Big Tide: Boss/invincible/behind the Scenes, the Collision of the Old and the New, First Suppressing and Then Rising

Type one: In the Three Kingdoms chapter, Huang Tian is replaced, the White Snake chapter is slightly suppressed, in the Cultivation of Immortality chapter, he is the old man, and the goal is to replace Taiyi to save Ku Tianzun. The protagonist's character is very good. The plot has become a bit longer recently, minus one point. Grain +

Type one: The setting of Taihang Mountain God + Candle Dragon, the writing is excellent and thoughtful, and the conflict between modern technology and classical immortality is well handled. It has the self-consistency and harmony of the fictional world of animation. Grass jelly- ------ The imperial capital was retaliated by the ancient cultivators in revenge. It was first promoted and then suppressed. In the front, it was still the Taihang Mountain God and the Red Dragon God. In the latter, he transformed into a mortal and became addicted to a stupid young man with no real character. In fact, it makes sense. The author's writing style has a female literary style, and the character outlines also have a female aesthetic bias. He advocates positive qualities such as beauty, natural purity, innocence and flawlessness. It is actually very difficult to expect to continue to successfully hit the pain points of male power. Forage

Type one: Yoha tortures ninjas, looking forward to it grass jelly-

Type one: Exiled Immortal Lin Chen has a very good subject matter, and the classical Chinese writing is also written carefully. However, this kind of subject matter is not popular among the people, and there is no reference for developing the plot direction. It is easy to go astray if you are not careful, but this kind of deviation is objectively normal. After all, the delicate needs of niche audiences, coupled with the sluggish entertainment industry and creative environment, mean that no one can help you write a book that fully meets your needs, and even you may not be able to do it yourself. Grain +

Type three: A female channel farming story, no cp, the protagonist, with the author's usual crispness and independence, has stepped out of the stallion story in a male channel, while the female channel is still stagnant in the plot of domination, which is rare today. Grass jelly-

Type one: Reborn in Immu, the five old stars and the moon are loyal and loyal, transforming the world government, and attacking the sea of stars. The number of words is too small, and the follow-up direction cannot be seen clearly, so it is just for now. Rating: Grain

Type one: It can be seen that it is a ticket-making work, but unexpectedly I insist on writing it down. Because of the fun, it is written that the power is invincible. The three immortals kill whenever they want, and the various original characters kill when they want. Planting medicine and harvesting are also cunning. Also because of the fun, the plot lacks planning, but it's okay and quite enjoyable. Rating: Food and grass are on the upper side

Type one: The writing and plot were very poor at the beginning, but then it started to take off after building the Tower of Despair, bringing in the DNF apostle system to push the level high enough, crushing and impacting the death power system. Rating: Food and grass are on the upper side

Type two + one: The myths and legends of classical Chinese society, such as birds repaying kindness and dragon beads falling from the sky, coupled with ukiyo-e and folk stories about punishing evil and promoting good, revenge and rectification, this setting is already a fairy tale base. --The most ideal world view of cultivating immortals is not to use the resources of the underworld to cultivate immortals. In fact, it is this kind of classical Chinese social painting style, plus the expansion and adaptation of modern online texts of myths and fairy tales, plus various folk styles like Ukiyo-e and Liaozhai, plus the ancient and modern tone of revenge and punishment of evil. It will actually look good. This classical style is actually as unique and fresh as Hayao Miyazaki's anime. The opening chapters of Lan Ke Qi Yuan and Ya Sao are relatively close to existing works on the market. For example, the Jiangnan water town in classical China, the village family, the member structure, the childhood of going up the mountains and down the river, and the intrusive essence of the mountains and forests, and the spiritual essence of the river. The faint dragon's tail hanging from the sky during a thunderstorm, the rivers, streams and ditches in the water town in midsummer, the boat sailing between the lotus leaves and rice fields, the dilapidated and lush green ancient county town, the academies and private schools with the sound of reading, the officials and landlords and farmers, the county villages and Mountains and forests, the boundless sea and marine ecology at the far end of the estuary, the nearby rivers and streams and the rich underwater ecology... This classical Chinese painting style worldview is more soothing, immersive and fascinating than Ponyo on the cliff, and has more aesthetic value. Add to this background myths and legends, the golden finger of the time traveler, various folklore, revenge and punishment of evil... Excellent. Subsequently, the power of Dragon Palace Immortals, Saints and the like increased, and some gradually broke away from this style of painting. Rating: grass jelly-

Type two: The title of the book belongs to the persuasion genre, and other high-quality works of the same kind are recommended in the comment section of other books. After reading it, I was surprised that the writing was solid and the plot was delicate. Basically, all the works that achieve this are the works of Liangcao+. (Ps: As mentioned before, plot preference determines whether you want to watch it, while writing style and writing attitude determine whether it is good to watch or not. The time-travel and collision between modernity and ancient times is itself a scene that you won't get tired of. The decisive factor always lies in whether the writing attitude is serious, whether the writing style is solid and delicate, and whether the logic of the characters' behavior can be trusted by others, which determines the authenticity and sense of immersion in the fictional world. The writing style is frivolous, exaggerated, superstitious about chasing hits, changing the title of the book, using routines, and immersed in making jokes and being mean-spirited. It will be ugly to write about any subject matter, and the plot creativity is of no use to the appetite. On the contrary, any subject matter can be written well, even if the plot idea is not to your liking, it is still worthy of respect and it is not to your taste, but you know that it is a good book for others. ) Pudong's infrastructure farming has begun to take off. What's even more rare is that the killing is decisive and clean. The prince is assassinated decisively if he is malicious. When the warehouse is provoked, he violently clears the way. Relying on the results of construction and farming, he does not flatter and please the old forces. To transcend all forces in the world and determine the destiny of a country, it is not the emperor who is better than the emperor. Some other plots are homogeneous in the middle and later stages, such as the unruly daughter, the wry smile, the sneer and the stereotype face, etc. Points are lost. Rating: Grain+

Type two: I watched it last year and forgot to include it. Classical legends and stories, fairy tale-like encounters in the Book of Heaven, and what's even more rare is that the author writes the book carefully, with a background in history, and the writing is delicate and thoughtful, not frivolous and impetuous. A simple plot that can easily be turned into a vulgar story, but with professionalism and care, it depicts the collision between the ancient world view and modern things, intertwining and interpreting the history of dynasties under the influence of another heavenly book. I feel that the length of the book is not enough, so I deducted points slightly. Rating: grain+, grass jelly-

Type one: In the first half of the book, the Konoha conspirator and hypocrite Shinigami elementary school student, in the second half of the book, breaks up with Sarutobi and becomes the Rose Dancer on the battlefield. Note before reading: The author's writing style is delicate, but the tone is dark. Those who are emotionally involved in the characters will be easily hurt. Rating: grass jelly Voice-over: Ding, Tunanjun, thank you for your recognition.

Type two + one: A good writing attitude is more important than a good writing topic. The subject of biological creation is as interesting as the subject of creation, but there are too many bastards on the market who always ruin good subjects. The idea of ​​​​blaming the blame for poor writing is too old, and there are too many people writing about it. The author of "Lan Ke Qi Yuan" has a solid writing attitude and a good subject matter. Although the modern background and various plot preferences are not to my taste, and overall it is not ideal, it is still quite rare. Rating: Grain

Type one: The author of the mastermind behind Naruto has a new book. The main character has a similar character, and I have almost forgotten the plot characters of Harry Potter. It's waiting to be read. The strength of the character is still the same as before, but when you watch it later, you will feel that it is a bit too immersed in the plot and characters' literary drama, and there is little power and powerful martial arts. It is an imbalance like the beginning of Naruto Shizuitei's over-immersion in the protagonist's personality. Rating: Grain

Type one: In the early stage, bio-scientific research is used to farm jelly grass, in the middle and later stages, archeology is supplemented, and the final flash kill of the pirate chapter is sorry for the plot foreshadowing of the previous two hundred chapters. The overall food and grass

Type one: Creation epic type The author was forced to turn back and write an epic. The level is still there, but it lacks the aura of the first epic. The vertical epic feeling is there, but the horizontal epic feeling has not yet been expressed. It is always limited to the small fights between the Sanye people. The same is true for the subsequent races. There is no feeling of tens of thousands of people competing for the same status and hundreds of races competing. Grain +

Type one: The boss-type protagonist, I skipped the Chess Soul chapter, the Prince of Tennis acquired skills, and the Conan chapter started to establish a strong character. Rating: Grain+

At first glance, it is easy to be confused with the more and more popular plagiarism in the market, but upon closer inspection, it turns out to be an unexpected and thoughtful work. The author confesses that his previous work was dismissed as a composition for primary school students, so he worked hard to write this one with great care. It does not disappoint. The main highlight of the work lies in the contrast between Goldfinger's nonsense and the plot of the original characters. Goldfinger needs to maintain the relevant logic settings of the skills, and the original character plot needs to be carefully portrayed. It also needs to deduce the development of the plot after the protagonist is added as a variable. The energy and effort required behind it is unimaginable. The most rare thing is that the author maintains the rigorous character design of the original characters and the protagonist himself. He does not take it for granted that the protagonist and supporting characters will laugh with the readers, collapse together, and act together because of the nonsensical golden finger setting. High-end comedies are serious about being funny, and the resulting joy and contrast are stronger, such as Stephen Chow's comedies. Low-level comedy means being funny in a casual way. You think that comedy itself is not serious, so you don't need to be funny in a serious way, so you take the lead in making laughs. You laugh, am I not funny? I am so funny, why don't you laugh, like a happy comedian. Therefore, the same setting and plot, in the hands of other authors, would be written by the author using the narration to drag the protagonist and supporting characters who are not serious and mean-spirited to make you laugh. In the hands of this author, there is a serious protagonist and a serious plot of native characters. The absurdity and plot effects produced by the participation of the nonsensical Golden Finger make people laugh. Take out the nonsensical golden finger element and return to normal. Rating: grass jelly-

Power struggle textbook. Although it has the shortcomings of Sherlock Holmes's reasoning in logic, it can turn the tide of people's hearts in a small verbal confrontation, but the flaws are not concealed, and it becomes even more glorious in novels and dramas. Rating: grass jelly-

Type one: The author's novel plot preference is consistent with that of the readers, and it is also the plot setting of the boss-type protagonist and the mastermind behind the scenes. This is the basic premise of entertaining novel reading. (PS: If this point is not met, even if the work is excellent, the characters, plot, and writing are all praiseworthy, it will not be adopted (the other two categories are social deduction and punishment of evil and revenge). The evaluation standard of the work also depends on the extent to which it satisfies/writes these plot preferences, and identifies the minus points and plus points of each plot.) On the basis of satisfying the premise, the author has a deep understanding of the humanities and sophistication of Japanese society, and the many details are rich and convincing. The writing and plot also have a touch of the style of Japanese literary works, adding a refreshing rhythm like animation. This is not the common composition on the market for elementary school students who have the same preferences but terrible writing style, pretending to be stupid and pretending to be sexy. The arrangement of some plots could be better and more comprehensive, but the creation itself is a systematic project. It is somewhat difficult to expect the author to single-handedly create a plot that is perfect or satisfactory in all aspects. And the author has written down some details about the protagonists behind the scenes who stirred up the situation, affected the overall situation of the world, and the evolution of society. For example, the sword ceremony held in Japan was attended by dignitaries from various countries and attracted nationwide attention. For example, the change and improvement of the social status of able-bodied people is just like the college entrance examination leaping over the dragon's gate, a new channel for social advancement. For example, after the emergence of sword weapons, the kendo training industry in society came back from the dead, turned losses into profits, and ushered in the industry. For example, the dragon king wanders into Korea and comes into contact with aliens. The daily life and life of the little people are disrupted, and the branch plot is as interesting as a movie. For example, wood, feathers and other things left behind after the emergence of supernatural powers have been speculated to sky-high prices in the market, and various fakes and imitations have appeared. These exciting points are like seeing the social evolution after the chaos of new things in science fiction novels, rigorously deduced. Extremely rare. The ending is a bit rushed, but the volume is large and sufficient, which is rare in similar niche novels. The flaws are not concealed. Rating: grass jelly-