: The heroine travels through time, relies on the sign-in system, and unlocks the golden finger of spawning monsters and upgrading all the way, and finally becomes a top boss and helps the world. Emotional line: There is interaction at the beginning, and the progress is relatively fast. Both of them are straight ball players, and the progress is basically reasonable. The male protagonist is really good at talking. Completeness: The ending is a bit rushed, complete but some foreshadowing is missing. Extras: None Writing style: The wording is modern, fluent and readable, and slightly funny. Brief comment: I almost missed this book because of its name, it was really too long and straightforward. However, the writing is still good, a pure gold-fingered writing, the heroine leads the whole audience by herself, and the peerless male protagonist is mainly responsible for providing guidance to the heroine on tasks in the early stage, and helping the heroine wave the flag in the later stage. No matter how deep your strategy is or how high your martial arts skills are, my heroine will just sign in for whatever she lacks, and she will just cheat and fail. This type of book can easily turn into a running account if not well written, but the author's wild imagination is a plus. The various items that come out of the early sign-in are also very interesting. This is an interesting article to read. In the early stage of the plot where the original body returns to his hometown, although there are some elements of house fighting, the heroine defeated ten masters with one strength, and the original body's father and brother are very powerful, so it quickly turned into a unilateral torture of the villain by the heroine. Starting from the mid-term, the male and female protagonists form a team and slowly lay out their plans to compete for the world. What is less cliché is that in daily writing, the male and female protagonists have no intention of being powerful. In the end, they are forced to take the throne because of the situation, which always feels unnecessary. If the protagonist is capable, why can't he be ambitious? There is nothing wrong with an ambitious protagonist. As for what many ancient commentaries on emperors always say about being an emperor and having three palaces and six courtyards. To be honest, which emperor was forced to take concubines, either to take shortcuts or because of lust. Just look at Ming Xiaozong who grew up in a cold palace. He was mild-mannered, an only son, and had no backing. The empress' family was not only ordinary but also a hindrance. The Ming Dynasty was still dominated by a civil servant group. He could be monogamous, let alone a strong and powerful emperor. There is no need to give the emperors a last resort reason for their three palaces and six courtyards. The infrastructure part at the back is a bit watery, especially where a bunch of modern technologies are piled up, cement, sweet potatoes and the like are common cross-travel topics, which is a bit tasteless. The ending was a little rushed, and some foreshadowings were left unchecked, which was a bit of a pity. For example, who poisoned the male protagonist, the Sirius clan went offline inexplicably, what was the purpose of the ashes of his wife that Yang Sanlang carried with him, etc. Overall, it's a cool article, and if you don't get too hung up on logic, it looks pretty good.

Overall rating: 2.5 Stars Have you finished reading: Yes Whether to review: None Author's brief comment: Follow up Character of the heroine: Time travel, kind and not temperamental, understands Chinese medicine, has a career line, but not too ambitious Male protagonist: from a grassroots background, dares to fight and break out, loves his wife Supporting character design: Villains are relatively brainless, and non-villains also have some supporting characters that make people feel stuck in their throats. Plot line: After traveling through time, the female protagonist makes money through her pharmaceutical knowledge, meets the male protagonist, and runs a life together Emotional line: There are a lot of interactions, but the backstory is bloody. The male protagonist is suspected of sleeping with someone else after drinking, and the wrong person hugged the female protagonist's sister-in-law. The female protagonist was caught and separated for a period of time. Completeness: chronological fast-forward part and ending Extras: None Writing style: smooth and simple Brief comment: This is an early novel by a great author, and the male and female protagonists interact relatively much (compared to later works). The overall plot is also relatively bland. Basically, it is about the male and female protagonists getting to know each other and staying together. Interspersed in the middle is the female protagonist's career line after traveling through time to support her family and the male protagonist's hard work. The heroine's overall personality is relatively weak. Although she occasionally bursts out and retorts a few words, she is relatively tolerant most of the time. There are two supporting characters that make people feel stuck in their throats. One is the heroine's aunt, and the other is the widowed mother of one of the male protagonist's subordinates. None of them are bad people, but they all have well practiced their bad habits of venting their anger on those who are weaker. After the heroine traveled through time in the opening scene, her family was very poor. Her father and uncle died fighting against the Tatars, and they were framed as deserters. The heroine went out to dig for medicine to make money. When her brother was injured, she bravely stepped forward to ask for compensation for her brother. As a result, the heroine's aunt said that the heroine had offended someone, and also said that the heroine's father had killed her husband. Completely ignoring that the offending person was due to compensation from the heroine's brother, and that the uncle died in a war. Later, he secretly bought the heroine's maid while the heroine was away. After discovering that the hero and heroine were in love, he wanted to send the heroine to his grandfather's house in the capital. His catchphrases were "saved the heroine's life" and "raised the heroine." The problem was that basically the money was earned by the heroine, how shameless. There is also a widowed mother who works for the male protagonist. Because her subordinate died trying to save her unmarried daughter-in-law (who was a widow), she scolded her as a broomstick. Until two or three years later, she still scolded her every time she met, and no one else was allowed to interact with her. In the middle, the daughter-in-law even sacrificed her life to avenge the hero's men and did many good deeds. It was true that the person who killed her son was a horse thief, but she only dared to scold those who cared about her. Then these are still positive supporting roles, which makes people very helpless. Although it is not necessary for Shuangwen to slap him in the face and take revenge in the later stage, the various forbearances in the early stage are too frustrating. Later, there is a sister-in-law who realizes that she looks like the heroine and thinks that she is a substitute. She also chooses to embarrass the heroine instead of settling the score with her husband. The rest of the villains are relatively flat and not very impressive. The female villains are basically just jumping around in various ways to stir up the relationship between the male and female protagonists. My favorite thing about the whole article is that the life of the heroine after time travel is very real. There is no instant killing of the ancients or killing all directions. Instead, she first feels the wisdom of her ancestors, and then slowly explores and integrates her own modern knowledge. This is very difficult to get right.

Overall rating: 3-0.5 Stars (0.5 Stars are deducted for the male protagonist's endless rotten peach blossoms) Have you finished reading: Yes Whether to review: No Author's brief comment: The writing style is very distinctive, very martial arts style, worthy of attention Character of the heroine: the butcher's daughter, reborn as the daughter of a small official, powerful, bold and bold, anxious for justice and righteous. Male protagonist design: Unparalleled appearance, suffered a lot in his previous life, cold-hearted, ruthless, cruel, and cruel. After rebirth, he was rescued by the female protagonist, changed his destiny, had excellent medical skills and martial arts, and became a royal guard. Supporting character designs: There are situations where there are big differences between the characters before and after, and there are too many female characters who have a crush on the male protagonist, but they are all similar. Plot line: After the death of the heroine, she is reborn into another person, strives for an independent life for herself, learns martial arts from a teacher, and joins hands with the hero she accidentally saved for the rest of her life. Emotional line: There is not much entanglement, but after getting together, various admirers of the male protagonist emerge in an endless stream, and there are many forced misunderstandings. Completeness: basically complete Extra: The extra is also about the heroine misunderstanding the hero's change of heart, which is a bit boring. The scene is that the male and female protagonists return to the location of the heroine's previous life and confess to each other about their rebirth. Writing Style: The writing is concise, chivalrous, and storytelling style Brief comment: The first few dozen chapters are half-house fighting, which is a bit frustrating. Either be patient or use force. The result is basically killing one thousand enemies and damaging eight hundred. And it is clear that at first the heroine feels that her father's love is hypocritical, her stepmother is unkind, and her sister is evil-hearted, so she should stay away from her. After the stepmother was punished by the heroine many times by force, she couldn't bear to promise the heroine's father and the heroine to live in peace, and the heroine suddenly began to worry about them. The second sister has to take care of her marriage, the eldest brother has to deal with prostitutes, the third sister keeps saying that she wants to marry someone like her brother-in-law, and the heroine has to find a way to help her solve the secret affair with her foreign husband. After getting married, the heroine changed from being aggressive and domineering to being enthusiastic about doing good deeds and saved a little white flower's family. The other party went to the male protagonist to express his love for the heroine and looked down on the heroine. The heroine didn't lament that the heroine was not innocent until the little white flower was rejected and hooked up with the prince. The person at the back kept jumping around until the end and was still disgusting the hero and heroine. The heroine's maid longed for the hero and refused to get married. The heroine communicated back and forth but did not deal with the maid cruelly. Instead, she almost had a miscarriage. A bit of a broken character. The male protagonist's side. From beginning to end, Rotten Peach Blossom has a female supporting character who is a one-step process of "secret love→confession→crazy→complete rejection". In the middle, the male protagonist is on a business trip, pretending to be a vagabond, spending the night cuddling with each other, and asking if there is a medicine that can make the other party mistakenly think they are having sex. There was an exotic female prostitute who was taken away by the prince at the end of her business trip. Everyone else thought she was the male protagonist and did not clarify. The extra story is still the same. In order to be sterilized, the male protagonist gets naked and lets an eldest lady from the royal family who has a secret recipe give him acupuncture. Every few days, he finds a place to accommodate his sister. Moreover, this sister yearns for the male protagonist and is even teased about her relationship with him. In the end, the female protagonist escapes and the male protagonist pursues them. Both of them confess that they are both reborn, and it's over. So after returning to Beijing, what should we do with the two sisters? Isn't it considered a violation of their reputation? In addition, in the text, through the heroine's relatives, female partners, and passers-by, it is emphasized countless times that the heroine is not worthy of the hero, and the hero is good to the heroine. I also wrote about Sun Tzu asking why the male protagonist didn't take a concubine, how filial he was. Overall tasteless.

Overall rating: 3 stars Have you finished reading: Yes Whether to review: No Author's brief comment: The writing style is very distinctive, very martial arts style, worthy of attention Hostess design: Reborn heroine, studious and good at reading, gentle and intelligent, with good looks Characteristics of the male protagonist: Born in the city, handsome, smooth and clever, able to get both sides right and left. Supporting character design: non-background, more layered Plot line: After the heroine is reborn, she changes the fate of her family, and at the same time, in order to repay the kindness she received from her previous life, she helps the hero embark on the right path. Emotional line: The interaction is quite sweet, but the later part where the male protagonist wants to take a concubine is a bit jarring. Completeness: The later plot is a bit watery Extra: The heroine's younger brother gets married and the emperor fakes his death to pass the throne, and the quartet goes out to sea for fun Writing Style: The writing is concise and storytelling style Brief comment: The male protagonist is relatively rare, somewhat similar to Wei Xiaobao. The heroine is set to be diligent and showy. The marriage between the two began when the male protagonist misunderstood that the female protagonist liked him, and then attacked himself. The female protagonist based on the three attempts to help the male and female protagonists in the previous life. Even though she knew that the other person was romantic and dissolute in her previous life, she was still attracted to him without knowing it. The description of the emotional line is also relatively delicate and reasonable. There is already a paragraph written before the marriage that the heroine will be sad if the male protagonist thinks of having a concubine, and he decides not to make the female protagonist sad in the future. I don't know if the author has forgotten that when he was promoted to a thousand households, he arranged for someone to give the woman away, and the male protagonist secretly wanted to accept it. It seems that the male protagonist was not wrong about his original promise. After being reminded by the master that a concubine would affect the relationship between the couple, he sent the concubine away. After that, I communicated with the heroine and told him that she was unhappy and wanted to tell him. As a result, this paragraph turned out to be the heroine's introspection. She did not express herself and had no trust in the hero. The heroine was obviously very wise in the previous setting, and could make suggestions in house fights and government affairs. But here she becomes obedient, discouraged, and introspective when facing the male protagonist. The heroine's best friend, the queen, also becomes less and less likable the more she writes about it. At first he was cheerful and enthusiastic, but later he became more and more independent in his own way, regardless of the overall situation. A queen had a quarrel with the emperor, so she sneaked out of the palace and went to Guangzhou. If it weren't for the halo, the whole family would have been killed. Even though she was pregnant with a child, she had to join in the fun and go to fight the Tartars. Later, the maid sent into the palace by the queen's sister-in-law climbed onto the male master's bed. The queen actually thought that it would be a pleasure to give it to her good sister, so she gave it to the female master directly. Is this something humans do? When the queen gives a woman, has she not considered what outsiders think? If the male protagonist takes advantage of the situation, what can the female protagonist do? For no reason, the heroine has an aunt in her family. Such a good sister is enough. The heroine works hard for her, and she creates trouble for others. Asking means having a big heart. In addition, the mother-in-law and husband's family in the book, no matter how considerate and sensible they are before marriage, after marriage they will always be picky about their daughter-in-law, seduce women, and help other sons cheat the heroine and her family out of money. One family is like this, every family is like this, and there is no real resolution at the end, which is quite unsettling. It is true that there is no house fight, but at least the house fight can bring some retribution to these top players. The plot in the second half is also a bit rough. Basically, the emperor leaves the palace → encounters danger → the male protagonist saves him, the female protagonist comes up with ideas → gets promoted, and the cycle repeats several times. Overall, it's quite bland and nothing too catchy.

Overall rating: 3.5-0.5 Stars (0.5 Stars are deducted for the collective collapse that started in the middle) Have you finished reading: No Whether to review: part Author's brief comment: The article is very long and contains many details of life. Hostess design: Reborn heroine, talented and beautiful, good at calligraphy and cooking Male protagonist's design: outstanding appearance, excellent in both civil and military affairs, deep in mind, cold and ruthless Supporting characters: They all have very detailed life trajectories, but they may suddenly collapse in the second half. Plot line: After the heroine is reborn and returns to the age of 4, she changes her and her mother's fate, goes to Beijing to study and start her own career, and repays her kindness to the hero who saved her in her previous life. The two of them come together and work together for a lifetime. Emotional line: Much sweeter than the previous one, the male and female protagonists can clearly see that they love each other, and the male protagonist is also more proactive and enthusiastic. Completeness: Only the extra chapter has a complete ending Extra: It's still very long, and I'll pass it on to my grandchildren. Writing style: smooth and readable, plain style Brief comment: Then the world line of the author's other book "The Rebirth of the Daughter" began during the period of the fifth emperor. However, it is strongly not recommended to read the two books together, as it is very frustrating. The emperor here is not much different from the last emperor in the original version. The beginning is a bit long, and the heroine is tortured in a heartbreaking way. The middle part is the best part, about going to the capital, going to a girls' school, and becoming independent. Compared with the heroine in the previous part, the heroine in this article at least has a sincere friendship, and the male protagonist is also a warm and direct young man. He loves and misses the heroine instead of respecting and needing her. After the middle section, the shortcomings become obvious First of all, there are a lot of stories of supporting characters interspersed, often lasting more than ten or even dozens of chapters. Basically, we have to extract the male and female protagonists from the story of a lot of people. Secondly, the character collapses. The original book also had this problem, but it was mainly a side story. The text began to fall apart. The hero himself conceals the fact that the heroine's great-grandson wants to forcefully marry a feminist sister because he cannot offend his grandson. He also demanded to know what the heroine and her sworn sister were discussing, and the reason was that the husband and wife were one. The husband of the heroine's sister was not good at writing about women's sex in the early stage. He would rather lack sex than be excessive and look down on concubines. He is just too straight and doesn't understand love, but he is willing to learn and change for his wife. Later, he began to take concubines. The grandson was poisoned when he was young and was assassinated many times. He endured revenge and rose to power with clever methods. After becoming emperor, he suddenly became indecisive, like a mother's baby. She was plotted by the Queen Mother to cheat on her and take a concubine. She was taken advantage of and was poisoned and died soon after. She also caused the prince to lose his arm. It was as if Yun Qihao from the previous book was possessed, making it twice as uncomfortable. Also, while letting the male and female protagonists speak big words, they can't do it at the same time. The male protagonist said many times that he would spend more time with the female protagonist because of business trips. However, in fact, the total number of days he spent at home was only a few days, often a year or two. They always emphasize that the male and female protagonists are right, and then they make up for it after the characters are written down, saying that they actually knew it earlier, but thought it was the best choice. Finally, the middle to the ending becomes less and less sweet. The male and female protagonists are always separated and disconnected in various ways, and the marriages of their children are not satisfactory. The former prince became disabled, and there was no successor to the throne. It felt like the country was about to be destroyed again. For such a long novel, it started to fall apart in the middle, and the ending was stuck in my throat. What does it mean to truly interpret it? If life is just like the first time we met, ugh.

Overall rating: 4-0.5 Stars (0.5 Stars are deducted for the extra character Honkai Impact) Have you finished reading: Yes Whether to review: part Author's brief comment: The article is very long and contains many details of life. Hostess design: Reborn heroine, average appearance, average qualifications, diligent and enterprising, with the world in mind Characteristics of the male protagonist: a talented general, an ever-victorious general, rugged and heroic, stubborn and straightforward, courageous but not resourceful Supporting characters: They all have very detailed life trajectories Plot line: After the heroine was reborn and returned to the age of 4, she worked hard and changed her destiny in the face of adversity. From being independent to helping the world, she and the hero jointly created a prosperous age. Emotional line: Marriage first, love later, love is more important than passion Completeness: Only the extra chapter has a complete ending Extra: Very long, can be written as a separate article Writing style: smooth and readable, plain style Brief comment: I've seen recommendations for this book before, but I was put off by the word count and long side chapters. The first 200 chapters are considered a reading threshold. One is that the heroine is reborn back to 4 years old. She is too young, so some of her actions seem a bit unnatural and evil. Another thing is that there are a lot of complicated plots, which is not easy to follow at first. Neither the male nor female protagonist is a popular setting for Shuangwen nowadays, and each has its own shortcomings. The heroine has a relatively cold temperament and has great love, but she is relatively clear-cut when it comes to the people around her. . The male protagonist is stubborn and upright. Although he has the talent of a general, he has no strategy for governing the country. Moreover, the appearance of both of them is relatively ordinary. The heroine is relatively better, but she is only above average. On the contrary, the pair of supporting characters who serve as the control group are both very beautiful and extremely qualified. The process of changing the fate of the male and female protagonists is written in great detail. Of course, there is also a golden finger as the protagonist, but every change and twists and turns are laid out relatively steadily. There was no such unnatural maneuver that it took several years to go from being in a corner to conquering the world. The hero and heroine were already in their forties when they got married at a young age and finally unified the world. In the meantime, they experienced countless assassinations, failures, and the plight of a stretched financial situation and a shortage of talents. This is very real. Because of its length, the main and supporting characters and even the people around them all have a certain role in the story. At the end, it feels like watching the changes in the lives of some familiar people. From knowing each other by fate to being changed by life, there is sadness and relief. If you like this style, you will find it very enjoyable. If you don't like it, you will find it too lengthy. The whole story is not entirely satisfactory. Whether it is the lives of several children after they grow up, or the changes in the people around them, although there is deliberate design by the author, there are also helpless changes that cannot be avoided in life. However, the later extra chapters were a bit too lengthy, and the story line stretched all the way to the great-grandchildren's generation. For the sake of the plot, many characters changed from good to bad, which kind of collapsed. The eldest son of the hero and heroine has changed from a wise and restrained prince to a hypocritical emperor who makes excuses for his talent show. In addition, the male protagonist's confusion about his previous lover is ambiguous, which contrasts with the dull relationship between the male protagonist and the female protagonist, which may also be a lightning point. The last episode was a bit tear-jerking, as familiar people gradually left, and there was still a lot of uncertainty in the future. More than seventy years ago, she came to the border town in embarrassment, nervously welcoming the sudden change of fate, and the young man was also wandering at the fork in fate.

Overall rating: 3 stars (1 star is deducted for basically non-existent logic and confusing details) Have you finished reading: No Whether to review: No Author's brief comment: Pay careful attention, and it is not recommended to follow the serialization Hostess design: A reborn heroine, who has been treated coldly by her "parents" since she was a child. She lacks a sense of security in her heart. She longs for love but dares not to love again. She has low self-esteem and sensitivity in the early stage, and will take revenge in the later stage. Male protagonist design: carefree and unrestrained, emphasizing love and justice Supporting character design: Except for the heroine's family, they are all poisonous and stupid, tool people who come online on demand. Plot line: After the heroine is reborn, she unravels her own life experience and joins the male protagonist in a continuous cycle of "being cheated → fighting back → being ruthless and no longer passive → continuing to be passively cheated" Emotional lines: Very, very few, but the male and female protagonists are relatively well matched, with similar life experiences and similar thoughts and personalities. Completeness: After reading the penultimate volume, I really couldn't hold on and read the rough ending. Rather than saying it's finished, it's probably more like the author is tired of writing. Extras: None Writing style: There is a lot of hydrology, and the words are wordy and repetitive, but the fluency is okay. Brief comment: The positioning should be a cool article about home fighting. The first half is barely manageable, the heroine is slapped in the face relatively quickly, and there is only one small plot in more than ten chapters. It started to drag out more and more after that. The supporting characters were the same as the dungeon NPCs. They suddenly came online for a while, then went offline, and then changed to the next batch. They were all the same. It's extremely long, and there's a good chance you won't be able to read the entire book. Then comes the demining part. First of all, the author's writing has some common flaws. The most fatal thing is that the details are confusing. Whether it is the age, background, relationship, or personality of the characters, everything is messy and inconsistent. Like in this article, the heroine's grandmother is the emperor's sister-in-law who grew up watching. The emperor and the heroine's father are brothers of about the same age. The heroine's father married her grandmother's niece as his first wife. Let's not talk about whether the relationship is messy or not. Is it possible to get married at this age? What's even more amazing is that the cannon fodder servants all have names, but the second male lead does not. He is called Lin Sanshao from beginning to end. Could it be that his name is San Shao? Secondly, it is the logic of the characters' actions. Villains never care about priorities. The queen and the noble concubine have a feud, and the heroine's family has feelings for the queen's family. But the queen had to help the noble concubine to kill the heroine first for no reason, because the heroine's family could not afford to offend her anyway. The male protagonist is the nephew of King Linjiang. Let's not talk about why he wants his nephew, whose family has become extinct, to change his gender and recognize him as his adoptive father. Let's just say that this adoptive father is a man who is said to be very scheming. The two wives in the family did not care about the overall situation in order to kill the male protagonist. The eldest son almost killed the whole family in order to kill the male protagonist. The question is, he does not know, can such a person be an emperor? What's even more funny is that the first goal of people in the book is always to harm the hero and heroine. The problem is that they have nothing to do with the throne. What is the purpose of harming them? Is it to force upgrades and clear dungeons? Also, every time the male and female protagonists are cheated, they say that they become soft-hearted and make the other party think that they are easy to bully, and then continue to be soft-hearted. And the situation becomes more serious as it goes on, and the plot is like a wild horse running wild.

Overall rating: 3.5 Stars Have you finished reading: Yes Whether to review: No Author's brief comment: Use a certain profession as the starting point to unfold the story Design of the heroine: A soldier travels to a shipbuilding family, has justice and kindness in his heart, does not succumb to the feudal secular world, is good at carpentry and shipbuilding, is courageous and persevering, and has a big heart. The male protagonist's design: He has a blood feud, is extremely talented, is good at calculations, and can see through people's hearts. He looks as gentle as jade, but is calm and sober inside. Supporting Characters: Because of the ample space, many supporting characters have rich descriptions. Plot line: The heroine suffered betrayal, lost her memory and was injured, so she was forced to be a favor by the female partner and taken as a slave. Later, she got rid of the shackles with her own efforts and talents. After recovering her memory, she decisively chose to join forces with the hero to fight back the betrayer and start her own career. Emotional line: The male protagonist does not appear too early, but he is easy to recognize. The two are true soul mates who understand and appreciate each other. Completeness: The story is very long, and it ends with a small climax. The postscript adds explanations about the male and female protagonists' descendants dominating the world, and the endings of some supporting characters are not fully explained. Extra: None, it is said that there is one in the publishing version The writing style is very distinctive, with a mixture of clear text and some self-created words that may be a bit jerky to read. I don't like to use subjects and conjunctions. Brief comment: The author's early novels focused on plot, so the whole story was full of ups and downs. The heroine is a master of shipbuilding and is the maid of the heroine in the early stage, so the first third of the story contains a lot of house fighting. But as the plot unfolds, the heroine focuses more on managing her connections and shipbuilding business, and planning to regain her freedom. So it can be regarded as a relatively true story about strong women. The heroine's strength has attracted many admirers, but her achievements have almost nothing to do with the support and help of these people. Even with the male protagonist and the female protagonist, they are more of mutually beneficial partners rather than objects to be protected. Some friends may step on the emotional line. One is that there are not too many emotional lines. The male protagonist does not appear too early and is disconnected for a while. And most of the time, the relationship between the male and female protagonists is more like a mutual sympathy between confidants and a mutually beneficial partnership. The emotional line is not particularly strong, but the good match between the male and female protagonists can be seen between the lines. Another thing is that the article clearly emphasizes that the male protagonist has had countless relationships with women and claims to have had relationships with women, although they were all unnamed casual relationships. But from the moment he appeared, he had an abstinent character. Although I would attend banquets and go to fireworks places, my descriptions of them were all about being cold and leaving early. So in fact, I feel that the male protagonist has had many women before. This setting is not necessary to write out specifically, and it does not affect the logic of the writing at all. Maybe the male protagonists in ancient novels generally have this kind of setting where a thousand sails are over. In addition, starting from the time when the heroine went to Dabei to rescue her sister, the plot was a little off track from the previous one. In the early stage, the heroine is set up to be sad and unable to accept someone who wants to kill her, but in the later stage, the male protagonist designs to make the Nande royal family seek death, so that the entire opponent's family can be destroyed, and the heroine's reaction turns into his superb strategy. The contrast between front and back is a bit big. Overall, it is still a drama-oriented work worth watching.

Overall rating: 4 stars Have you finished reading: Yes Whether to review: yes Author's brief comment: Use a certain profession as the starting point to unfold the story Character of the heroine: Although she has been controlled by alcohol addiction since she was a child, she never gives in or gives up. She is good at painting and dancing, and has good Qinggong. Male protagonist: After being injured and losing his memory, he regains his true nature, is good at skills, has a flexible mind, and is a social expert. Supporting character designs: Although there are some details, they are basically vivid, and some characters have wonderful reversals. Plot line: The heroine was forced by her adopted brother to marry an old eunuch. After escaping from the marriage, she met the hero's mother and son. She used her painting and light kung fu talents to get rid of her previous family and start a new life. Love line: The love line between the male and female protagonists starts a little suddenly, but overall it's still quite sweet. Completeness: The article is not long, but the ending is very complete. Extra: A sequel to a male and female servant, a reincarnated modern extra Writing style: very distinctive, mostly half text and half white, full of ancient charm Brief comment: The first time I read the author's writing, I may feel a little uncomfortable because the writing style is more vernacular, a bit half-literary and half-white, and not particularly popular. But after reading it, it has a different flavor. This article is the author's shorter work. It revolves around the imitation painting industry, including the main plot of the heroine escaping from her original family, the main case of the male protagonist being almost killed, and a series of events interspersed with the main case. The plot progresses layer by layer, with a fast pace and no procrastination, and the secrets revealed are reasonable and logical. On the emotional line, the male protagonist was duplicitous before losing his memory. While deliberately making the female protagonist angry, he admitted in his heart that he liked this sister. Because of his childhood shadow, he hated scholars, so he forced himself to be a brainless and reckless man. After being injured and losing his memory, he stopped pretending and regained his true nature. He was reliable and charming, and he also opened up his own career line. Overall, a work worth reading.

Overall rating: 2 stars Have you finished reading: No Whether to review: No Author's brief comment: A must-read for new articles Character of the heroine: A traditional ancient heroine with a tolerant and weak character. After rebirth, she still lives a cautious and repressed life. Male protagonist: The son of an imperial merchant, capable and talented, but doesn't appear much Supporting character designs: There are too many, and some just contribute names. It feels like they are set for the sake of complexity. Plot line: The heroine was slandered for adultery, died in the ancestral hall out of grief and anger, was reborn as her ex-husband's cousin, grew up again and had a new life. Emotional line: Marriage first, love second, only begins in the second half Completeness: Skip to the end and read it for a complete ending. Extra: Follow-up including supporting roles Writing style: The author's ancient writing is not very mature yet, and the description is a bit cumbersome. Brief comment: Ancient articles by favorite authors. Since I purchased the full text, I tried to read it. Very standard ancient style of fighting style. There are four or five people living in a large family, and there are also small families in each room, including many elders and children. It takes time to read the genealogy given by the author. This also leads to the fact that there is not much ink about each character, which further leads to unfamiliarity with the characters, making reading more and more complicated and difficult. In addition, the same is true for emotional lines. According to convention, the first person to propose marriage to the female protagonist must not be the male protagonist. In this article, the heroine's cousin stole her fiancé away. But this plot is a little unreasonable, because no matter how much a prince cares about face, it is impossible not to know the importance of the crown prince's wife. Marrying a woman who uses face and reputation as an unscrupulous means is not cheating her son, but also the whole family, right? The more you care about face, the less you can marry such a person. It feels like a forced twist to separate the heroine and the prince. The heroine's behavior throughout the article is passive, thinking more and doing less when encountering things. When I lost my earring, I worried about it and let it go without considering whether it might lead to more serious consequences. When encountering a problem, he does not solve it himself or seek help in time. Throughout the first two hundred chapters, the heroine seemed very passive. So I really couldn't bear to read it. After all, this article was written almost 10 years ago. The author has said before that his early articles were not in a refreshing style, so I won't recommend this article. However, the author's other articles are very good-looking.

Overall rating: 3+0.5 Stars (0.5 Stars for my favorite childhood sweetheart) Have you finished reading: Yes Whether to review: part of the plot Author's brief comment: Follow up Hostess design: A reborn heroine who strives to improve herself after rebirth. She has a strong personality and is good at making porcelain and doing business. She is responsible for her family and is a little reckless and impulsive. Male protagonist design: Reborn male protagonist, extremely handsome, well-endowed, good at foreign languages, good at business and negotiation, slightly preoccupied Supporting character designs: There are more inscriptions, each has its own personality, and is relatively rich. Plot line: Due to lack of communication in the previous life, the male and female protagonists were both killed without expressing their feelings. After rebirth, work together to change the destiny of your family and yourself, and seek a stable life Emotional line: Childhood sweethearts are really sweet. The male and female protagonists have each other in their hearts, so although they have feelings at first, they talk about it in the first third, and then they trust each other and support each other. However, there are still many bloody male and female couples, and both male and female protagonists have many suitors and hold high positions of authority. Completeness: The final ending feels like it just comes to an end, more like the author is tired of writing. Extras: None Writing style: good narrative skills and writing style Brief comment: For relatively famous authors, the writing style and narrative are guaranteed. However, the endings of the two books I have read are not a happy ending in the traditional sense, but more like a temporary peace that comes to an end. For example, in this book, by the end, the enemy of the male and female protagonists just fell out of favor. Whether they will regain favor in the end or who will take over is unknown. Moreover, even if the person supported by the male and female protagonist comes to power and there is no restriction, it is unknown whether he will still restrain his feelings for the female protagonist, or whether he will suppress the male protagonist whose life experience is a threat to him. So even though the ending states that the male protagonist is promoted and the female protagonist makes peerless porcelain, it still doesn't make people feel completely at ease. In addition, the overall tone of the article is slightly depressing. The hero and heroine's family is basically in trouble one after another. They are framed and suppressed. The brother is almost inhumane and still loses his hearing. The male protagonist was almost imprisoned to death by the emperor, and the female protagonist was in danger many times. In the end, she was almost killed by pirates hired by the male protagonist's female partner. There are basically no very exciting moments in the whole story, and it is always breathtaking. The male and female protagonists have always lived a life of walking on thin ice. The villains and supporting characters in the novel basically keep dancing around for a long time. In the end, most of them are not completely solved by the male and female protagonists. They often trick each other to death after trying to commit suicide. Even if he is a positive supporting character, the heroine's father is often stubborn. Even though the family is in a lot of trouble, he still pays to take care of others, even those who harm himself, just for the so-called reputation of being righteous. There is also the Mu family who helps the male protagonist solve the identity problem. They are not the same as the male protagonist. They don't like the female protagonist to be in public and engage in porcelain making. They also require the male and female protagonist not to play music when they get married. In addition, the male and female protagonists often act impulsively and imprudently. For example, even though she knows that she is being supported by someone in power and has many enemies, the heroine still has to disguise herself as a man and go to the official court. This may be to show that the heroine is always motivated and pursues her career. However, it is a bit contradictory to say that her greatest hope is that her family is safe while doing such a highly involved deception. You can watch the literary wasteland, but if you need to feel happy or have a perfect happy ending, you should be cautious.

Overall rating: 2.5 Stars Have you finished reading: Yes Whether to review: No Author's brief comment: Follow up Hostess design: A time-traveling heroine, with a little sapling golden finger, and an ordinary personality Male protagonist: He has intermittent episodes of violent disorder. The setting in the text is that he is ruthless and has outstanding military exploits. However, there are so few scenes that he doesn't even count as a backdrop. It feels like it's just the background. Supporting character designs: Most of them are supplementary, and because there are too many aristocratic families, some are main branches, some are branches, and the scenes are all mixed together, it is easy to get confused when you look at it. Plot line: The heroine travels through the capital to an aristocratic family in the Jin Dynasty. With the help of her marriage contract with the regent uncle, she improves the family's suppressed status quo, revives the fiefdom, transfers technology from later generations, and improves people's livelihood. Emotional line: Rather than so much an emotional line, it is better to say that the heroine has a CP background. Not to mention the emotional line, the male protagonist doesn't even have one tenth of the role. Completeness: I read it quickly until the end. It doesn't make any difference whether it is finished or not, because the plot is a bit tasteless. Extras: None Writing style: The writing style is smooth and clear, and looks effortless. Brief comment: I bought it during the fixed price event, so I read it first because it was short. The author's writing skills are still very smooth, and it doesn't look too dramatic or laborious, so even though the plot doesn't have much new ideas, I can still read it quickly. The story is basically nothing. The part where the heroine is in the fiefdom can barely be regarded as infrastructure, but the things it does are the same as most similar novels. There are not too many twists and turns and creativity. It just keeps transferring the technology of later generations, and then in order to succeed, it constantly arranges tool people to be around the heroine. Whether it is buying a group of barbarian fighting troops at the first purchase, or the four young masters appearing later like "throwing themselves into a trap", it is just what the heroine needs. The emotional line is even more useless. The male protagonist has a disease of intermittent violent rage, which can only be suppressed by the female protagonist with the help of the Golden Finger Sapling, so the male protagonist starts to approach the female protagonist to find out this matter. But after getting sick in the middle, the male protagonist went to find the female protagonist and pretended that he was blind. Because the female protagonist did not change her attitude, he felt that the female protagonist was different, had a crush on him, and then fell in love with him. No, is the royal family and the regent who has always been feared so sweet? Even if the heroine has other thoughts, if you ask her face to face, can she say it? After all, you are still the king of photographers now, brother. If she wants to find a way out, she should do it quietly. As for why the heroine likes the hero, it is even less clear. It's not as good as when the barbarian subordinate appeared, the heroine lamented that she had grown to her own aesthetic point. This emotional line is not as rich as the emotional line between the ex-fiancé and the female supporting character of the villain who caused the heroine to break off the engagement at the beginning. From the daughter of the aristocratic family to the common people, to the king with a different surname to borrow the power of the ex-fiancée's family, and then break off the engagement to marry her true love, and then the two people find that each other has selfish motives and are suspicious of each other. In the end, Qianfan is still you, two frustrated but rational and calm people, finally join forces to keep each other warm, reconcile each other, and work together to start a new life. It's much more convincing and touching than the male and female protagonists inexplicably falling in love with each other. There is even less plot foreshadowing. The male protagonist is ill and the golden finger disappears suddenly. It's okay to watch but not necessary

Overall rating: 2.5 Stars (deducting 0.5 Stars is too mediocre) Have you finished reading: Yes Whether to review: No Author's brief comment: Follow up Character of the heroine: A reborn heroine, who was full of hatred and cold-hearted in the previous life. She avenged wrongs and hated them so much that it is hard to get back. In this life, she has set things right and learned to love while being loved. Male protagonist design: A sinister male protagonist with a plan and a proud heart. He saved the female protagonist in his previous life and taught her how to deal with things. Supporting character design: The Xie family is very warm overall, and other supporting characters are a bit flat Plot line: After the heroine avenged her wrong, she was reborn to correct her mistakes, learned to feel the warmth in life, and gained the family affection and love she missed in her previous life. Emotional line: There is interaction at the beginning, and it is more about collaboration to build a career. In the middle, the male takes the initiative. There is a lot of interaction overall, but it is not particularly sweet. The male protagonist in both past and present lives has helped and liked the female protagonist. Completeness: I read it quickly to the end, the whole thing is complete, but I feel it could be refined. Extra: The follow-up of the main and deputy CPs, the villain's mental journey Writing style: Smooth and readable, a bit bland Brief comment: The writing style of the entire article is as smooth as ever. Generally speaking, this author is relatively reliable. But one problem with this article is that it is too bland. It is not so much about the heroine being reborn for revenge and unraveling the truth that she did not have time to figure out in her previous life. It's more like the heroine is reborn to experience the love she missed in her previous life. The foreshadowing and conspiracy buried are not enough to sustain the entire length of the story. Most of the conspiracy behind it has been written out almost in the middle of the story. The only thing that I can't figure out is the villain's persistent logic. However, part of this problem depends on the extra ending. In fact, there are still many things that cannot be understood about the thoughts of the other villain, the Queen Mother. Another one is the setting of the emperor. The first chapter said that he was cowardly and obeyed the Queen Mother and did not dare to resist. But in the end it was revealed that he had killed the late emperor and the prince. How could a man who could ruthlessly kill his father and brother give up his rights and be willing to be a puppet manipulated by the Queen Mother and powerful ministers? Aren't you afraid of the past happening again? There are still storms ahead, and troops are approaching the city. The emperor still insists on locking up the heroine's stepfather's family first, refusing to let them come out to lead troops to put down the rebellion. It's also a bit strange. The throne is gone. Is there anything more important than this? In general, the author's writing is becoming more and more fluent, but the plot of this article is slightly lacking in ups and downs. The heroine's new experience at Xie's house was indeed warm, but this warmth was not enough to sustain the entire novel. You can read it when you are really short of books.

Overall rating: 3.5-1 Stars Whether you have finished reading: Skip reading Whether to review: part of the plot Brief comment on the author: A prolific author with a literary shortage to read Heroine design: Reborn heroine with a big temper and sharp tongue Male protagonist design: Reborn male protagonist, gentle, soft and frail Supporting character design: There are too many supporting characters. Except for the princess, they all felt flat the day before yesterday. Plot line: After the male and female protagonists are reborn, they renew their relationship and change their destiny. Emotional lines: They are all emotional lines. There are many daily emotions. The male and female protagonists will be sweeter after they talk about it. Completeness: Skip to the end, there are a lot of irrelevant and boring plots Extras: There are a lot of extras, related to children and follow-up Writing style: The narrative is clear and the text is smooth and clear, but the pace is slow and the writing is serious. Brief comment: 0.5 Stars for the heroine, who is very conceited and unlikable. She defies heaven and earth, and is always on top. She was the queen mother for more than ten years in her previous life. But in this life, she is just the legitimate daughter of a marquis, and her father died, her title belongs to her uncle, her mother was imprisoned for being unfaithful, and her younger brother is not his father's biological child, so how can she have the confidence to fight against the emperor and empress at the top and the grandson at the bottom. At this time, she has no plans to marry the male protagonist. Secondly, it is very selfish. There is a male eldest brother who has been secretly in love with her for two lifetimes. The heroine began to feel that she had to live an ordinary life, and she didn't like the other person, so she planned to choose the other person to avoid the pursuit of her grandson and the villain's second male lead, without considering whether the other person would be involved and tricked to death. And he obviously only said that he wanted to think about it, but in the process, because of the grandson's initiative, the heroine and his family were tempted. At this time, Luo's family could not afford to offend the prince and forced his son to give up. Luo immediately apologized to the heroine and admitted that he was cowardly. The heroine took the opportunity to put the blame on Luo, saying that he and his family had let her down. Later, the grandson pretended to be ill, and the heroine's best friend, Luo's sister, asked her if her eldest brother's fiancée had also passed away and whether there was any possibility for them. The heroine blamed it and said that Luo's withdrawal at that time made it impossible for them. At the same time, Luo's parents asked him to get married. Luo's answer was to remain filial to his fiancée, but in fact he did not let go of the heroine. It really stands out. Another 0.5 Stars are deducted for the male and female protagonists who are not doing their jobs properly. After being reborn, he focused on falling in love and being a matchmaker, but did not do any serious work. The male protagonist uses his tricks to expose the conspiracy of his younger brother and his concubine to kill him. Halfway through, in order to happily marry the heroine, he had to recover from his illness. In the end, the concubine was defeated by the other party's stupidity. Throughout the article, the most common thing the two said was "I didn't expect it, I was too conceited and careless." He was trampled on in various ways along the way, and was silenced by the villain's general. The road ahead is obviously unclear and full of crises, but these two people can think about their parents' affairs, raising children, being matchmakers, and falling in love every day. Very convinced. Finally, the people in the book speak like air. The eldest brother of the heroine said that he would not accept his cousin, but he finally accepted her. The male protagonist said that there was only one female protagonist, and after he ascended the throne, he was forced to follow the imperial edict and take in four concubines, and one of them was the female protagonist's cousin. (Of course he didn't even sleep.) The male protagonist said that he would not let the female protagonist suffer. As a result, the female protagonist was forced to go to a temple for cleaning.

Overall score: 4+3=3.5 Stars (4 stars in the first half, 3 stars at the end of the second half) Have you finished reading: Yes Whether to review: No Author's brief comment: I prefer group portraits and portraits of small characters. Continue to pay attention. Hostess design: A reborn businesswoman, who was entrusted by an inhumane person in her previous life. After rebirth, she regains her rationality, is beautiful and intelligent (limited to business and internal affairs) Male protagonist's design: He looks like a dandy on the surface, has exquisite appearance, and is highly skilled in martial arts. In fact, he is good at planning, flexible and flexible, and is good at acting coquettishly. Supporting characters: There are many, each has a story line, and there are basically no pure NPCs Plot line: After the heroine was reborn, she got rid of her scumbag ex-husband, changed the fate of her family and herself, met the eldest princess and the hero, and then got involved in the fight for the right to inherit the throne. Emotional line: Overall it is relatively light, probably accounting for only one-tenth of the entire story, or even less. However, the emotional changes between the male and female protagonists are still traceable, and there are not many emotional entanglements among the supporting characters. It may be worth noting that the female protagonist has been a non-C in both lives. The male protagonist did not specify it, but it was revealed that she had been in a brothel since she was twelve or thirteen years old. The male protagonist also said that he had never had a crush on anyone when he was young, but he was indeed praised and carried away when he was in a brothel, so there is a high probability that he is also an experienced non-C. Completeness: Although the supporting characters in the previous chapters were sometimes lengthy and the pace was slow, it was detailed and advanced layer by layer. The ending seemed to be fast forwarded, the rhythm suddenly changed, and it was a bit unfinished. Extra: It's a bit of a make-up, two past lives and one subsequent life, but they are not explained very clearly. Writing style: The writing style is very smooth, and the occasional humor and playfulness are not inconsistent, with a spicy and insightful nature. Brief comment: The male and female protagonists don't have many roles, but the front group portraits are well written, and many stories are unfolded from multiple angles through the perspectives of supporting characters, and the stories are also very exciting and smooth. There really aren't many emotional lines. The male protagonist is basically interested in the female protagonist. The article says that he thinks the female protagonist is beautiful without knowing it, and that she is superior. Only later does he understand and have the idea of ​​​​her. The heroine's relationship with the hero also started with his appearance. Later, during the hero's one-sided and cheeky, familiar chat, she became more and more familiar with him. In addition, the hero could help with many things. She got used to the other person's existence and slowly fell in love with him. Basically, there is still a complete trajectory of change. Although it is small, it is still the essence. One major problem may be the inking ratio of the figures. Of course, a group drama must portray many wonderful characters, but some characters feel that there are still many areas that have not been developed, and some characters feel that there is too much ink. For example, if one of the male protagonist's subordinates makes mistakes repeatedly and gets into trouble, he will look for the male protagonist. Although it fits the plot, it also makes the hero's servant look like a joke. If you can't even deal with such a person, how did the male protagonist manage to conquer Beisan Road before? Secondly, both the male protagonist and Mo Qi in the book have family rules against taking concubines. However, without delaying the male protagonist's 12 or 13-year-old start visiting brothels, Mo Qi tried his best to sleep with female concubines. Finally, the ending does seem a bit dramatic. The villains all resorted to wisdom. The eldest prince killed his mother and then confessed directly. The fourth prince named the prince suddenly couldn't listen to his opinions. After the death of the imperial concubine, the emperor suddenly became a background figure who could not govern. Overall, it's still a work worth watching.