Book Review: Feed Your Imagination and Be Amazed by a Different World

I heard someone recommend "Insect House" a long time ago. For a long time, I always thought it was a book about beetles, insect control, and insect care. After reading it, I discovered that "Insect House" is the name of a bookstore that sells slow-delivery postcards (the kind of literary postcards you send to yourself three years from now). Of course, as a store in a supernatural suspense novel, Jiang You's postcards can be sent to unreal addresses. If you want to ask if there are bugs in the bug house... Of course there are not, spiders are not considered bugs (seriously) "Insect House" describes the daily life of Jiang You, a fat middle-aged man in Tangjiang. He eats barbecue, eats grilled fish, watches movies, holds crab feasts, renovates his house, decides to lose weight one by one... Etc. The author's description of this part is quite detailed, with a strong daily atmosphere and good details of life. It is easy to start to envy Jiang You's fairy life just by looking at it, and it is also easy to feel hungry just looking at it. The daily writing is quite detailed, and the pace of the plot is naturally very slow. In addition, the overall writing style of "Insect House" is also relatively light. Even the driving plot has a hint of aloofness... I guess. Some people think that reviews often say that driving here and driving there ruins the light atmosphere of the novel, but in fact the author wrote it clearly in several places. Outside of daily life, the novel does not unfold the story one by one from the customers of the Bug House, but uses Tangjiang as the stage. All kinds of people are in the story, evil gods and evil organizations from other worlds are in the story, and the story ends in the Bug House. Because of the writing style of "Insect House", when reading it, I can't help but think of other novels that focus on the details of daily life. I quite like this style, but I can't help but make comparisons in my mind when evaluating.

The novel begins with Luo Binhan being taken aboard the Silence by Jing Huang and gloriously becoming a member of the "Interstellar Pirates" (the kind that is not wanted). After that, the wonderful, magnificent and grand universe unfolds in front of the readers. "Tao and the Rules of Raising Carbon-Based Monkeys" did not show a clear main goal at first, and was more like a road movie that took place in the universe. The journey between the stars (or what you saw on the way to escape) occupies a huge amount of space and becomes the background for most of the stories. As mentioned in the introduction, Luo Binhan's companions on the "Silence" include the cultivation master Jing Huang, the succubus Yareliga, the artificial intelligence Li Lihe, Ultraman Momolo and the wishing machine Zhou Ba. I don't know why Ultraman makes me feel more disgusting than other characters with wrong style (it was the same when I watched "Happy Town"). The concept used in the novel to explain why the images in Luo Binhan's hometown literary and artistic works do exist in the universe (such as Ultraman) is "downstream historical coherence". Based on this setting, the author has stepped up his efforts to insert more tributes and jokes. It does not focus on the interaction and dialogue between characters like other works that play with a lot of memes, but it is integrated into events and races without any abruptness. (Of course, there are also jokes in the dialogue, mainly the unilateral comments made by Luo Binhan, the complainer) By the way, as long as you can accept the self-invented terms that often appear in science fiction novels (such as the downstream historical synergy mentioned above) and the occasional theoretical discussion of concepts, I think there is no other reading threshold for this book. One of the ways to classify civilizations in the novel is "rational knowledge-law". The basis for classification is "whether a set of rational cognitive methods and scientific research systems are used as the driving force for the development of civilization." Even in the current story, this classification method faces many challenges. The civilizations and star layers in "Tao and Carbon-Based Monkey Breeding Code" also have different painting styles. Some of them give me a fairy tale-like sci-fi feel, some are close to traditional science fiction, some are like cultivation civilizations (such as some conventions), and some are like... Magic. Judging from the timeline, "Tao and the Code of Raising Carbon-Based Monkeys" is a story that happened after the last book "Dream Edge" (also called "Dead End Game" and unfinished when it was banned) that was banned by Flying Pigeon Chocolate. However, there is no problem in reading "The Code of Raising Carbon-Based Monkeys" independently. At least I didn't feel any difficulty in understanding the plot without reading the prequel.

"Cyber Heroes" written by Wu Daochang Bugu is a combination of cyberpunk + ancient martial arts mecha + martial arts. This combination gave me an "extremely rough" and "mixed style" feeling at first, especially the martial arts spread by the blockchain and the martial arts secrets in the magnetic chain. Ancient and modern weapons such as the vector jet and wireless signal receiver, the well-known martial art of warship control, the Yunlong hacking method, the invincible ID, the HTML meditation method, a chip mud pill... But after reading it, I feel that the author's writing seems very convincing. The plot of "Cyber ​​Heroes" is relatively straightforward, but it is easy to guess the development after seeing the front. The fighting and confrontation between various cybernetic bodies is very exciting. Not only the description of the sense of strike is no less than that of some novels with excellent descriptions of martial arts, but also the changes and new rules of martial arts in the environment of cybernetic bodies are more vividly displayed. Xiangshan, the founder of cyber martial arts, woke up in a landfill with only his head left. All memory has been lost, leaving only the biological brain and some memories about martial arts in the biological brain (and a lot of memes and BGM). In the first half of the game, all the prosthetic bodies have to be picked up (robbing). This is the situation at the beginning of the novel. Later, Xiangshan complained that he seemed to have a side mission of collecting memory fragments. During the process of being a hero, he kept retrieving his own memories, "Why do I know everything? Who am I? Jpg" The development of this world is extremely sick and twisted, so I won't introduce it in detail to avoid spoilers. Totalitarianism - the government (protector of civilization) controls resources, provides basic protection for the settlement of baseline people, and collects genetic taxes from the latter. Baseline humans were transformed from Homo sapiens, had metal-based cells, seemed to rely on electricity for energy, and lived on food containing metal elements (such as copper candy). The original warriors borrowed concepts from martial arts novels of the old era in order to fight against totalitarianism. Now the martial arts world is hostile to the government (the protector of civilization), and is divided into two opposing branches: the green forest and the rivers and lakes. Things like the Green Forest Tiger List 108 Generals, the Green Forest Black List, and the Rivers and Lakes Ladder List sometimes really give people a feeling of Cyber ​​Margin. In the same length, the plot development of "Cyber ​​Heroes" is not very fast, but because more information is given in a shorter length, it is relatively slower to read. A large part of this information comes from the author describing the settings in the novel from time to time. He often uses many electronic information engineering or mechanical theories to explain the settings, and occasionally includes a few physical formulas. This kind of sentence is quite interesting to me when I read it. However, it should be noted that although the author has done a lot of research (such as buying reference books, reading water-related forums, or consulting others), he is not a relevant professional after all, and deviations in the description are inevitable. It doesn't seem like a big deal to me, but if the reader is a programmer or majors in biochemical environmental materials, they may feel a little weird. One thing that stood out to me was that the author showed a very superb transition technique when dividing the narrative, and the description like a movie lens is really good.

As for the Jianghu painting style in "Unparalleled Harmony"... It feels closer to the martial arts scripts in "Thriller Paradise", such as the universe of Sword God Yixiao. Then there were no players represented by Brother Jue to stir things up. Instead, there were two game commentators, Huang Dong and Sun Feng. In other words, the style of painting is closer to that of the extra-part "Trafficking Crime", "The Canglong's Ascension", after all, the protagonists are all seemingly fledgling, but in fact they are cunning, deceitful and omnipotent human beings. Of course, this time he is no longer a passer-by in the world, no longer a pastime in the game, but a member of the martial arts world. From the beginning of his career in the world, to (although it has not been written yet, but I guess it will be) he loses his youth, establishes his prestige, establishes his power, enjoys grudges and indulges in long songs. Although Sanzha said that he came to challenge the lower limit of martial arts this time, compared with the current first-class works in the martial arts category, "Unparalleled Harmony" is further away from low-level martial arts fantasy. In fact, except for still retaining some martial arts style, most martial arts fantasy and fantasy are actually similar. Huang Dong and Sun Feng, ah no, Huang Donglai and Sun Yixie were professional game commentators before they traveled through time. In this world of martial arts, they have not given up their hobby of commentating on fighting. (This is the first time the time traveler protagonist appears in San Zha's novels) I don't understand interstellar memes at all. This chapter only allowed me to know "oh, so this is also a joke" and "so this has its origin." It also made me feel that I was not reading the same book as others, and I had the illusion that I missed a lot of laughs. In short... I personally feel that these jokes are actually added incidentally by San Zha when describing the characters because of his grasp of language and action. Reading with this chapter closed will not detract from the interest of the novel itself. "Unparalleled Harmony" also has the consistent setting of the three scums. One year of practice for some people is equal to five years for others, but it also takes a real year. Talent determines the upper limit, and hard work determines the lower limit... It seems to be very cliché, but it is actually very true. Of course, some people have always been disgusted with the "partial" truth in online articles...

Squid said that his source of inspiration was the Fallout series, but Ashes is closer to the situation after order begins to be reestablished, unlike "Fallout" in this regard. "The Last Fire" takes place in a world completely unrelated to Squid's other works, Wasteland. Infections and deformations of monsters abound above the dust, and famine devours lives. The ability system will focus on application and vague upgrades, perhaps my favorite kind of using strange abilities. Judging from the introduction, people in the dust dream of a rich "new world", and those ruin hunters and antiquities scholars all know that this is the "new world". Perhaps this dust is the last world. The so-called new world is just a vain delusion and an empty lie. Just as Squid said that he wanted to use a crazy protagonist to dilute the depressive tone of the wasteland, the protagonist Shang Jianyao is a psychotic character. His thinking is very bizarre, and his thoughts change so fast that it is difficult to keep up. How should I put it? It's like a mental patient's wide-ranging thinking. But on the other hand, he makes people think that he is the only normal person in the wasteland, and it is actually the world that is sick. When Cuisui wrote Yao Ge, he did not use the usual complaints method he used before, nor did he use psychological description. Some people speculate that Squid is trying to write about the protagonist with all side descriptions, or to avoid spoilers due to Brother Yao's understanding of the world, but I think this has to do with the characteristics of the character, just like the incomprehensible characters in Squid's other novels do not have psychological descriptions, not because he is the protagonist. Finally, talking about the setting of Huitu, this is really beyond most people's expectations. The setting disclosed by Squid in the official account is not particularly unique among wasteland works. In addition, we all thought that the dust was "dark, cold, humid, and depressing, the sky is full of dust, and the sun cannot penetrate the dark clouds." Coupled with the reasonable association of keywords such as infection and distortion, Squid created a sunny wasteland with birds singing, fragrant flowers, and dense forests. We thought the world was in trouble, but it turned out that only humans were the unlucky ones. World: Since humans left, my life has become more and more comfortable... By the way, since the wail of the unintentional one, readers have tended to call themselves the unintentional one instead of the curly-haired baboon.

380,000 words completed (probably completed) The psychiatrist Fick, maybe he is not a psychiatrist at all, in short, he is a profiteer who cheats and deceives without keeping his word. He is a senior Zaun player, a pervert with mental problems, and he is the protagonist. In this novel, the word "game" in the game is closer to a single-player game at first (mainly when someone forcibly plays the game as a single-player game), and then a limited number of connections. I don't know if the periodic outsider events will lead to a situation where a large number of players are online at the same time, but although it is used The word online is actually closer to the player being selected and thrown into a different world. Apart from the data layout, soul skills, and mission system, it is no different from the aborigines - yes, currently, there is no such thing as infinite resurrection for players, and considering the number, they cannot be regarded as footmen or natural disasters. It is quite a slow-moving novel. I personally feel that its slow-burning point is not the world setting, but the long narration. Let's put it this way, the author has posted a single chapter of Yelaifei. I read half of it and realized that it was not the main text... When it comes to the world setting, it should be a very detailed and interesting game world, but it has not been launched yet. For now, I remember that the machinery in this world is not some kind of technology, but a kind of belief (the machine soul is watching you). Magic is the mainstream, while machinery is something that cannot see the light. In addition to the main world, there are various worlds in different dimensions, which may erode each other, and are also places for player copies. The more important supporting characters (mainly other players) have their own stories, and rounding them off can be regarded as some kind of group portrait. Before they appear, they often flash back to a different perspective, but it's basically only one or two chapters, which has little impact on the rhythm and won't separate the plot. Blood mania, gluttony, gluttony, blood rhythm anxiety, burning blood... The disease doctor collects the pathogens, contains the diseases, devours and fuses them with each other, and obtains power from the diseases. The class of the protagonist always reminds me of a comic I like. By the way, "Gamer Crazy" has quite a lot of comic lines and jokes. It is worth mentioning that these jokes are basically in harmony with the main text (except for The Witcher and Pitchfork). There is no sense of drama, which can be regarded as an advantage.

There are many novels in the form of game copies like "Low Dimensional Revolution", and when people talk about them, they often belong to the infinite flow. Although they can also be classified from other perspectives, it seems that most readers are accustomed to this classification. The following book review involves the important settings of Chapter 2. I don't know if there will be any spoilers, so let's talk about it first. When I first saw the title and introduction of the book, I thought it would be a story about a player traveling through time to become a non-player character and then using the player as an experience pool to level up. In fact, it was a common dungeon monster "Crazy Doctor" who awakened to self-awareness after being killed tens of thousands of times by players in various ways. Then, he experienced various ways of death tens of thousands of times, trapped in reincarnation, unable to survive. In the end, after countless attempts in countless copies, he successfully occupied the body of a player and entered the "real" world. Behind this game called Ark is a monopoly technology that is completely separated from the current level of human technology. There is a saying that "no man is an island, everyone is part of the continent", and abnormal "data" such as Crazy Doctor also show similar characteristics. Unspeakable loneliness, longing for the same kind, complete ignorance of the human world... So, he entered the game world of Ark again. Due to the protagonist's mental abnormality as a mad doctor and his firm goal of awakening the self-awareness of the game data, as well as his (self-considered) very friendly attitude and affectionate address to the dungeon boss (sounds like a fellow countryman), it may be difficult for readers to empathize with it, so it is probably more suitable for readers who like to purely enjoy the story. Each copy can be regarded as a complete short story - the organization is clear and the story is clear, and the combination of each copy is not a blend of unrelated short stories. An overall framework runs through it, and the stories are interconnected. Among online game novels, I personally prefer this kind of story-based novel to the simple traditional large-scale game world. In addition, the game equipment and skills in "Ark" can be said to be a collection of jokes, and their system postscripts are also full of complaints. There are also a lot of jokes in the plot, including horror paradise and crime-trafficking jokes, and a sarcastic tribute to the former. In short, for me, the various plots and plots in "Low Dimensional Revolution" are relatively natural and not too dramatic.

One day last year, I saw someone in this chapter saying: "The protagonist of the next door "It's a Small World" is a game console!" I have read all the novels where the protagonist is human, demon, fairy, ghost, god, demon, beast, tree, insect or monster. It was the first time I saw the protagonist was an object, and then I read it excitedly... Then I found out that I had been deceived. "The protagonist is a small world game console" was just a way of ridiculing the status of the protagonist. The actual protagonist of the novel is still an otaku Ren Suo. (Probably a combination of Ren O Tang and Suo O) The dual-line structure of games and reality. I personally think that the game part is better written than the realistic part. Let's talk about the game part first. Ren Suo bought a Hell 4 game console, but received two express delivery, one was a Hell 4 PRO game console, and the other was a Small World game console. Anyway, the one he bought was not available. Small World Game Console has free games every month, and there will also be games that can be purchased with medals in the future. Most of the games are written quite interestingly. There is a very impressive plot. Once, when Ren Suo was choosing one of three options in the game, he analyzed it like a tiger and chose the one with the best theory. However, at that time, almost all readers thought that the other option was obviously better than Ren Suo's choice. Although it turned out that Suo's choice was indeed the best, the readers were even more unconvinced... Because the key factors affecting the income were unknown to the readers (and perhaps the protagonist as well) at the time. Then let's talk about the intertwining of games and reality. The game copy will evolve into a copy in the real world, and Ren Suo relies on the advantages of the game protagonist's arrival in reality and backplane to deal with various troubles. In addition, the account of "Ren Neisser" edited this part of the video and uploaded it to major video platforms. The writing is also quite interesting. Finally, let's talk about the reality part. Resurrection of spiritual energy, awakening of supernatural powers, invasion from another world... Some people think this part is superfluous. My opinion is that although it is not as interesting as the previous two parts, it is not bad. There are also various types of daily life, daily crisis, daily dog ​​food, etc. When I was following up on the update, I always thought it was a pseudo harem, that is, although there were many girls (and boys) who liked Ren Suo, he was completely unaware that he would end up alone... I also updated it last year. When I was reading chapter 727, I stopped and kept reading. Later, "Infinite Fun in a Small World" was finished at chapter 818, but I never clicked on it to continue reading. Then I heard that the last chapter had become a harem story, and it felt so sudden that I gave Suo Zai the middle finger. Jpg

There is this sentence in the introduction of the first sequence: "On the wasteland, human civilization can survive." When readers introduce this book, many people will also say: "This is a wasteland novel." Others say, "The first sequence is not a wasteland." So, is "Sequence One" a wasteland theme? In other words, what kind of subject matter is wasteland? Some people say that writing about Chernobyl is a wasteland. Some people say that the civilization rebuilt after the end of the world is a wasteland. Judging from the definition of the word "wasteland", wasteland, or nuclear wasteland, or nuclear apocalypse, originated from the 1988 science fiction game "Wasteland". It is generally considered to be a type of science fiction work born under the real-life nuclear panic (probably just like the first industrial revolution to realism, and the world war to the abstract genre). Now this definition is considered to be wasteland in a narrow sense... Although I think this definition is already very broad. Because some wastelands also include other types of doomsdays, such as epidemics, terrorist attacks, etc. Some people also classify the end of the world when the stars are correct in the Cthulhu Mythos as a wasteland... I personally think it is not appropriate. Not only because some doomsdays originally had complete systems... Or rather were part of a complete system, but also because there is a big difference in creative positions between the doomsdays in these systems and the doomsdays in the wasteland. Going back to the novel, the classification of "The First Sequence" is urban-urban superpower, which is quite appropriate. Looking at it now, most of the plot points take place in human market towns and refuge barriers. The way humans mutate after the cataclysm is also to awaken supernatural powers. Ren Xiaosu's abilities are the black fog in his mind and the palace in the fog. The showroom in the palace is inexplicably reminiscent of the achievement-based golden finger system. There is also a keyboard (crossed out) inside, and a typewriter inside. The twenty-four keys have very positive words written on them, such as "kindness", "love", "sincerity" and so on. What is very interesting is that in "My Majesty, Spare My Life", after Lu Shu obtained the negative emotion collection system, he did not embark on the path of killing and brutal negative emotion collection, but used mean words to talk people into having myocardial infarction. In "The First Sequence", the palace in Ren Xiaosu's mind is obviously a helpful task release system, but Ren Xiaosu has forced it to become a superpower... But it is also very suitable for the "Wasteland" style. Perhaps this technique is to add some joyful elements without affecting the dark main tone of the wasteland, making the novel itself less depressing and despairing. After all... The novel is too real and depressing, and it will be criticized by some people.

"Doomsday", I have admired its name for a long time, but I just watched it today. In a sense, "The End of the World" is also one of the few novels classified as female-friendly and attracting many male readers. Perhaps for this reason, the chapter of "The End of the World" also has some unique features in male-video novels... Such as naturally talking about similar settings in other novels, etc. It is indeed a good novel, and judging by the time of release, it can be regarded as one of the best works of the year. Nuclear apocalypse, zombie apocalypse, plague apocalypse, war apocalypse... Infinite apocalypse descends on infinite parallel worlds. This is the apocalypse paradise. Lin Sanjiu, "Three glasses of wine in the world of mortals", is affectionately called the straight man of steel, Lin Daqiang, 039, disaster star... By readers. Some people say that "Doomsday Paradise" is quite brain-burning, while others say that Lin Sanjiu's IQ is intermittently off-line. Anyway, when I read novels with reasoning elements, I am always carried away by the author's ideas, and I don't notice either... In the extremely harsh environment after the end of the world, human beings rely on evolution to survive. Evolution... Brings a lot of interesting abilities. These abilities are various and are not limited to common destructive abilities such as fire, thunder and lightning. They are not monotonous and are very imaginative. Human beings who fail to rely on evolution to adapt to the environment have another way to go - degeneration. However, it can no longer be called human beings at this time. Advanced abilities, special items, visas, the twelve central realms... Many doomsdays constitute a "paradise". After surviving in one world for 14 months, the evolved people will be thrown into the next world, or the next doomsday. Among the A-E level worlds divided according to the degree of danger, regional traps called "dungeons" will randomly appear in the four worlds except the E-level world. Dungeons within dungeons, the crisis is uninterrupted, that's it. The world is divided into 14 months at a fixed time, but it is not a fixed cycle of daily life. The random insertion of regional traps is a change and can also be used to adjust the rhythm. The apocalypse described by Xu Weiquan is not just a mere formality. It is not just the disaster that leads to the apocalypse itself, but also the panic after the apocalypse, the changes in human beings - physiological, psychological, social, moral and so on. Of course, in addition to this relatively brilliant point, the description of various worlds and dungeons can also be regarded as one of the quite excellent works.

It is impossible to complete the ancient Chinese literature. I can't write the old and new Yanshu, and my level is not good enough. I can only maintain my life by writing book reviews. For most of my friends who like historical literature, their favorite novel with the background of the Three Kingdoms is "The Overthrow of Han". The method of writing pseudo-history at the end of the chapter has been around for a long time, such as the early "Hua Xia Founding Biography" and so on. However, the pseudo-history part of "The Overthrow of the Han" is even more exciting. It is the first time that I have seen a pseudo-history that can be written as official history and unofficial history, with mixed feelings of real and false, mixed with praise and criticism. Gongsun Xun in "The Overthrow of Han" does not have a collecting habit like many similar works and wants to collect all the famous ministers and generals in the world. After all, these supporting characters all have personalities and souls. Even if they only appear a few times, they cannot be covered by labels. Naturally, Gongsun Xun will not easily achieve the "achievement" of the Three Kingdoms Illustrated Book. The author never belittles or slanders the heroic achievements of those characters who stand opposite Gongsun Xun. Therefore, Gongsun Xun, who defeated these heroes, is naturally the hero among heroes. The book review section of "Overturning the Han" can be regarded as one of the ones with the highest average level of readers at [Why should this be harmonious]. Overall, the quality of this chapter is relatively high, and my level is barely enough to prevent myself from being slapped by passers-by in the review section. Occasionally, there is an extremely exciting chapter that even makes people feel that "this chapter is better than the main text". However, the author's accumulation of historical materials and knowledge about the Two Han and Three Kingdoms completely overwhelmed me. The huge amount of knowledge inadvertently revealed in the article is enviable. In fact, I wanted to call him Xun Gou, but Gongsun Xun is just three words. Over.

Judging from the title of the book, I originally speculated that this should be a game novel about the Fourth Catastrophe. Although it is true that I became an NPC and entered the game world where players came, it still brought me a huge surprise. Whether you want to use online writing to relax from the fatigue of reality, or you want to experience the stories told, you can get a relatively good experience. But none of these can describe the brilliance of this book. Of course, it may be because it has so many elements that I like, so I rate it a little higher. The core world view in "Player Super Justice" is also very interesting. I personally like that this kind of extraordinary really means giving up a lot of settings that carry a lot of burdens: the dual system of curses and oaths. Every power carries an equal curse, and at the same time, the curse needs a container to carry it. For example, a person's curse to protect themselves from being cursed might be "cannot eat squid" or "have to stay up late every day." Various different curses also bring various different abilities. For game novels, this gives players a considerable degree of diversity and characteristics, and also makes the entire career system come alive. For me personally, all kinds of weird abilities show wonderful ideas, which is much more fun than simply having different abilities to destroy the world. As the author himself said in the article, the technology tree of this world is a bit crooked. Maybe it's because of the gods in the corresponding field, or maybe it's because of a wizard who simplifies and popularizes alchemical products to the people. Specifically, shipbuilding and navigation technologies have just developed to the level of the 15th and 16th centuries, while gas lighting and some etiquette features, which have just become popular, are reminiscent of the 19th century. As for some agricultural technologies, they have reached the level of the 21st century. The transition techniques in the novel are also very good - I think this is the third time I have commented on online novels like this - the sense of misplaced combination of scenes in the double-line description is reminiscent of the screen switching techniques in classic movies. All in all, a pretty good novel.

Still a Pokémon game enthusiast, I traveled to the Pokémon game world and became a high school student at Pokémon Academy. I also have a younger sister who adores her brother. She has no signs of orthopedics and can be read with confidence. The protagonist Yang Yu's initial elf is a caught Carp King, who is affectionately called the Salted Fish King by Yang Yu. This Carp King is the kind of person who has a lot of inner drama, and the interaction with Yang Yu is also quite fun. Goldfinger's bond with the elves allows him to learn the elves' skills and teach them to other elves through secret jade burning, and the description of the bond is not perfunctory. Although it is said that he has traveled to the elven world, it is more like the fusion of the elven world and the earth. In short, there is no Fangyuan, Hezhong, Sinnoh, Kanto, Johto, and Kalos, but areas like Yanguo instead. However, elves and the city of modern order have long been integrated. For example, the Coal Turtle Elf was ticketed for driving at a slow speed on the motorway, Kentero is a large transport Elf, and so on. Overall, it is quite funny, light-hearted and amusing, and has a bit of a tram-joyful rant style. In addition, there are male high school students (crossed out) and the daily comedy of college students. In addition to the funny content, some parts... Especially the battle plot, have a strong sense of déjà vu in Eastern fantasy novels. There are also some sensational moments that feel a bit sudden.

The cover of the novel is Mega Tanabata Blue Bird. The background of the story is that a Pokémon lover traveled to a six-year-old Tingshu. During the four years, he took care of other children in Aoko House while studying the theoretical knowledge of a breeder. Finally, he became a junior breeder with the learning ability of an adult who has received compulsory education. The protagonist Ting Shu had only watched anime before traveling through time and had a vague impression of it. In addition, this is the only book I have read so far that uses more words to connect the plot and characters of the original work. By the way, when I read more than 1 million words, although Natsu and Kojiro both appeared, there seemed to be no sign of Team Rocket at all. However, both the water fleet and the fire rock fleet are mentioned in the game. The novel begins five years before the original Pokémon series. Tingshu started from Qingguwu with a dream, successfully passed the junior cultivator assessment, and then went to Tianguan Academy for further study. After that, he traveled in order to collect the ribbon medals of the gorgeous competition and the qualifications for the gorgeous large-scale celebration, mixed with some adventures and friendship plots, to the Coordination Gym, and once again studied in the direction of advanced cultivator... Qingquan Liuxiang's first book is different from "The Elf Master" in many parts, but overall it is relatively good among similar novels.

The setting in "Elf Master" is that countless secret realms merged with the earth a hundred years ago, and the Pokémon in the secret realms gradually entered the earth. Humanity's understanding of elves is still relatively short-sighted. Therefore, the protagonist Fang Yuan's memories of Pokémon games, official novels and anime have been helpful to a certain extent. The so-called "Elf Leader" refers to a professional trainer who can create a unique style. From the cover of the novel, we can see that the protagonist Fang Yuan's beginner elf is an Eevee. According to the author's writing, he is extremely cute, hard-working, and powerful, and is affectionately called the "God of Eevee". The evolutionary direction of this Eevee is not one of thunder, fire, water, and ice leaves, and the details will not be spoiled. The pace of the novel is very soothing and makes reading very comfortable. The expressiveness of describing elves is already comparable to several top pet novels from Qidian. The elves involved so far are basically within the scope of my understanding. Most of the elves can be reminded of their appearance when I see their names. Although some elves have only been seen when watching friends, such as Zoroark, the Wood Shou Palace Shell Turtle, etc., So readers who have only read Pokémon Unprinted Chapter can also easily substitute. Qingquan Ryuxiang uses emojis to express the "acting" of the elves. I think it's quite cute and quite expressive. However, there are also many people who hate the appearance of emojis in novels, so everyone has their own preferences.

Recalling the primitive people I read in natural science magazines many years ago, what attracted me to read at that time were the vivid pictures of hunting mammoths, cutting meat, tanning hides, using mammoth tusks as tent supports, etc. Later, I also read several original texts in historical areas, some of which were good at describing large-scale wars in primitive society, and some of which described the gradual restoration of technology by modern people. Speaking of which, the parts of "Robinson Crusoe" that attracted me were raising sheep, planting trees for walls, building strongholds, etc. After reading the original article, what I liked the most was the restoration of modern farm tools, traps, and even the discovery of iron ore smelting metal... (There is also an Australian guy mentioned in this chapter of some books who is working on the technology tree, but I have never read it) Another interesting place comes to mind, Salt. In some books, the primitive people are afraid to avoid the food that the protagonist adds salt to. In some books, the primitive people are so shocked by the food that the protagonist adds salt that they regard it as a gift from the gods. In some books, the primitive people... Always eat salt, and they also have certain collection and processing technologies. After reading "Original War", "Sword of Dawn" and "Arcane Throne", I can more clearly feel the similar views of the three authors on the relationship between time-travelers and aborigines. We stand on the shoulders of our predecessors and enjoy the fruits of human wisdom from generation to generation. However, as individuals, travelers should not underestimate the indigenous people. There will always be no shortage of geniuses and people with vision beyond the times in the world. The advantages of time travellers, rather than their knowledge reserves, lie more in their vision and way of thinking... Even time travelers themselves often fall into fixed thinking due to their own modern knowledge. However, there are only a handful of online writers who can write about this in more than ten years. Hmm... Let's go a step further and talk about "Original War" itself. What it focuses on is a magnificent and wonderful world that is completely different from the primitive social model we are familiar with. "Moba silk weaving, wild forest jade." Each tribe with different styles can bring the pleasure of exploring the world. The tribes have different fires, and each tribe is good at different things. Together, they weave a rough and beautiful picture of the world.

Before reading it, I always thought that one of the core elements in Dawn, the "Magic Network", was the "Magic Network" derived from DND fr, but it is actually a structure of some kind of rune link created by Big Eyeball. The classic mage, knight, and priest career systems, the elves, dwarves, and sirens in the Xiling universe are all very different in each setting... Probably, after all, I haven't read other books by Big Eyeball. I was very impressed by the large number of exquisite transition descriptions, which are probably rare among online writers. At present, magic in the Dawn World has characteristics of both science and occultism (of course it may also be caused by differences in rules). The author is obviously a serious fan of memes, and has no intention of separating Shuiqun-style rants from writing.

The reading progress is 238/585 chapters, and the public chapters are 136 chapters. The title of the book is "Starting with the Guhuo Bird", and the Guhuo Bird comes from ancient Chinese myths and legends. According to Lu Xun's "Ancient Novel Gou Shen", "The Guhuo bird flies by day and hides at night, covering ghosts and gods. Its clothes are like flying birds, and its clothes are like women. One is the girl of the emperor of heaven, one is the wandering girl at night, one is the hook star, and the other is flying. The bird has no children, so it likes to take a human son to raise it as a son. Nowadays, those whose clothes are not willing to be exposed at night love this thing, and use blood to stain their clothes as aspiration, that is, they take children. Therefore, people in the world call them ghost birds." There are various myths, mottled and complicated. The inheritance of Jambu walking also has many connections with it. Li Yan's inheritance is that feathers are like birds. When I first started reading this book, I was quite surprised. The writing is strong and the descriptions are tasteful. The choice of words is also quite interesting. Crunched, stagnant, rough, and squat are all words that I have accumulated but cannot use as I like. They are not monotonous and not piled up. The transitions of Shiduoerdei are very sharp, the storyboards are very strong, and it has a very cinematic feel. It is also among the best among the online writers I have seen. As an unlimited novel, "Starting with the Bird" uses a unique worldview to directly face the question "Why reincarnation": Jambudvipa is the precious tree that nurtures the world. Every fruit on the tree is a brand new world. And Jambu walked like those ladybugs swallowing juice back and forth between fruits. To Jambu, the walking "vitality" of the open fruit is a beneficial insect, but not necessarily to the inhabitants of the fruit itself. The only fruit that produces Jambu Walking is the one with the highest number and rating among all fruits. Walking in the fruit is like a loach stirring up wind and rain. The eight million ninja soil of Jambu fruit itself provides information, introduction, aftermath, mobilization of resources, etc. For walking. However, as the novel unfolds, it also reveals that some buried clues are not clear enough, or there are some problems in character creation. Of course, these are harmless and there is no need to criticize them harshly. On the other hand, Li Yan chose to use "blood recognition" to judge blood relationships, which I found very strange. The novel is a fictional story, but the story itself is supported by "logic". If I want to explain, I can find more reasons than those mentioned in this chapter. For example, Li Yan is in his twenties in 2003 and has practiced martial arts for more than ten years. He must have had little contact with modern society, etc.••• All in all, although it is most likely related to worldview puzzle solving, it still feels like there should be enough groundwork. Ps: As for the bloody recognition, I am very happy to be slapped in the face.

I first learned about this book because a friend said that he accidentally found a book about art students. The author made an art reference but no one picked it up, so I added a bookshelf at that time. Mid-Autumn Moon's "Great Beauty Era" has the same cover style as "I'm Really a Rich Second Generation". It's very, um, down-to-earth and unforgettable. In terms of look and feel, it is a bit similar to several other books I have read on a certain subject, both of which integrate professional knowledge into the online text. As expected of a Sichuan American graduate, the elements of Chinese painting and Western painting are readily available. The so-called Buddha is born in every family. Only when there is culture and money can a Buddha be born. The Hu family is responsible for maintaining the ritual dojo, the Sun family is responsible for life affairs including land and temple properties, the Jia family is responsible for business operations, and the Wan family is the head of the four families of the Wan (Wan) family (Jia) and the (Sun) Buddha (Hu) family, and is responsible for the forest of steles, Buddhist statues, calligraphy and painting. The Guanyin Temple, which used to be controlled by four major families, is now a 4A/level tourist attraction and cultural center, and the four families ensure standardized operation and management. Second uncle: "The director of the cultural center must have a bachelor's degree." Wan Changsheng: "My destiny in life is to stay in the temple and be a temple guardian, and why not go to university." Second uncle: "The temple guardian must have a bachelor's degree." Wan Changsheng: "..." Changsheng's mother said, "The purpose of driving Changsheng out is to make him spread his branches." "Spreading his branches" here is a bit like the meaning of continuing the blood relationship outside the hometown, and it is also a bit like the boring joke often made by elders in the countryside: "How many girlfriends do you have?" I found that there are many situations in this chapter that say "imagine a phenomenon and then attack it". For example, in one of them, after reading the first sentence, I thought I had guessed the routine. Even if the second sentence slaps me in the face, I still have to make some remarks about the author's writing routine before reading the second sentence... Being able to hold a pen and use a brush means that it's not that I went to high school without even holding a pencil as mentioned in the comments, but that I just don't know how to hold it when drawing sketches. This is quite normal. I still don't know how to hold a pen for sketching. Can you say that I am out of touch with society? Wan Changsheng was in elementary school and junior high school in the village, and now he saw the sketch for the first time. His surprise and curiosity were interpreted by book reviews as being conservative and looking down on Western art, and he was blamed for nothing. The plot we are watching now can be regarded as a student journey in the United States where a master of traditional Chinese painting learns sketching, coloring and other examination subjects in order to obtain a bachelor's degree from the Academy of Fine Arts. All in all, there is adaptation, change, innovation, and youth.

What's fun in my world, other people's world is fun. Jpg I accidentally browsed the book review section of "Dungeon Player" and saw several posts asking for books of the same type. Among them, the one that appeared the most and received the best reviews was "Creating a Game World". Most of them are similar to the evaluation of strict logic and rigorous writing. After reading it, I felt that this book was pretty good, but lower than expected. In short, the logic is somewhat lacking, and it is worse than some of the top game articles. The story takes place on Blue Star, a planet where AR games are quite mature. The protagonist Jiang Qiao is a time traveler who has been coding for eight years to make a living. When the "invasion plane" was about to contact Blue Star, an unemployed creator bound Jiang Qiao's soul. Hai Lan is called the unemployed creator because the world she originally created was destroyed by the "invasion of the plane". All in all, these two outsiders from Blue Star hit it off and planned to create a game world to train extraordinary warriors to fight against the "invasion of the plane". In the game world "Holy Zero" (probably meaning the remaining change in the wallet), Hailan uses Jiang Qiao's consciousness as the model and his own energy as the material to build the world. Just as in reality, hardcore gamers can create Gundams, automated production lines, and Transformers in "Siege", restore Notre Dame de Paris in "Minecraft" and realize informatization, Jiang Qiao may not be able to become the true "creator" here. (Siege is a sandbox game that uses various medieval parts to make tools, and everyone in Minecraft must know it.) Since the player's soul is not strong enough to inject a large amount of energy, he still needs to fight monsters and upgrade. And the equipment that can be built with the energy left after just creating the world is of low quality. In addition, this is also the reason why Jiang Qiao is also playing games. Jiang Qiao's heart: Why don't you want me to play such a fun game that I created? Reader, the old man is very bad! The only way to obtain energy is to devour other planes, such as an invasion plane that will arrive in ten days. More energy means a larger game world, more wild monsters and equipment, and more players. There is no game cabin. You can directly enter the "game world" by clicking on the "Holy Zero" app on your mobile phone. The pain sensation can be adjusted freely. When the plane invades, the player's game character can come to reality and fight against the invasion. The improvement of the character's basic physical fitness in the game can also affect the real body. In order to prevent super-powered crimes, Jiang Qiao set the game characters to be unable to come into contact with real matter when "non-rescue", that is, to avoid harm from friendly forces. (By the way, some people think that pain adjustment, a setting that is used in almost all game articles, is a poisonous point. I am afraid it is not taught by the god of taking off pants)