[Web Article Scorer]

[75 points·Urban Rebirth] The protagonist Fang Qingye was reborn and returned to the county town in 2008. He gave up his hard work in the big city and chose to work as a clerk in his hometown bank, trying to enjoy a leisurely life with a "lay flat" attitude. However, relying on his experience and memory in the financial circle in his previous life, he accumulated wealth through operations such as stocks and deposit cases (such as the suspenseful incident of "the disappearance of 20 million deposits" at the beginning), and gradually became an invisible "ganghu boss" in the county. The plot is interspersed with workplace clandestine battles (such as the game with the leader Xia Xingzhang), interpersonal entanglements (such as the emotional interaction with colleagues Bai Ou and Dongguan Mei), and micro-operations in the financial market, showing how little people can "make a fortune silently" under the tide of the times, and at the same time uncovering the gray ecology of power and capital in the county. The work deconstructs the theme of rebirth from a unique county perspective, and satirizes the utilitarian anxiety of contemporary society through Fang Qingye's "anti-involution" life philosophy. The author uses delicate daily descriptions (such as riding a scooter to commute, and the fireworks at a breakfast shop) to build a soothing tone of small town life, but he buries dramatic tension in financial secret wars and workplace intrigues, forming a narrative contrast of "being flat on the surface but in control in reality." The characters are vividly created, such as the protagonist's "clear and stupid" disguised image and the pyrotechnic dialogue of the supporting characters in the market, all of which enhance the sense of immersion. However, the solution of some plots (such as the case of missing deposits) is slightly idealistic and relies on the protagonist's "prophet" advantage, which may weaken the realistic logic. Overall, the novel explores the balance between wealth and life in a relaxed and humorous way, providing a new sample of "small town narrative" for urban rebirth literature.

[70 points·Urban system] The protagonist Qi Yun fell into a trough in his middle age and barely made a living by setting up a stall and delivering food. After accidentally awakening to the "Daily Intelligence System", his life turned around. The system provides multiple pieces of intelligence every day, covering wealth clues (such as gold bar hiding places, high-priced stamps), business opportunities (court auction houses, raw material shortage information) and even social gossip. Qiyun relies on this intelligence to gradually reverse the predicament and counterattack from a low-level worker to an "invisible winner" with information advantages. The plot connects specific intelligence events one by one to show the protagonist's survival wisdom under real pressure and system support. It has the fireworks of urban life and the excitement of a game with poor information. The work takes the mid-life crisis as the entry point and cleverly embeds the surreal setting of the "intelligence system" into urban daily life, creating contrasting tension. The intelligence content is not only close to real-life pain points (such as economic distress, competition for social resources), but also gives the protagonist the ability to break the situation through information gaps, satisfying readers' expectations for counterattacks. The narrative rhythm is fast, and unitary intelligence events advance the main line, but some plots may weaken the character's initiative due to over-reliance on the system. On the whole, the novel explores the theme of information value within the framework of realistic themes. It has both a sense of reality in the market and a sense of fantasy and refreshment. It also delicately depicts the survival anxiety and opportunity capture of the middle-aged group.

[75 points·Anti-routine] The protagonist Su Mo is reborn in the dynasty era under the world view of gods and demons. He becomes the kitchen steward of General Zhenyuan's Mansion in the Song Dynasty and obtains a simulation game system called "Love Life". The system would randomly generate a female character to simulate life with him, but since Su Mo could not gain any actual benefit from it, he chose the "Knife Man" option instead, creating tragedies in the simulation - such as making the White Snake trapped in the West Lake forever, Princess Rakshasa sealing herself in the Flame Mountain, Weaver Girl and Cowherd forever separated by the Milky Way, etc. However, as the number of simulations increased, these female characters who had been "scarred" by him turned into reality one by one, and came to the door with memories and emotions, forcing Su Mo to face the cause and effect he had planted. This work uses the "anti-routine system" as the core setting, and explores the themes of choice, responsibility and emotional redemption through the interweaving of simulated life and reality. The protagonist's seemingly "unreliable" golden finger and the deliberate act of creating tragedy form a strong dramatic conflict, while the transformation of the female character from virtual to real deepens the emotional tension and the sense of fate of impermanence. The work combines oriental mythological elements with light comedy style, such as the deconstruction and re-creation of classic stories such as the Legend of the White Snake and the Cowherd and the Weaver Girl, which not only retains the traditional charm, but also gives new meanings. However, how to maintain the depth of character creation in multi-line emotional entanglements and balance the logical rationality of the "Knife Man" setting and subsequent emotional development are still key narrative challenges.

[75 points·Cultivation] Taking the time traveler Chen Ji as the protagonist, it tells the story of how after he accidentally obtained the mysterious ancient book "Strange Stories", he was invited by Miss Bai of the Fox tribe to be a "teacher" and gradually entered the world of spiritual practice. When Chen Ji was sorting out the classics in the fox tribe's library, he discovered that he had awakened the ability to "understand the language of birds and beasts" due to "Strange Stories", and through this, he interacted with aliens such as the fox demon, the tree demon Sophora japonica, and the ghost Mr. Su. On the one hand, he teaches the fox cubs to learn human knowledge and helps them practice incarnation; on the other hand, he explores the incomplete practice techniques in the library (such as "Xuanshui Luck General Method" and "Longevity Gong Qi Diagram"), and under the guidance of Mr. Su, he obtains the breathing method in "Xuanshan Strange Talk", gradually uncovering the mystery of his incomplete soul. The plot revolves around Chen Ji's exploration of spiritual practice, his integration with foreign cultures, and the hidden role of "Strange Stories". It interweaves the main thread of supernatural elements and spiritual growth. The work combines the three genres of cultivation, fantasy and time travel, and uses a unique "alien school" setting to build an imaginary world where demons and ghosts coexist, and spiritual practice and the secular world are intertwined. The author cleverly balances fantasy and life-like narratives through the details of the books in the Fox clan's library (such as classics of Confucianism, Buddhism and Taoism, monster skills) and character interactions (such as the humorous contrast between the ghost Mr. Su due to his memory loss). Although the plot is based on traditional cultivation, it weakens the routine of "fighting monsters and upgrading" and focuses on the protagonist's use of "teaching and educating people" to promote the growth of the ethnic group, giving the theme of cultivation a fresh perspective. However, some settings (such as the functional mechanism of "Historical Records") have not yet been fully developed, and the potential of the worldview needs to be further explored in the future to avoid becoming superficial. Overall, the novel provides a unique possibility of cultural deconstruction for the theme of cultivation with its delicate atmosphere of strange things and humorous character creation.

[82 points·The end of the world] A composite genre work that combines elements such as apocalyptic escape, fictional history, and infrastructure strategy. Its core background is set in an imaginary dynasty similar to the ancient Jin Dynasty. The "evil poison" (actually a deadly parasite) donated by foreign countries caused a large-scale epidemic, leading to the collapse of society and rampant monsters, forming a unique worldview intertwined with ancient times and the end of the world. The protagonist Wen Gu was originally a hunter for cultural relics in the wasteland world of the future. After his soul traveled to the body of a deceased scholar, he took his naive cousin to visit his relatives in the north. On the way, he gathered survivors and used modern knowledge to solve ancient dilemmas. The main plot line includes survival exploration (fighting against monsters and diseases), civilization reconstruction (using cultural relic knowledge to develop technology), and the hidden thread revealing the truth about time travel and the nature of the world. This work takes "non-supernatural survival" as its core highlight, abandons the supernatural setting of common apocalyptic novels, and instead relies on the protagonist's cultural relic research background and scientific thinking to solve problems, showing unique logical rigor. The author cleverly balances the narrative tension between "literary" and "military" - the scholar's identity not only constitutes a survival disadvantage (physical limitations), but also becomes the key to solving the problem (cultural resourcefulness). This contrast creates a highly recognizable character. In the construction of a grand world view, the apocalyptic crisis caused by parasites not only drives the plot, but also serves as a metaphor for the fragility of civilization and the struggle of human nature. For example, the spread of epidemics coincides with the corruption of the ancient bureaucratic system, and the mutation of monsters reflects the collapse of ethics in troubled times. Although the work is a mixture of many themes, it is able to achieve organic unity through light and dark dual-line narratives (survival action and truth pursuit), demonstrating the author's ability to control complex narratives.

[80 points·Urban power] A genre work that combines suspense adventure, urban superpowers, and cross-cultural fantasy. The story tells the story of Louis, the protagonist, who travels to North America and becomes a practitioner who masters Chinese heretical magic (such as animal creation, ghost raising, voodoo, etc.), And embarks on adventures in the Western world full of supernatural events. He uses magic to fight evil spirits and villains in classic horror IPs such as "Orphans", "Coven" and "The Conjuring". For example, he uses "Seven Arrows" to kill demons and uses paper man magic to fight Freddy. As the plot progresses, Louis gradually discovers his connection with the personality of the gods, and uncovers the mystery of his identity while dealing with evil boys, ogres, fallen angels and other incidents, and finally embarks on the road of "witchcraft to become a god". The innovation of this work lies in the grafting of Chinese folk symbols and Western horror aesthetics to form a cultural mash-up experience. For example, settings such as "The Stove Lord criticizes evil boys" and "Bronze runes against witches" have both absurd and violent aesthetics. The narrative style deconstructs horror themes with black humor, satirizes social issues through playful touches, and connects the main lines in the form of a unit drama, with a compact rhythm and strong visual stimulation. However, the disadvantage is that there are too many elements, some settings are redundant, and the realistic logic is relatively weak. For example, the protagonist's magic performance often relies on the convenience of "endless materials", which weakens the seriousness of the plot. Overall, the work attracts readers with its anti-routine novel setting and cross-IP feelings. Although it is lacking in depth, it is still a horror novel with a distinctive style.

[75 points·Unlimited streaming] Traveling through the world of Naruto, you can inspire blood power and invite various souls to possess you. Currently, you have six levels of strength. The writing is good, but the strength rises too fast. It feels like you can only go to other worlds, but with this speed of upgrading, there will probably be nothing to write about soon.

[75 points·Esports] As a refreshing article, the writing is relatively good. After all, it is indeed passionate and refreshing. However, as a lo| game novel, it lacks some details such as laning details, team fighting ideas, and pull games. The author might as well switch to urban writing. This writing style is still very good.

[60 points·frustrated] He had a bad character, and his attributes were maxed out. His subordinates came to the Chen family and wanted to mess with him. He was poisoned and was forced to work as an insider. He was forced to come to the door twice to kill people. After killing people, not a single problem was completely solved. There is no difference between having and not having the Ring of Destiny plug-in, and panel plug-in will not solve any problem in the short term.

[80 points·Farming essay] The story about farming and cultivating immortality is very delicately written and has a good rhythm. The image of each character is vividly described. As long as it doesn't collapse later, it's suitable for publishing a book.

[74 points·Ancient Essays] This subject matter is quite good. I still like to read chapters about the manifestation of saints in the human world. I personally think that the fantasy content of Journey to the West should not be too much, accounting for 40%, and the content of "The Only Immortal in the World" accounts for more than 60%. Many people have written books about Journey to the West, and the routines are almost the same. However, the protagonist's path to becoming a saint in the human world can still be innovative. Many authors completely shift their focus to prehistoric content as they write.

[70 points·Ancient Essays] In the ancient novel, the avatar of Buzhou Mountain subdues various monsters. There is a way to speed through the phantom beast Palu, and it feels like catching forty chapters in a row. Get up, catch the Pallu, go home and assign work, go out and continue to catch the Pallu, upgrade the level, and catch a stronger Pallu.

[75 points·Da Ming] This is a very interesting novel. If you are looking for historical texts with textual research and realism, you don't need to read it. If you are looking for interesting historical articles and want to watch TV series, this book is a good choice. It is more like a Ming Dynasty 1566 fanfiction than a historical article. The series of jokes in it look very interesting.

[80 points·Through the Qin Dynasty] Traveling through Wu Guang and revolting against Qin, from the perspective of future generations, Qin Wei is fighting fast, but the premise is that Chen Sheng and Wu Guang's uprising can be said to be extinguished instantly, and Xiang Liang, the strongest among the princes, was also killed by Zhang Han. If one of Chen Sheng and Wu Guang had survived, or even been in a stalemate, and external pressure had led to the internal unity of Qin, then it would not have taken three years to win Guanzhong. It took Liu Bang 4 years to destroy Chu. It was like the various princes gave away too many interests. Liu Bang was still fighting all the princes until his death. Until the rebellion of the Seven Chess Kings of the Han Dynasty, the centralization of power was not completed. The protagonist is only over 20 years old. Even if he spends more time, slowly handles the various countries, does not leave a mess behind, and then cultivates his health, three generations can fully identify with the new unified empire.

[78 points·Time travel article] It's a time-travel novel from an ordinary person's perspective, and the protagonist doesn't have any tricks up his sleeve. It's a rare time-travel novel that writes about daily life. The author's writing style is quite good, and the characters are realistically depicted, but it's not very exciting, so it depends on your appetite.

[78 points·Comprehensive online article] This is a new book by an old Zong. Com author. The previous one, "The Witch of Zong. Com", was originally very interesting, but the more I read about the protagonist, the less "human" he is. He is still very young and has not much experience. He suddenly puts on airs and says things that make people confused, and does not eat the fireworks of the world. , Like a sacred card on the incense table, the mystery of the past has been revived and taken over. The subject of Zongwang is really interesting, and it is not like Zhutian Infinite Current. There is no need to pursue writing about life and death struggle for survival. It can be written in a very interesting and life-like way.

[76 points·Journey to the West] It can be regarded as a demonized journey to the west, but it was thousands of years before the journey to the west took place. The protagonist traveled through time and there was an inauguration panel, and he raised several thousand-year-old monsters without his knowledge. The protagonist's own martial arts training has reached a state like a monster. Overall, it's good, nothing out of the ordinary.

[78 points·Zhiguai essay] Classical fairy tales, the protagonist accidentally failed to enter the immortal realm in his previous life, and became a minor official in the underworld. He saved up for a long time to reincarnate in another world. This book tells the story of his journey of reincarnation. It tells some folklore, country gossip and other things about gods and ghosts. It can be called a fantasy novel, which is quite interesting.

[80 points·Simulator] What I have written so far is quite good, but I always feel that the future is worrying. Of course it is easier to write without any brain in the simulator flow, but it is difficult to write well. According to the introduction, it seems that the protagonist is not the only one who has obtained the simulator. The plot in reality will be more difficult to write. How to connect the content in the simulation with reality is unpredictable and repeated attempts can be made. The protagonist's behavior can easily become mindless. There are also some problems that have always been present in the simulator stream. Is the number of simulations unlimited? How to obtain the number? Can the protagonist gain power directly through the simulator? How to reasonably arrange the improvement of the protagonist's strength to prevent the collapse of combat power while not stressing it. In fact, there are already signs of the collapse of combat power. The protagonist can reach level 6 or 7 at level 3 or 4. Fighting monsters beyond the level is the easiest to lose combat power, and it is also easy to eat books.

[70 minutes·Detective flow] Overall, I have a feeling that there are too many female characters. You described earlier that the street writers couldn't get access to any women. Now that there are so many, it's okay if they are just passers-by. You also described them in more detail, and there are too many pages. More is not too much, the main reason is that it is too long, and if you are really in love with this policewoman, you might as well play another role. Second, there is a very serious problem. You are progressing too fast. You publish the full text at once, and then you come up with a similar case and the protagonist is arrested as a suspect. You do this several times in a row. It is boring to write like this. It is too deliberate.