The Good Books We Have Read over the Years

"Becoming a Richest Man from the Game" by Qing Shizui can be called the "absurd apocalypse" of anti-routine business war writing - ★★★★★ (Xiancao). The protagonist Pei Qian is bound to the "Wealth Conversion System" and takes it as his own duty to lose all the system funds. However, due to the crazy dissatisfaction of employees and the over-interpretation of the market, he turns "junk games" such as "Lonely Desert Highway" into a business empire worth hundreds of billions, and finally achieves the myth of "the best boss".

"Return to the Island to Live a Leisurely Life" by Kissing Pig at the Corner can be called a "time capsule" of rebirth and healing literature - ★★★★☆ (food + grass, half-step fairy grass). The story begins with Pineapple Island, where Fang Wei was reborn into the millennium, using a fishing rod to measure the waves and a mussel to stir up nostalgia. Between the saltiness of collecting shellfish from the sea and the sweetness of childhood sweethearts, the fatigue of urbanites is dissolved into the innocent age of gentle sea breeze. Fading away the golden fingers of the system and the smoke of business war, the author uses microscopic brush strokes to carve out the innocent heart of the "mobile phone era": Xu Cailing's wheat-colored surfboard cuts through the dusk, Liu Zhiyi falls from the bustling Shanghai into the clumsiness of the cooking smoke in the fishing village, and the boys and girls exchange philosophical conversations around the picnic campfire about "the farthest distance in the world is youth within reach." Fang Wei protects the countryside with the sobriety of a reborn person, helps his father raise mussels to improve his livelihood, and leads his friends to build a secret base. He uses "Fortress Besieged" and "1993" to irrigate the girl's literary dream, and sublimates the daily life of "catching sand crabs in the sea" into a survival fable under the tide of the times. In the 1.47 Million words, there is no industrial saccharine or bloody entanglement, only the salty shirts on the clothesline, the sand crabs escaping from the cracks in the rocks, and the oriental implicit aesthetics of "taking shelter from the rain and walking on the country road together". It is suitable for readers who love the pyrotechnics of "Rebirth of the Wild Age" and are eager to find a balance between "aesthetics of material sorrow" and "healing daily life" - if you are tired of the hustle and bustle of the city, you might as well dive into the folds of time woven by an island boy with fishing lines and watch how the moonlight turns the footprints of the sea into amber.

Morningstar LL's "This Game Is Too Real" can be called the "Neon Puzzle" of wasteland portraits - ★★★★★ (Ambrosia). The story begins with Chu Guang traveling to the wasteland world after the nuclear war. With the help of the "404 Shelter System", he summons players on the earth to become the fourth natural disaster. The epic of civilization reconstruction is wrapped in the sugar-coating of "in-game beta". Amid the roar of moving bricks, scavenging and power armor, weaving a picture of "When Humanity's Stars Shine" intertwined with absurdity and passion. Chu Guang directed this "immersive script killing" as an NPC: players use "Fallout 4"-style survival wisdom to fight against alien species, and they also use forum complaints and group chat jokes to eliminate the cruelty of the wasteland. The author recreates the ecology of the "Fourth Natural Disaster" with microscopic brushstrokes: from the rookies of the "White Bear Knights" who carry wooden bows to fight guerrillas, to the hard-core players of the "Jungle Corps" who use homemade Molotov cocktails to fight mutants, from the financial battle in Boulder City to the crusade against the Torch Church, sand sculpture operations and tragic expeditions are all tempered into the fire of civilization. In the 6.92 Million words, there is no Long Aotian-style unipolar crushing, only the overlapping bulletproof vests on the clothesline, the "managers are not human" emoticons in the forum, and the survival poems written by the indigenous girl who "worked for a bite of green wheat cake" and the players who "exploded their livers to smoke SSR equipment". It is suitable for readers who love the "Fallout"-style wasteland aesthetics and are eager to find a balance between "group carnival" and "civilization epic" - if you are tired of routine and cool writing, you might as well open this door and see how Chu Guang used the unsent Vault 404 manual to write down the last stubbornness of mankind into the galaxy.

Golden Jasmine's "I Didn't Want to Become an Immortal" can be called the "Landscape Scroll" of the classical fairy tale - ★★★★☆ (grain + grass, half-step fairy grass). The story is based on Song You, the descendant of Fulong Temple, who traveled down the mountain with the civet cat Sanhua Empress. They traveled to famous mountains and rivers. They used the "Four Seasons Cycle" to paint the ink paintings of worldly affairs and people's hearts on the ancient roads filled with fog and ghosts, the haunted Yidu courtyard, and the incense-filled Tai'an Temple. Song You used the "Fire Technique" to burn away evil spirits without killing the evil spirit, and used "Baidu Search" to teach the calico cat spirit about modern life, but he was cured by the housekeeping philosophy of "Giving Hand Cream". The author deconstructs the core of cultivating immortality into "refining the heart in the world of mortals": from the sweat stains of porters on the Cuiyun corridor to the shouts of the temple fair's tricks, from the battle of wits when the mist ghost behaves as a demon to the clear song of living in the same courtyard with a female ghost, all are refined into the poetic sentiment of "let's borrow a touch of rays of sunshine". The "childish practice" of Sanhua Empress catching mice and selling dried sweet potatoes contrasts with the lightness of Song You's "listening to the rain without sending a love letter", making the "Xianxia version of the road novel" permeated with the pyrotechnics of soy milk and fried dough sticks. In the 2.39 Million words, there are no realms or murderous treasures, only the wind chimes on the eaves of famous temples, the shirts overlapped on the clothesline, and the cute declaration of "the holy fire is shining, meow meow meow". It is suitable for readers who love the freehand style of "Lan Ke Qi Yuan" and are eager to find a balance between "Neon Story" and "Strange Tales from a Chinese Studio". If you are tired of the systematic flow of cool articles, you might as well open this door and see how one person and one cat use the unfinished twenty years of practice to turn immortality into mountains and rivers.

The Human Arsenal "The Age of Countercurrent Innocence" can be called the "rose of thorns" of urban rebirth literature - ★★★★☆ (food + grass, half-step fairy grass). The protagonist Jiang Che was reborn in 1992, using the absurd identity of "Qingyun Sect's abandoned disciple Han Li" to outsmart the Qigong master, use stock subscription certificates to leverage the first pot of gold, and write an "innocent" epic mixed with the fireworks of the market and the ups and downs of the business world in the chaotic era of the restructuring of state-owned enterprises and the proliferation of pyramid schemes. Core highlights: 1. A slice of time: From the details of subscription certificates used as pillows, to the "water to oil" scam and the wave of state-owned enterprise restructuring, the author uses a microscope-like brushwork to recreate the unique innocence and restlessness of the 1990s, turning symbols such as "Qigong fever" and "92 fortune certificates" into footnotes of youth; 2. Character group portraits: Characters such as Dong'er and Zhou Ying in Chaliao Village have their own mountain spirit, the old village chief's "spicy diplomacy" cunning, Chen Youshu's silent loyalty and courage to protect the Lord with his life, together weave the vivid images of all living beings in the folds of the times; 3. Emotional tension: From Lin Yujing's real breakup to the fateful reunion of "heavy rain falling on the river", Chu Lianyi's "full of ripples" restrained love interprets the oriental implicit aesthetics of "let go and everything will be fulfilled" under the 1v1 framework.

Guan Wuwu's "This Star is from the Earth" can be called the "Caramel Latte" of urban entertainment literature - ★★★★☆ (grain + grass, half-step jelly). The story focuses on the counterattack of the time traveler Han Jue. In a parallel world where China dominates global entertainment, the core of "two-way redemption" is wrapped in the sugar-coating of "literary plagiarism", turning the mess of a has-been idol and the Buddhist life of a salty fish screenwriter into a cup of healing special blend with a slight bitterness but a sweetness. Core highlights: 1. Dual-line narrative tension: The violent black material left by his predecessor, the paranoid ex-girlfriend and the warm bond of the current teacher Zhang are intertwined to form a dramatic hedging of "dark past VS healing new life". Han Jue goes from escaping to confronting, and finally shreds the label on stages such as "Singer", completing his nirvana from "entertainment abandonment" to "international superstar". 2. Anti-routine copywriting aesthetics: Different from crudely reprinting golden songs, the author used the script of "We Will Rock You" to become a mirror image of the character's growth. 3. Sugar-level love push and pull: Han Jue and Zhang Yiman's "contract couple" began in the variety show "Love Signal". Suitable for readers who love "sapiosexual games" and "healing sweet torture". If you are tired of industrial cool articles, you might as well dive into this 2.62 Million-word "Neon Story" - when Han Jue wrote "I have reconciled with the past" in the special article of "Portrait", I hope every soul can find his own starlight in Teacher Zhang's smiling eyes.

"My Wife Came from a Thousand Years Ago", which has not yet bloomed, can be called the "Caramel Warm Winter" of time-travel romance novels - ★★★★☆ (grain + grass, half-step jelly). The story is based on the time and space encounter between modern video blogger Xu Qing and Tang Dynasty heroine Jiang He. It blends the fantasy of "traveling through the past into the present" into the daily life of soy milk and fried dough sticks, and creates an oriental implicit romance that spans thousands of years in daily necessities. After Xu Qing took in Jiang He who was curled up with a sword on a rainy night, he went from "rice cooker diplomacy" to "nine-year compulsory education supplement" and used Baidu search records to spy on the brain circuit of this "ancient roommate". However, Jiang He was overturned by the search records of "You are really peeking". The author carves out slices of life with microscopic touch: Jiang He went from being an online game player, selling dried sweet potatoes on live broadcasts, to growing flowers and opening a shop and earning a technical secondary school diploma; Xu Qing transformed from a messy fat house into a good man who does morning exercises and saves money - no There are wealthy entanglements and systemic cheats, but only the shirts folded on the clothesline, the biscuits burnt in the oven, and Jiang He's housekeeping philosophy of "getting hand cream as a gift" make "Wangfu" the sweetest annotation of the fireworks. Suitable for readers who are eager to find a balance between "aesthetics of material sorrow" and "healing daily life". If you are tired of industrial saccharine and redemption routines, you might as well open this door and see how two souls used unsent love letters to write a thousand-year time difference into the prose poem "Listening to the Rain on the Balcony".

Flying Crow's "My Girlfriend is a Bad Lady" can be called the "thorn rose" of Japanese love Shura - ★★★★☆ (grain + grass, half-step fairy grass). Toru Watanabe, a young man from Iwate Prefecture, uses the system as his blade. In the neon lights and shadows of a private school in Tokyo, he embarks on a fatal game of "passive strategy": he must not only resist the high-heeled crushing of the yandere Queen Kujo Miki, but also break the iceberg defense of Rin Kiyono's "absolute rationality", and weave a four-fold emotional vortex with his infatuated senior schoolmate and gentle teacher. The story begins with a critical attack called "Death Load", tearing the sweet pet in love into a bloody tear. The hydrangeas falling in front of Rin Kiyono's window, and the embroidery of blood cherry blossoms on Kujo Mihime's kimono, every frame is soaked in the aesthetics of mourning. The trembling of the pen tip in the nursery and the resonance of the sound waves in the instrumental competition combine the intellectual pull and hormonal collision into the ultimate romance of licking honey at the tip of a knife. In the 1.52 Million words, the author uses Makoto Shinkai's style of storyboarding to create an epic push-and-pull story between a "Tokyo handsome guy" and a "nasty young lady". It is suitable for readers who love the "White Album 2"-level stomachache Shura scene and are addicted to the multi-dimensional character design of "Yandere × Reason × Loyal Dog". If you are tired of industrial saccharine and long to taste the prickly sincerity under the shell of the system flow, this "Neon Youth Pain Story" will sting and heal all your unfinished throbs with the rock candy in the glass slag.

"The Neighbor Is Too Cute Today" by Kissing a Pig at the Corner can be called the "Rock Sugar Snow Pear" among urban pure love novels - clear and slightly sweet, healing to the heart. The story focuses on the two-way journey between Lin Lu, a senior high school art student, and Li Xingruo, the sister next door. From the first encounter in "rice cooker diplomacy", to the rubbing of the pen tip and the manuscript paper when making up papers, to the foreshadowing of the tears intertwined in the childhood park, every frame of daily life is soaked in oriental implicit aesthetics. The author is good at "creating scenes with the five senses": the studio where the fragrance of turpentine and gardenia interweaves, the steamy rainy night with ginger soup, the shirt and long skirt entangled on the clothesline... These pyrotechnic details turn the push-pull game of the love between siblings into a more moving and thrilling one than "direct confession". The heroine Li Xingruo breaks the "gentle big sister" template and combines the arrogance of a literary girl, the clumsiness of a street-crazy cute girl, and the stubbornness of a newcomer in the workplace. She collides with the "salt and dog-like" protective desire of the male protagonist Lin Lu to create a wonderful chemical reaction. General Comment Liangcao+ (★★★★☆), although there is no grand narrative, it weaves an ideal template of "soy milk and fried dough sticks style love" in 790,000 words. It is suitable for readers who are eager to escape from industrial saccharine and pick up sugar grains in the folds of life - when you are tired of "redemption literature" and "tycoon routines", you might as well open this door and see how two souls use burnt cookies and unsent love letters to write ordinary days and nights into prose poems.

Rating: Grain☆☆☆ Brief description: The writing is beautiful, the narrative is quiet and indifferent, and it has a eloquent elegance. This is the story of childhood sweethearts. The heart-pounding love of childhood sweethearts collides with a double romance in the Internet age - the arrogant president Yun Shuqian and the best friend Song Jiamu are childish ghosts who step on each other's feet and hide the water cup in reality, and are anonymous pen pals whose souls resonate with each other on the Internet. When a girl's thoughts are hidden in the hair that rises during a morning jog, when a tacit understanding pops up in the literary community chat box, two souls who use poisonous tongues to disguise their sincerity finally turn seventeen-year-old green plums into honey in the morning and evening line where they get along day and night. Kissing the Pig at the Corner uses cat-like and agile brush strokes to weave this youthful love song from mutual hostility to mutual love. Every frame of campus life is soaked in the refreshing lemon sparkling water, and every "Song Pig Head" is wrapped in the sweetness of moonlight. If you have ever hidden your heartbeat in a crumpled test paper and folded your true words into paper airplanes that you dare not send, this book will gently catch all your unfinished youth fantasies. Keywords: childhood sweethearts, youthful sunshine