Poor Family

I have to admit that The Talented Girl in the Red Chamber really appeals to me. However, this is not enough to support a novel. When I watched Ming Chuan, I really liked the literary banquet of various talented women, but other unrelated stories were the same. There are so many small sub-plots, and it's really disgusting to try to make up the word count. When I see a poor family, I seem to see countless small branch lines. What's the point? Your writing style is second to none, and the poetry in your mind is an advantage that others don't have, but why do you put together so many things that have nothing to do with the main plot? For another example, there are so many talented women written in Ming Chuan, but what's the use? Daily drinking, sleeping with the male protagonist, and then what? And then it's repeated endlessly until it's over, what's the point? The author is asked to go back and read Mingchuan himself. There are so many strange daily life in the following. The ordinary is ordinary and the days are passing. But have you ever thought about the readers' feelings? There is a picture in the new book. I see that the male protagonist seems to have formally recognized the ethics of killing, and has to integrate himself into this ethics. I think this kind of thinking is strange and I can't understand it. In the new book, I just hope that the author will stop using all kinds of nutritious garbage and seriously explain the growth of the protagonist.

Beauty? 🤭😃

The writing is pretty good, but it seems to be blocked. Come on, work hard!

Why was the author's first book banned?

Is the protagonist a government official or what? If you are an official, study hard and take exams; if you are a businessman, just do it.