Reading History of the Great Demon King

This book by Uncle is fresh, refined, unpretentious, and has extremely distinctive personal characteristics. It just looks like a refreshing word, like taking a sip of iced Coke on a hot day and feeling clear. After reading more than 20 chapters, Master Shan likes it very much and hopes to continue it. Come on.

Mu Yunfeng was so good at writing the final story that he had sex with Da Qing. He was very irritable and manly, and Shan Zhu liked it very much. Recently, the starting point is not stable, some obscure illegal activities have been blocked, the battles are a bit big, and people in the urban and historical circles are panicked. To be honest, there are countless authors who have not studied political history well and just make random remarks in their books. If their knowledge level and ideological level are not up to standard, they should be banned. Some people were innocently affected. This gust of wind blew too hard and hit them with one stick. Some of them were not in line with the ideological policy of letting a hundred flowers bloom and a hundred schools of thought contend. Sigh. To be honest, Mu Yunfeng's first few books were enjoyable to read as a Han Chinese, but there were also many problems. The writing on ethnic issues and war issues was too arrogant. I thought that no one cares about you, and the impact of writing was not good. Shan Zhu felt it after reading it. After all, we are now a big family of the Chinese nation, and we are all members of the patriotic united front. Compatriots from ethnic minorities will not be happy to see this. Regarding historical issues, we must be good at summarizing experience and not always emphasize on pursuing responsibility. The most important thing is now, in order to contribute to building a moderately prosperous society in an all-round way, we must be down-to-earth and don't think about it every day and destroy the great situation of national unity. Mu Yunfeng had several books banned. These books were too frivolous and made ethnic minorities unhappy. Of course, the author is a straight Han man, so it is normal for such problems to arise, and he doesn't know what he is doing, so he just accepted it if he was banned. The key is to write the current book. Now this book is starting to transform. Although the title of this book is low, the plot is good and the author likes it very much. The most important thing is that Mu Yunfeng still spent a lot of energy to learn historical knowledge in depth, which is rare. There is nothing pretentious about this book so far. The Dog Emperor has always been a real man, so he should write it carefully and steadily. The plot should not be as erratic as in the previous books, so it will be stable. Shan Zhu likes it very much.

If there is an original text that makes Shan Shan still have endless thoughts and never forget it, and uses it as a benchmark to measure the original text, then it is "Primitive War Chronicles". This book was read by Master Shan a long time ago. It was on the bookshelf unopened at first, and the title was a bit unappealing. Later, Shuhuang decided to just give it a try, but once he saw it, he couldn't take it anymore. This is the first time to read the original text, and it is also the first time to experience the vast, simple, natural and primitive world described in the novel. It makes people sink in and experience the magnificent and vast primitive era. The first time I read the original text was the original war record, which was both a blessing and a misfortune. I thought that the original text should be of this level and quality, but the authors of the original text gave Shan Zhu a heavy blow. Not even half of the level was available, which was very disappointing. It's a pity that it used to be difficult to cope with the vast ocean. The regret left by the Original War Chronicles became even more profound after Shan Zhu read through all the books and found no similar ones. Some time ago there was a book called "The First Man in the Wilderness", which tells the story of a human being who traveled to the era after the creation of heaven and earth and became the first human race. The protagonist travels all over the wilderness alone, fighting against the ferocious beasts of heaven and earth. It is magnificent and moving. The owner likes it very much because he sees the feeling of the primitive world that he likes very much. It's a pity that I only wrote about thirty or so pictures of this kind of fairy grass, and it was lost to everyone and became a very ordinary ancient novel. You can't get it if you ask for it, but you can't give it up.

The book Qin Li tells the story of the Qin Dynasty before the Han Dynasty. The records of the pre-Qin period have always been vague, but they are undoubtedly tattered and magnificent. When I wrote this book in July, I spent a lot of time researching information. The protagonist is also the protagonist of the pre-Qin bamboo slips and Heifu wooden slips unearthed. He is a real historical figure. Using such a small character who participated in the major wars before the founding of the Qin Dynasty as the protagonist of the story, first of all, the main line of the story is based on history and is easier to write. At the same time, Heifu's identity as the leader of Guizhou fits well with the promotion mechanism of Qin officials. I'm at the end of writing now. The content of the story is very comfortable, there are no poisonous points, and the ending is also good. I think the book together with Fu Han is a little better than Fu Han, except for the group portraits, which may be slightly inferior to Fu Han because there are fewer characters, but in other aspects it is slightly better than Fu Han. The protagonist of Fu Han is not as profound and powerful as Heifu. Shan Zhu likes the fact that the heroine has one wife - at present, Shan Zhu doesn't like novels with more than two female protagonists at all, as if he has never seen a woman before. Let me mention Hanxiang again. In every novel about loneliness, it would definitely be better if you replace all the women after the first woman with men to advance the plot. The author of this book feels that the portrayal of Qin Shihuang is very successful, showing the image of the first emperor Zheng Ge as much as possible. At a glance, people feel that Qin Shihuang should be so awesome, and it is in line with all the public's imagination of the first emperor. On the other hand, in Hanxiang next door, Emperor Wu of the Han Dynasty Liu Che, what the hell is that written about? Hanxiang is getting old, and the future will be the world of Qin officials.

Covering the Sky is the well-deserved number one fantasy book in Shan Zhu's heart. No book has left such an impression on me as Covering the Sky. When I was watching Zhetian, I had already written about half of Perfect World. I didn't even touch the starting point at that time, so I just watched the pirated copy and later bought the physical version. At that time, I didn't officially read online articles, so Zhe Tian happened to be on the front line of fantasy reading, and naturally regarded it as a benchmark for fantasy. This is very uncomfortable, and I often can't find fantasy novels that suit my taste. The success of "Zhetian" lies in the fact that Chen Dong injects spirit and Chinese national values ​​​​into fantasy. I have a lot of emotions. I don't know how to write it at the moment. I will make up for it next time I think of it.

This book, Overturning the Han Dynasty, first of all, has outstanding writing style and wonderful conception. The male protagonist's mother is a time traveler, so under the influence of the male protagonist, he has some commonalities and contradictions between an ancient person and a modern person, so that the character is very full. It's also pretty good for other character creations. Therefore, it is probably the most comfortable book for a single reader among historical novels. It is very immersive. It is somewhat comparable to what I learned when I first read the history of Chinese literature, but the deviation is not very big. For a historical novel, it is extremely rare.

The Witch God Ji is gentle, mellow, straightforward and romantic. In terms of writing about ancient Chinese myths and prehistoric times, there is no other book like Shan Zhu's The Chronicles of the Witch God. It has a very important position in Shanzhu. It's on the same level as Zhetian. The blood-red book is the first book I read: The Chronicles of the Witch God. It contains stories about the ancient ancestors, including those who fought against the sky and the earth, subdued the floods, fought against the Yong River and dredged the currents, as well as romantic ancient myths. Shan Zhu believes that such a book with the characteristics of the prehistoric times is the most consistent with the prehistoric times. It can evoke your associations and make you dream back to the ancient times when the road was full of wind and rain, and it can arouse a strong sense of national pride. After reading The Witch God Chronicles, I read Tou Tian, ​​which is also a very interesting book. Especially after reading The Witch God Chronicles, I felt more familiar with it. There is no need to watch anything further forward. Western Fantasy is not to my liking and I have never watched it. In the future, there will be the Heavenly Lord of All Realms. To be honest, it feels average. The story is clichéd, so it is better to steal the sky. Later, and now, Kaitianlu, Jingqi Shen and Wushenji are in the same vein. They are just one at the beginning of Suigu and the other after the destruction of the human race. They are different stories but the same spirit of the Chinese nation.

Tsk. The author recommended Hanxiang, but actually he only wanted to recommend the title of the book, which is very artistic. In fact, it was Tang Brick that was promoted. Hanxiang is a failure. The failure lies in the author's stiff use of facial makeup characters in the novel. It was okay in the early stage, but completely facial makeup in the later stage. For example, when two people are talking to Gillian and Liu Che, you will find that these two characters have no characteristics. They are just two ordinary conversations. The existence of the two people is not noticed. The creation of the characters is a failure. Master Shan has watched Tang Brick, Yunhu (not all of it), Wisdom of the Song Dynasty (only the first part), and now Hanxiang. I recommend this book today not because I like the book Hanxiang, but because of emmm feelings. In my eyes, Tang Zhuan was quite immature when he wrote it. Later, his writing became better and the ending was quite good. It was a window for me to get in touch with loneliness. I liked the story line of this book very much, but the narrative technique, tone and words were hard to swallow because it seemed too weak. As a straight man, I don't like weak characters. After Tang Zhuan, this style of writing became more and more intense, which is also the reason why Shanzhu abandoned Yunhu in the Song Dynasty. Periodically, it was like moaning for no reason. When I arrived in Hanxiang, this kind of temperament blended with water, and it was very natural to use it, tsk. . . Moreover, this style of writing is the culprit that homogenizes and stereotypes everyone. Nowadays, there is no vivid character image. I don't like the fact that I have taken my thoughts too deeply.

My favorite authors are Chen Dong and Xue Hong. I have read a lot of blood-red books, and my favorite is The Witch God Chronicles, just like Shan Zhu's favorite Zhe Tian. What I like is not the story itself, but the upward spiritual power of China contained in it. I think this is the noblest and greatest power. Books that contain such things are Shan Zhu's favorites. It's a pity that there are not many such books. There are many stories that can be included in the story, such as the ones mentioned above, but most of them choose things that I don't admire. It is a pity. This book has two chapters. Although the opening chapter is short, it says a lot - countless years later, the Chinese people read Qing Qing Zi Jin You You My Heart, Apricot Blossom Rain, and they looked at a large body of water and guessed that this was a river, a lake, or a sea? Looking back and dreaming about the prosperous times of our ancestors is our era. A novel that is destined to become a classic before it collapses!

I no longer like this book because it was so boring. I didn't read much when I recommended the book, but the story didn't fall apart. I still liked it, so I made the following tweet. But I regret it now, this book is not good. . . My favorite plot is the one before the attack on the palace. . . . It tells the story of a reborn person who was fished by a gold finger, and then quickly counter-fished and made the gold finger into egg fried rice and ate it. That's it for now. The protagonist is a reborn person, and he got a golden finger that sends a gift package to one, five, ten, and twenty years old. The routine of the invincible style begins. You can master whatever you learn, and you will understand it instantly, and you will be strong. Until he discovered that the world would stop in time every night, and a group of cosmic overlords were active in this stopped world. They might be a black ant, a gray sparrow, a small snake, a violent ape... But none of them could speak. During this pause, the protagonist instantly became a weakling, so his acting skills exploded and he pretended to be a boss. He could only live like this by being a teacher and teaching sign language to the dominant students.

Xinfeng is good at writing about lonely protagonists. He is a real man in the same vein. He firmly believes that power is everything and all spells have special effects. Women affect the protagonist's punching speed, and the only reward is to explode into fireworks. The book is as its name suggests, an invincible story in which the protagonist is immortal and resurrects in full condition ten seconds after death, so death becomes a means to solve all problems. When he was tired and sleepy, he committed suicide and wiped his neck. Thousands of troops and horses waded through the dangerous formation. Invincible style is difficult to write, and it is difficult to continue the plot if you are born powerful. However, the protagonist is not strong from the beginning, which provides a context for the story. But it got a bit messy in the later period. How can I put it, the invincible flow is difficult to write. Although I can't write it anymore, Kuoyi relies on changing the map and invincible water to go down. It's quite interesting, at least it's fun to watch, but it's difficult to write novel.

Xueluo has read Host Please Stay and the Skill Tree, but it's actually not that good. Sometimes I read these kinds of books to relax, but it's embarrassing if the quality is not good. They're all pretty watery, a common phenomenon in online writing. But now, Master Shan can no longer tolerate this matter. Below is the original tweet. According to *custom, even if I think a book is not good, I will not kick it out, nor will the original tweet be deleted. Instead, I will write down the reasons why it is not good and give everyone a heads up. It was written that when some powerful people practice magical powers, the essence of their charm will be imprinted on the surrounding trees, thus forming a skill tree. The protagonist's golden finger is a fire that lights up the skill tree to obtain everything. It's a very interesting setting. Many people say that it's too strong if it only has a few dozen chapters, so it won't collapse, but Xueluo is famous for writing invincible novels. The protagonist of this book can be said to be the weakest among the previous ones. He has a growth process, so the plot is worth looking forward to. The skill tree and "Please Stay" are both a bit of a no-brainer, but I quite liked it after reading it. The reason is that it is an invincible game and is inherently invincible, so there are no bloody starts, so it doesn't fall into the trap of the past. Strength is the foundation of one's life. At the same time, it was too strong, so I focused on solitary life, which avoided forcing embarrassing emotional parts. Many people forcefully write for the sake of women and the harem. It seems that women are the fundamental driving force for the advancement of the story. It's very annoying that lesbians lack respect in male channels. It's okay to have multiple female protagonists, but you have to write it with context and love. That's the bottom line. The result is that if the writing is not good, it will be very poisonous. Dou Po and Wu Dong are very good, Tudou directly wrote Qiang Shang, and then the relationship slowly developed. He knew very well that he couldn't write the emotional context, so he solved it simply and crudely. Who can bear to write greasy and crooked emotional dramas?