The Enchanting Physician

As a spoiled girl for the nth time, I accidentally clicked on the Book Friends Circle, only to discover that the holy book in my heart, a good book that illuminates the direction of my life, turns out to be not highly rated in the eyes of many people. Suddenly my heart was full of indignation, and I wanted to have a heated argument with him and argue about the merits. But suddenly Jiao Niang reminded me, just be yourself, why should you care about what others say or do? This is one of the inspirations this book gave me. So, I suddenly felt that maybe it was the confusion I was experiencing in life that happened to be awakened by this book. Only by experiencing it can we understand its meaning. Furthermore, what is the saying, there are a thousand Hamlets in the eyes of a thousand people? Everyone has different life experiences and naturally thinks differently. Despite this, I still want to seriously introduce this book to my book friends. It is very slow to read, and even a bit jerky to read. However, as I read it, the charm came out. It is humorous and has many profound truths hidden in it. It is worth pondering carefully. Hope you all like it. Finally, I hope book friends have a happy reading!

Written in front: Friends who have not read this book, please be patient with this work. It won't let you down. Although "Jiao Niang's Medical Classic" is an early work, its narrative techniques and framework are completely different from other works, including several subsequent masterpieces. Accompanying Xida through these years, I often look back at my creations over the years. I personally believe from the bottom of my heart that "Jiao Niang's Medical Classic" is the most unique work. What amazed me the most was the gradual unfolding of the heroine's life story, which completely broke the convention of ordinary time-travel novels. The protagonist does not necessarily have to travel from modern times. It does not necessarily mean that someone who has traveled through time will be immediately incomparable. It does not necessarily mean that the origin and motivation of the protagonist will be explained at the beginning of the story. The characterization of the characters goes deep into the bones. The descriptions of scenes and body language are vivid and vivid, and the picture is full of visuals without being exaggerated. Let's call this "banqin". Banqin is called Banqin, and his original name is Banqin. He grew up with Jiao Niang in the Taoist Temple and then went home with Jiao Niang. Later, he was taken away by Liu Lang of the Zhou family. His personality is outwardly flamboyant but actually he is cowardly. In order to protect the little girl from returning home, she had to show off her performance with all her teeth and claws. Once she got to the Cheng family and was protected, she took off her disguise and didn't dare to say anything when something happened. Even if he committed suicide in the end, it was because he did not have the courage to face his mother honestly, to ask for forgiveness and to face his inner guilt and regret. Banqin Max calls her girl, her original name is Qingmei. After Banqin left, he lived with Jiao Niang in Xuanmiao Temple outside the city, and was later taken away by the old man of the Zhang family. He is brave, kind and honest. The two masters and servants fought wits with each other, causing thunder and lightning. In just two months, they formed a deep friendship with the girl. I would rather give up my family's fortune and life for my daughter than stay with my daughter. Dare to say no to the established horoscope and dare to face your heart. Even if I follow Mrs. Zhang in the end, I still have a clear conscience. Ban Qin MaxPro calls her maid, her original name is Su Xin. He has been following the girl since she left. Lively personality and ice-smart. Compared with the first two "Ban Qin", although Su Xin and Jiao Niang don't have much emotional interaction, Su Xin follows the development of the story step by step to support the overall situation. From Xuanmiao Guan and Jiao Niang's sinister Cao Guanshi, to going to Beijing to angrily attack the bad people, to taking over Jiao Niang's property, and then to taking the initiative to ask Cheng Silang to protect Jiao Niang. Intelligence, domineering, insight, ability, etc. Are fully reflected. It would not be an exaggeration to name a single book "The Beautiful Maid". Just these three characters who are not even supporting roles, Xida has also portrayed them so deeply. Not to mention the arrogant Liu Lang, the self-righteous Qin Hu, the sinister and forbearing prince, and Gao Lingbo who "has everything under control". It seems that every character in "Jiao Niang Medical Classic" seems to be alive, coupled with funny inner dramas and dialogues, giving readers a sense of déjà vu like "I am watching a high-quality TV series." However, this "Jiao Niang Medical Classic" has not become the focus like "The Great Emperor". Perhaps I was born at the wrong time. When "Jiao Niang Medical Classic" was published, fast food and refreshing articles were popular on the Internet. It is difficult for such a slow-burning, large-scale, and new work to gain critical acclaim in the early stages. This is also the reason why in the chapter reviews of some chapters, Xida always emphasizes that he is also in a hurry and wants to cooperate with readers to fast forward. At the same time, this is also why many chapter reviews were written only in the past year or two. Today's readers no longer seek speed, but only refinement. The reader's appetite is whetted, and when he looks back, he suddenly realizes that there is such an exquisite work, and of course he approves of this book. Secondly, it is also related to the many social functions of Qidian. When "Jiao Niang Medical Classic" was first published, there were no functions such as chapter descriptions, character cards, and work labels. There is very little interaction between readers and readers, and between readers and authors. In addition, "Zhu Sha" and "Jiao Niang's Medical Classic" are almost connected by the same destiny, and they have suffered from the times. "The Great Emperor", "The First Marquis", and "Asking Danzhu" (I haven't read the Queen of Chu, and I won't read it until it is finished). Xi Da's writing has become more refined and the works have become more refined, but the old writing is not inferior. A good work will never be forgotten or obscured. I hope that friends who like Xida will give more support to the old books while promoting new books. I also hope that Xida can come back to read the old books from time to time and interact with the readers of the old books. Let the work "Jiao Niang's Medical Classic" not be buried by time. Ps, it would be great if it could be animated. Compared with TV series, the review threshold for animation is lower, and it can be more consistent with the original work, although animation is more expensive... I hope to see Xida's works animated in my lifetime. Finally, Xida, I love you 😍 How about you pamper me too.

Have you ever relived Jiao Niang's Bubble⊙▽⊙

Jiao Niang's Medical Classics is really one of my favorite books. Great heroine, smart, cool writing! I have read a lot of ancient novels about time travel and rebirth But this one is different from others. It has a male protagonist but can be read as if there is no male protagonist. I really don't like the main plot of the novel where the female protagonist and the male protagonist are in love. When the female protagonist meets the male protagonist, she becomes an idiot and mentally retarded. I like stories that are strategic and the heroine is very wise. This is a lifetime recommendation, I have already tried it 4-5 times. In addition to this, Jun Jiuling is also pretty good. But the First Marquis and the Great Emperor Ji really can't stand it... If you like to read stories with tight plots like me, preferably without focusing on the emotional line, you must read this book. I would recommend it again (Jiang Ye). This novel is also great.

I like the female protagonist of this book very much, but there really shouldn't be a male protagonist. There is no male protagonist worthy of such a female protagonist. As for the male protagonists... They all bring negative perceptions, so don't bother with it. The book is a good book, but the male protagonist and male supporting character are really not qualified, far from qualified. If the female protagonist is a fairy, they are just a group of mortals.

This is a very early book, and I personally think that it is still the author's pinnacle work so far. The idea is profound, the concept is exquisite, and it is unconventional. The materials used in this book are almost the same as those commonly used in female comics back then. They travel through rebirth, memory loss, inner houses, deep palaces, markets, and courts, and even the heroine eventually becomes a queen (the heroine becoming a queen is inevitable in this story, not optional). The difference is that the author incorporates Laozi's Taoist thoughts into it, giving the story a charm. The heroine comes from a Taoist family. As her name suggests, "the daughter of the Cheng family in Jiangzhou, named Fang", she was born because of the sun, and Fang Shi was born. In a sense, she is the embodiment of "Tao".Her every line and line are more in line with Taoist thought, which is why the story reads contrary to our conventional ideas. The plot is exciting and the layout is grand. The layout of this book is very grand, and the plot design is even more interlocking. It comprehensively reflects the world view of Laozi's thoughts, especially the thought of heaven and simple dialectical thought in Laozi's core thoughts. Therefore, each plot is never caused by one factor, and the subsequent impact is not a result like Xiaobai's novel. It can be said that the plot of this book can particularly stimulate thinking, allowing readers to see the problem more comprehensively and dialectically. For example, for example, the "adoption theory" was put forward and accepted. It was due to the Qingming Dynasty (Gao Dang was weakened compared to Jiao Niang's previous life), the promotion of heaven (Taibai is now known to the world), Cheng Fang's fame (proposed after the queen summoned him), and the cruel life-and-death fight between the queen, the heroine and the Gao family, etc. What Cheng Fang did in this episode perfectly embodies the saying in the Tao Te Ching that "a sage does nothing but does everything; a sage is selfless but can achieve his selfish goals". What is even more amazing is that the indirect reasons for this plot were laid out in multiple ways early on. One of them is the Han Yuan Dynasty introduced by the treatment of the young wife of the Zhang family at the beginning of the story (the gift of shares in Taipingju allowed Han's father to build the canal, which triggered the demon monk's solar eclipse incident, Cheng Fang was involved in the Taibai Jingtian incident planned by the queen, and "followed the trend" and reached a tacit understanding of adoption with the queen under the circumstances at that time, etc.). To put it another way, when the Cheng family arranged for Cheng Fang to arrive three hundred years ago, the "butterfly effect" began. In Taoist terms, from that moment on, "Tao gives birth to one, one gives birth to two, two gives birth to three, and three gives birth to all things." The writing style is mature, the language is humorous, and the writing is relatively relaxed. The heroine's spirit has passed through the foolish child she once was. She works step by step. She first strengthens her body, then becomes a sworn brother and has her own "natal family". They will run her own business, gain foundation and fame, and then truly control her own family and maternal family. In the process, she regains her memory and mission, and begins to use her reputation to promote changes in history. This journey of "cultivating oneself, harmonizing one's family, governing the country, and bringing peace to the world", despite having a powerful golden finger, is still difficult, but the author is able to tell it in relatively relaxed words, which makes the whole story a little less sad. Tell me a few words about the theme of the story. I personally believe that Cheng Fang's past and present life corresponds to the sentence in the Tao Te Ching, "Heaven and earth are unkind and treat all things as stupid dogs." Even though the author gave a happy ending, Cheng Fang's fate is still sad. After all, she can never return to the family that loves her, and she is not even sure whether everything she has done has saved the fate of the family. Just imagine, if the Cheng family had not mistakenly assisted the Yang family, and had not persistently connected Cheng Fang's "Queen's destiny" with the encounter with Yang Can when she was four years old, maybe the Cheng family in the previous life still suffered from the genocide, but it was solved because Cheng Fang became someone else's queen, and she would not have to live alone until three hundred years ago. In addition, after seeing some questions in the book review area, let me share my opinions. For example, one of the reasons for becoming a sworn brother is that, as mentioned earlier, Jiaoniang's origin determines her behavior of "not breaking the rules" and "telling others everything she wants", so she must have a "maternal family" and her brother will take care of her career. As for risking his life to save Saturday, in addition to the superficial reasons, the underlying reasons are also related to the development of the situation at that time. Jiao Niang is "dedicated to death" in her work. She is not sure about General Zhong's attitude towards the situation and whether he supports the county and king faction at critical moments. Saturday is the key to contacting the garrison and the county king. In the complicated situation where Master Gao is still alive, Chen Shao's situation is unknown, and the adoptive faction is not unified, the existence of Saturday is very important. Things like competing for the oiran, killing high-ranking officials alone, etc. Are all related to the situation at that time, and Jiao Niang's "big event" is to change the situation and find a glimmer of hope for the family from historical changes.

Come on, Chen Shiba Niang is not happy, so she just wants to step on her sister's bones to get to the top, without caring about flesh and blood. This kind of sister is not appropriate, just expel her from the clan.

I think this is the best article written by hope Xing!

Strictly speaking, there are three timelines represented in "Jiao Niang's Medical Classic". Timeline A (initial timeline): The leader of the Cheng family, Cheng Fang's father, Cheng Xuan, glimpsed the way of heaven and predicted that the Cheng family would be annihilated. He gathered the power of the clan to train Cheng Fang, and used witchcraft to send Cheng Fang back to the past to change the history of genocide. When Cheng Fang was 4 years old, he met Yang Shan. The Cheng family assisted Yang Shan to ascend the throne and establish the Liang Dynasty, and Cheng Fang was named queen. On the night of the emperor's wedding, Yang Shan launched an attack and destroyed the entire Cheng family. In this genocide disaster, Cheng Fang was shot to death by random arrows and his heart was ripped out. Due to the death, the preventive mechanism was triggered, and his soul was sent back to 294 years ago and traveled back to the body of the Cheng family's idiotic daughter Cheng Jiaoniang. The history after timeline A is unknown. Timeline B: Starting from when Cheng Fang traveled to Cheng Jiaoniang 294 years ago, it is the main content of "Jiaoniang Medical Classic". After traveling through time, he assisted the King of Jin'an County in ascending the throne. Cheng Fang was named queen, and until Chen Danniang and Wang Shiqi's brother met in this book, the main body of timeline B ended. Taking this time as a node, 289 years later (Cheng Fang who traveled from timeline A has died of old age), Cheng Fang, the original Cheng Fang of the timeline, reappeared and married Yang Shan, and once again staged the tragedy of genocide. In this genocide disaster, the original Cheng Fang was shot to death by random arrows, and his heart was dug out. Due to the death, the prevention mechanism was triggered, and his soul was sent back to the past again, forming Timeline C again in the past. At the same time, Yang Shan in timeline B ordered to continue hunting down the escaped Cheng clan members (this time, some clan members escaped). Cheng's father, Cheng Shuan, was imprisoned by Yang Shan and asked about the secrets obtained by Cheng's Peeping into Heaven and the source of the future downfall of the Liang Dynasty. After questioning Cheng Xuan for the last time without success, Yang Shan returned to the palace and took out Cheng Fang's heart, which was treasured in the crystal box. The heart in the crystal box is found to be rotting. After the rot in his heart disappeared, Yang Shan fell to the ground. From the hints in the text, we can know that the heart in the crystal box became Yang Shan's heart. Yang Shan died. The death of Yang Shan here should be the witchcraft that Cheng Fang, the heroine of "Jiao Niang Medical Classic", left to future generations in order to prevent Yang Can after 289 years, and let Cheng Shun of this timeline master it, and cast it on the original Cheng Fang of this timeline. Then the Liang Dynasty fell. Because of Yang Shan's death, the army that pursued the Cheng family's escaped tribesmen returned, sparing the Cheng family members who were close at hand, and retaining a trace of the Cheng family's blood. Timeline B ends. Here, Cheng Fang who traveled from A to B changed part of history, causing the historical deviation of timeline B relative to timeline A. As a result, Yang Shan in timeline B died, and the Cheng family bloodline was preserved. Timeline B officially ends in "Jiao Niang's Medical Classic". Timeline C: Cheng Fang, the original person of Timeline B, traveled to Timeline C, and after finding the heart in this timeline and the host soul, he triggered the witchcraft ban, retrieved the heart left in Timeline B, and replaced the heart in the crystal box with Yang Shan's heart. Caused the death of Yang Shan in timeline B. Then, based on the history of timeline B, the historical offset of timeline C relative to timeline B is continued. The entire story is a finite loop story composed of N timelines. Timeline A is the first timeline of the story. N timelines are formed after timeline A, causing N historical shifts, until the fate of the Cheng family's genocide is changed and Cheng Fang is no longer sent back to the past because of being killed. But there are a few points to note: 1. In this story, the way of heaven cannot be changed easily, because this is an act that goes against heaven. When you go back to the past and want to change history because of something, God will bring the changes you make to the original history as much as possible. Three hundred years is enough time to eliminate most of the changes, but not completely. So it can only cause slight historical deviations again and again. Accumulating again and again, finally forming a qualitative change. 2. Except for timeline A, every new timeline thereafter has two Cheng Fangs. One is Cheng Fang who traveled through the soul from the previous timeline, and the other is the original Cheng Fang from this timeline. Nearly three hundred years have passed between the two Cheng Fangs.

I have only read three of Xi Xing's books, Dadi Ji Enters the Trap, Jun Jiuling and Jiao Niang are behind. Although my favorite is Dadi Ji, I still have to say that Jiao Niang is Xi Xing's peak work. However, among these three books, Dadi Ji is okay, and there is no male protagonist. She is a hindrance, but the male protagonists of Jiao Niang and Jun Jiuling both gave me the feeling that they were not worthy of the female protagonist. Even removing these male protagonists would make the whole story more comfortable, and the heroine character would be more perfect. Maybe it's because hope Xing can write romances but really can't choose a male protagonist.