
Her Bodyguard
她的护卫
- Status
- Completed
- Length
- 731k Words
- Genre
- Ancient Romance
- Subgenre
- Classical Alternate History
- Updated
- 8mo ago
- Source
- Qidian
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Excellent prose!
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Come, come, continue the idiom solitaire
The new book is finally here, hello friends! If you are interested, continue to come to Idiom Solitaire! 😄😄😄 I will come first——Happily
Character spectrum
Volume 1 Yang Luo: Fourteen years old, granddaughter of Duke Ding'an, reborn, aiming to live for revenge, true identity of the princess Mo Zheng: seventeen years old, also known as A Sheng, an Orion boy, Yang Luo's savior, the future bandit leader of Yunling, actually the princess of the former dynasty, stamped by hope Da Female protagonist Ji Ying: Inspection envoy, responsible for the Baima Town case, insider of the Ding'an incident that year Yang Tong: Yang Luo's mother, daughter of old Ding'an, sister of Ding'an, old mother who was forced to run away from home Yang Shixing: old Ding'an, suspected of being disgraceful back then Ascendance, mentioned in Chapter 8 Wei Jiao: Captain in embroidered clothes, holding a knotted tiger talisman, around 20, father Longxi General Wei Cui Wei Cui: mentioned in Chapter 8, Longxi General, once served as an official under Zhao Tan, wiped out the Yunling bandits in his previous life, and killed A Sheng, Chapter 95 Appears Jiang Wangchun: A teacher in Zhao County, who was killed on suspicion of treason. He taught Mo Zheng. Mentioned in Chapter 8 Uncle Yongwu: The suspected instigator behind the Baima Town case. Mentioned in Chapter 10. Appears in Chapter 43 Zhu Yunxiao: Prince Yongwu, the future of Yang Luo's previous life. Fiancé, one of the enemies, mentioned in Chapter 20, appears in Chapter 41 Li Hao: the fourth young master of the Weiyuan Escort Bureau, the murderer of Jiang Wangchun, appears in Chapter 13 Li Zhen: the head of the Weiyuan Escort Bureau, died without showing up, told in Chapter 15 Old Mrs. Li: Li Zhen's mother, forced to death by Wei Jiao in Chapter 20 Princess Pingcheng: the eldest princess, 15 years old, the person who can make Wei Jiao obedient, curious, mentioned in Chapter 16, appearing in Chapter 32 Princess Wuyang: biological mother Li Guifei, appearing in Chapter 29 Princess Nangong: biological mother noble lady , appears in Chapter 29 Huangzhi County: Magistrate of Zhao County, appears in Chapter 16 Yang Bin: Duke Ding'an, in his forties, mentioned in Chapter 19, appears in Chapter 40 Ren Xiulan: Duke Ding'an's wife, appears in Chapter 24 Yang Shanshu: Duke Ding'an's eldest son, 17 years old , went on a study tour Yang Hui: Ding'an's daughter, appeared in Chapter 29 Miss Yuan: Ding'an's wife's niece, a runaway bride who escaped from marriage, was impersonated by Yang Luo, appeared in Chapter 25 Ai Emperor: the last emperor of the Zhou Dynasty, mentioned in Chapter 20 Zhao Tan: Ai's maternal ancestor Father, who usurped the throne after taking power for many years, mentioned in Chapter 20 Deng Shan: the founding emperor of the Xia Dynasty, 47 years old, appeared in Chapter 29 Hong Lin: one of the servants who fled with Mo Zheng, pretending to be a boatman, appeared in Chapter 22 Wang Mama: maid of the Duke of Ding'an, Chapter 25 Appears Zhang Shengyou: Mo Zheng's subordinate, appears in Chapter 27 Peach Blossom: Mo Zheng's subordinate, appears in Chapter 27 Grandpa Zhang: The old eunuch who rescued Mo Zheng and protected her when she grew up, appears in Chapter 23's memories Liu Chan: Miss from aristocratic family, from Fuzhou, came to the capital to wait for the exam , the post was bitten by a mouse in the last life, and was stolen by Yang Luo in this life. It was used to participate in the selection of princess companions. An unlucky child appeared in Chapter 28 Biyun: Miss Liu's maid, appeared in Chapter 28 Wang Zaitian: Offering wine, learning the art of Huang Lao, Teacher Mo Zheng, Chapter 29 Mentioned, appears in Chapter 38 King of East China Sea: Born to Empress Chai, the eldest son of the emperor studying, appears in Chapter 30 in memories Princess Shengping: 8 years old, appears in Chapter 32 Qin Ying:, the daughter of Dahonglu Temple Qing, one of the noble girls participating in the selection of princess companions, appears in Chapter 33 Jiang Rui: Sixteen or seventeen years old, daughter of General Liwei, Zhu Yunxiao's deceased wife in the previous life, appears in Chapter 33 Jiang Meng: Eighty-nine years old, Jiang Rui's sister, killed Yang Luo in the previous life, memories in Chapter 34, appears in Chapter 42 Ling Yu: Wang Jijiu's third disciple, Senior Brother Mo Zheng, Five Classics Doctor, appears in Chapter 34 Dr. Qi: Wang Jijiu's fifth disciple, one of the chief judges selected by the princess's companion, and has a surname in Chapter 38 Dr. Zhang: Wang Jijiu's sixth disciple, one of the chief judges selected by the princess's companion, has a surname in Chapter 38 Yichun Hou: Wife, Emperor Chai Later father, mentioned in Chapter 40, appeared in Chapter 64 Empress Chai: Nicknamed A Feng, daughter of the Marquis of Yichun, mentioned in Chapter 40, appeared in Chapter 45 Ji Shan: Zhu Yunxiao's friend, appeared in Chapter 41 Jiang Feng: Deng Shan posthumously awarded General Liwei, mentioned in Chapter 33, 4 Name appears in Chapter 2 Mrs. Jiang: Jiang Feng's wife, Jiang Rui and Jiang Meng's mother, appears in Chapter 42 Second Aunt Jiang: appears in Chapter 43 Qi De'an: a former eunuch who once attached to the Qi family, later colluded with the Wei family, and was the person who reported Mr. Jiang and Mo Zheng, mentioned in Chapter 44, Appears in Chapter 53 The old lady of Yichun: the Queen's mother, appears in Chapter 45 Wei Qiye: Wei Cui's younger brother, appears in Chapter 46 Wei Xu: the son of Wei Qiye, appears in Chapter 46 Concubine Li: Li Qing, the biological mother of Princess Wu Yang, appears in Chapter 48 Shen Xue: one of the princess' companion readers, appears in Chapter 54 Liu Changqing: Liu Chan's father, founded Fuzhou Zhiyong Academy, appears in Chapter 57 Cheng Yuan: Liu Changqing's disciple, 5 Appears in Chapter 7 Chai Yuan: the third son of Yichun Marquis, appears in Chapter 64 Ma Qing: Qin'an city guard, mentioned in Chapter 65, appears in Chapter 95 and over Sun Shu: former Lanzhou Prefecture: mentioned in Chapter 65 Wu Jiang: Da Sima, mentioned in Chapter 65 Linhuai King: Born to Concubine Li, eight or nine years old, appears in Chapter 70 Che Ji: Zhijin Wu Xiaowei, in his twenties, a man from the Marquis of Yichun, appears in Chapter 81 Qin Fu: In front of the Queen The great eunuch, mentioned in Chapter 82 Nv Wu: The maid beside Princess Pingcheng, the person who framed A Sheng, appeared in Chapter 100 and died in Chapter 105 Li Xuan: Doctor Taizhong, brother of Concubine Li, in his forties, 108 Chapter Appears Mrs. Li: Li Guifei's sister-in-law, appears in Chapter 108 Li Rong: Li Guifei's niece, appears in Chapter 131 Chai Wan: Empress Chai's niece, appears in Chapter 131 Li Bu: Censor, exposes Ji The Man of Ying, appears in Chapter 142 Volume 2 Duan Shao: Minister of Dali Temple, mentioned in Chapter 8 Uncle Hei: Mo Zheng's subordinate, Scarface, appears in Chapter 9 Chai Du: the second son of Yichun Hou, General Gao Yang, Chapter 1 Mentioned in Chapter 0, appears in Chapter 46 Xia An: Zhongshu Ling, appears in Chapter 47 Yuan Cheng: Changshuiying partial general, appears in Chapter 75 Feng Su: General, the emperor's confidant, appears in Chapter 89 …
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Come and have good luck👏👏👏
Arrogant princess
Princess Heisei, a product of imperial politics "The princess has a smile on her face, but she is as arrogant as a god and cannot be touched."——Yang Luo In the latest chapter, Mr. Nozomi Xing changed from the previous light ink sketch to portray Princess Heisei in a straightforward and profound manner. A character rooted in imperial power and nourished by power. This is not a break or an abrupt turn in the character setting. In fact, from the beginning of Princess Heisei's appearance, Teacher hope Xing used Yang Luo to point out her essence: she is arrogant. The word "arrogant" is not an unfounded speculation, it actually implies that she is always disdainful of others. Although it was not deliberately exaggerated in the early stage, we can still get a glimpse of the plot. For example, the way she appeared - taking the lead and scolding the two sisters who were both princesses. The reason she used was "Don't lose the face of my father." Later, it was revealed that she regarded the two sisters as idiots in her heart, but she did not express her disgust easily because she knew that she must meet the emperor's expectations for her daughters, so even her reproaches were covered in high-sounding clothes. From the beginning of this scene, Teacher Nozomi Xing has made it clear Princess Heisei's position: As the eldest daughter of the empress and much loved, she does not take her half-sister into consideration at all. This contempt is not only revealed in daily interactions, but also extends to political attitudes. She has always been condescending and arrogant towards her status and her father's favor. This can also be extended: from the creation of Princess Heisei, we can get a glimpse of the "loving" founding emperor and empress in the eyes of outsiders, whose relationship contained far more political meaning than true love. If the emperor and empress truly had a deep love for each other, how could Princess Heisei grow into such a pure product of imperial power? We might as well compare the sons of emperors and empresses who truly had a harmonious relationship in history, as the second emperor of the Eastern Han Dynasty said: "The first emperor and the empress dowager in the night dream were as happy as in their lives. They were separated and couldn't sleep with sadness." What this emperor missed was the warmth of his parents and children, the years of companionship; and what Princess Heisei was always proud of was her status as "a symbol of the transition from common people to emperor" and as "the emperor's unique daughter". This special status is her proud capital. She is proud of this, but she is also always afraid of losing this "uniqueness". Thus, all her actions in the article, which are about advancing and retreating in a moderate manner and sharing her father's worries, are just appearances; the real core is her efforts to maintain her unique status. For example, the article focuses on studying at the Chinese Academy of Sciences. Does Princess Heisei really love reading? Teacher hope Xing has already pointed out through Ling Yu's words: studying for her is just a decoration of her identity, an accessory that adds color to her "uniqueness". She longs to become a disciple of Jijiu, not to study, but to become the "first female disciple" of Jijiu. What she pursues is not knowledge, but fame; and the reason why this fame is important is because her father values sacrificial wine. Her true attitude towards sacrificial wine is always "the king is supreme and the ministers are ministers". Even for the "saint's style" of sacrificial wine that her father admired, she had a hidden disdain, thinking, "the saint's style is so fierce." How can a princess who really loves reading and is so loved understand sages so well? Princess Heisei is the flower of wealth that blooms in the soil of imperial power, a arrogant person in power. And her character appropriately reflects the true appearance of the founding emperors and empresses. In addition, Princess Pingcheng is actually not very sincere towards Wei Jiao. Wei Jiao was more like one of the tools for her to show off her unique identity. Even the embroidered captain, whom everyone revered, had to smile and whisper to her. She was immersed in this specialness and mistakenly thought that Wei Jiao's closeness was also due to her uniqueness. However, the progress of the story now shatters her understanding. Wei Jiao's "special treatment" is only given to those who he is truly willing to give it to. This made Heicheng feel a sense of crisis, and he was unhappy with Mo Zheng who broke her uniqueness. The irony is that she even had to use the name "mother doesn't like it" to hide her true motives. Writing this, I can't help but feel that parents are the mirror images of their children. Princess Heisei's arrogance is not water without a source. It was her parents and her environment that jointly shaped her today. In many works, characters are often reduced to puppets in the plot, and it is difficult to have a real personality. But Teacher hope Xing really did it, writing people as people.
Ah? Grabbed 19 points😰
Suppose an unknowing embroiderer watches Mo Zheng propose for marriage.
Demining! It's all just nonsense! Unknown to the bystanders, they would call Mo Zheng Miss Yang The following content I saw the little couple at the entrance of the embroidery workshop. The sun sets in the west, and its warm light falls on the road. My shop faces the street, and I was arranging silk threads with my head down when I heard a crisp laughter, like a wind chime on the eaves being blown by the wind. It is a girl's carriage. She poked out half of her face, and the pink rouge color spread from her cheeks to her ears. I think I just came back from having a drink with my close friend. I looked familiar and thought about it in my memory. I heard it was Miss Yang. She was born well and her eyes were eye-catching. At this moment, the bright eyes are brighter, looking at the other end of the street. What's at the other end of the street? I looked over curiously. I saw a white horse coming. The young man on the horse had his back straight and his black clothes were flying in the wind. Oops! Scared to death! I quickly retracted. Coming from a distance is Wei Jiao, the embroiderer, a young master who has always been crazy. He reined in the reins and tapped the horse's hoofs on the road, just in parallel with the carriage. "Wei Jiao!" Miss Yang's voice was sweet and sweet, and she almost leaned out of the car window. The double-ring bun she wore today was tied with a goose-yellow ribbon, which swayed gently with her movements. The street is not wide and it is inconvenient for the two of them to talk through the window. Mo Zheng suddenly reached out and grabbed Wei Jiao's sleeve. The sleeves were wrinkled by her hands, like water that suddenly rippled. I couldn't hear what they were saying clearly from the distance. I saw Wei Jiao showing disgust on his face, but he didn't really shake off Miss Yang's hand. Hey, are they discussing wine? I stopped arranging the thread and looked out through the bamboo curtain. At this age, even drunk looks good. What is Miss Yang talking about? I secretly guessed, was she asking him to come down? "You come down." She said. I thought so. But the next scene made me almost break the needle in my hand. Wei Jiao sighed, but leaned closer. He actually put one hand around Mo Zheng's waist, and with a little force, he took her out of the carriage. The goose-yellow dress draws an arc in the air, like a butterfly flying. When she came to her senses, she was already sitting sideways on his horse, wrapped in his arms. Looking at each other at close range, both of them were stunned for a moment. The evening breeze blew by, and her hair tie was tangled with his ponytail. Two young boys and girls were whispering, and the emotions of the children were clearly visible. This is the first time I have seen the embroiderer look like this. Yes, a graceful lady and a stranger like jade are indeed a match made in heaven. Except for the temperament of this embroiderer. Sure enough, he was fine just now. The embroiderer put the person down again and declared without any scruples. "I won't take you there--" At this moment, Miss Yang suddenly interrupted, and I heard what she was saying clearly. She said, "Wei Jiao, let's get married." I am an embroiderer, but I can't handle the thread at all this time. Miss Yang is so bold. How dare you propose marriage to this Xiu Yi... However, I accidentally peeked at the expression of the young man across from me. The world seems to have stopped. Wei Jiao froze there, even his breathing stopped. He froze, then sneered. Alas! A woman's love is so precious, but Miss Yang is attracted to Wei Jiao. I don't know if Wei Jiao wants to reject Miss Yang. But it didn't look like it, after all, he didn't let go of Miss Yang's hand. Taking this time, Miss Yang had dexterously adjusted her posture, got on the horse again, and sat down in front of him. They were talking again, with such a nonchalant attitude that no one could interrupt. When Wei Jiao came to his senses, he actually lifted her off the horse. The two stood on the roadside. This time, I heard their conversation clearly. Master Mo Shang, who was riding a horse, said, "Say it again." The girl raised her face, and the setting sun gilded her with a layer of gold. She calmed down her smile slightly and said clearly word for word: "Shall we get married?" The wind stopped and the cry of the flower girl came from the distance. I saw Wei Jiao's Adam's apple rolling, and then, the man who always had a cold face raised the corners of his mouth, and finally turned into an extremely stunning smile. "Okay." He only said this word, got on his horse, turned the horse's head and drove away. The sound of horse hooves faded away, leaving behind flying dust. Miss Yang was still standing there, her fingers gently pressing on her lips, as if to confirm that what just happened was not a dream. The carriage that brought her back parked quietly aside, and the driver was stunned. I was also stunned, but there was an inexplicable emotion in my heart. It turns out that this embroiderer will also have such a moment of admiration from a young man. It turns out that Miss Yang is so magnanimous, and I just like her if I like her. If you dare to say your lifelong vows openly, the moment it comes true will ripple the hearts of onlookers. My eyes fell back to the silk thread in my hand, and I saw a bunch of carmine and a bunch of moon white. When I was young, did I ever say anything so recklessly? Can't remember clearly. I only remember that spring when my clothes were thin and I was riding a horse leaning on a leaning bridge. "Let's get married." "I will be good to you all my life." "Hold your hand and grow old together." It's good to be young. I continued to sort out the threads, but my heart softened.
Conjectures about Yang Luo's identity
It's already been chapter 40. Now that we've seen it, we've got some clues about the basic character lines based on the development of the plot. It's known that the heroine is the guard Ah Sheng. She was a princess from the previous dynasty and was raised as a boy. The female supporting role is Yang Luo. There is no doubt that she is the cousin of Ding'an Palace. The only thing unclear is who her father is. The plot has developed to this point, and it is now confirmed. It is obvious that her mother has a close relationship with the emperor. If the guess is correct, Yang Luo may be the daughter of the current emperor. Her mother has no identity. She ran away from home for some reason at the time and made up an identity for her daughter. 🤔🤔 There is a doubt that the emperor is not looking for it. Is there any hidden secret inside? In view of this, I guess that the emperor's rise to the throne should be based on the queen's family background. The emperor and Yang Luo's mother should have known each other beforehand. The two of them may have an engagement, or they may have already gotten married. But just as the world was in chaos, the emperor was ambitious and joined the rebel army. The Chai family was a separatist party or a powerful warlord force with troops. He was ambitious and wanted to win the trust of the head of the Chai family, and the Chai daughter also fell in love with him, so the weak Yang daughter could only give up the throne, but she was unwilling to succumb to the position of concubine, so she ran away from home after a falling out. Perhaps in order to win the trust of the Chai family, the ambitious emperor may have taken the initiative to negotiate with the Yang family to divorce the Yang family's daughter. Due to the other party's powerful position, the Yang family took a step back for the benefit of the family. They still relied on the emperor and obtained the title after the world was settled. However, they were very self-aware and did not show their presence in front of the emperor to avoid thorns in the emperor's heart. Or maybe the queen took a fancy to the emperor and secretly forced the Yang family to put pressure on Yang's daughter to initiate a divorce. Yang's daughter may have noticed that her husband was half-hearted, so she left a letter in frustration, quietly ran away from home and lived in seclusion and gave birth to two daughters, creating the illusion of elopement. She no longer had any contact with the family and the capital, and even made up an identity. This is also the reason why the Yang family is so secretive and unwilling to take the initiative to recognize Yang Luo's mother and daughter, but they maintain a certain degree of contact with the queen. As for why Yang Luo was killed again when he got married in his previous life, according to Yang Luo's recollection, if nothing else happened, it should be the intention of the queen in the palace, because she did not want to see any reconciliation between Yang's mother and daughter, let alone let the emperor know about the situation of Yang's mother and daughter. The Anding family was afraid of the queen, so they did not dare to disobey. They could not be said to be both murderers and accomplices. Why did Miss Jiang, who was married to Zhu Shizi, die of illness in the previous life? It is unknown whether it was a conspiracy. However, after the death of his wife, Zhu Shizi took the initiative to approach Yang Luo and made a marriage contract with her. This should be the intention of the palace, and it should be part of the queen's plan. This is the general reason I guessed based on the current plot. If the guess is not wrong, it is probably like this. ~(˶╹ꇴ╹˶)~
The emperor's plan
I finally see clearly why the emperor disowns his daughter, because when the time comes, he will use this daughter to achieve his imperial hegemony without interference from his relatives, because he wants to maximize his interests and use this daughter whom he temporarily disowns to attack his relatives. In the last life, he deliberately sat back and watched others kill Yang Luo, and then waited for the death to be reported to him. He then asked people to investigate, and finally found out that she was the emperor's daughter. How could this be allowed? The emperor's daughter was killed. He had to investigate thoroughly, and he couldn't let it go unnoticed. Then he could justifiably eliminate all the people involved and clear all obstacles for his own path to the throne. In this way, he would not be afraid of being scolded by the history books as ungrateful and ungrateful. What a good calculation! In this life, I choose to be the same as in the last life, still put away my sharp claws, and be a cowardly emperor who seems to tolerate and respect the queen-in-law's family, but still show indifference to this daughter as a stranger, and continue to wait for the best opportunity to fight back. It's just that there are variables in this life, "the reborn Yang Luo" and "the female guard Mo Zheng". The appearance of this pair has disturbed the peace of the capital. The freedom is destined to be free, and it is destined that the ending of this life will be different from that of the previous life. Look at how two girls who protect each other and save each other use their lives to change their own destiny.
㊗️Congratulations on the ending💐💐💐👏🏻👏🏻👏🏻
First of all, congratulations on the completion. Spread the flowers🌸🌸🌸👏👏👏 This book is worthy of its name and well completed. Her guards are each other's guards, and the echoes from beginning to end are very relevant. It still uses a eloquent writing style that is like leisurely strolling, bringing heart-stirring stories of thrilling bloody battles with human nature. At this moment, people on paper have their own flesh and blood and souls. There is a faint and sweet warmth and strength between people. It is utilization and trust, letting go and perseverance, and the transmission and redemption of love. The writing theme is full of hope throughout. My personal feeling is that it is very healing. Whether it is Mo Zheng and Yang Luo, or Wei Jiao and Jiang Rui, they all have different levels of blood feud and life suffering, but they have all withstood the hardships of their growing environment and withstood the test. They survived in the cracks, lived out themselves, and had weaknesses. However, this also became their armor and confidence. Someone can support them and be worthy of their lives. Isn't it a kind of success and happiness?!