Porcelain Appraisal Mystery: Porcelain Shadows in the World

Thirty-three-year-old Lu Chenzhou opened a porcelain shadow pavilion in the city. On the opening day, collector Zhao Tianshi came to the door with three boxes of ancient porcelain. A high-imitation enamel bowl was smashed in public, and a Ding kiln plate with a bottom was found to be fake on the spot. There was no ancient porcelain in the third box, only an old yellowed photo - Guiguzi's large blue and white jar from down the mountain, which had disappeared for twenty years, reappeared. A fire broke out at the Yaochuan kiln site that had been covered in dust for twenty years, and the old debt left by the fathers came knocking on the door. Lu Chenzhou had no clairvoyant powers, no golden fingers from heaven, but his eyesight came from tens of thousands of scraps of porcelain being rubbed and polished day and night. Everyone thought that the difficulty in appraising porcelain was to distinguish the authenticity of the objects, but he gradually understood that the most difficult thing to appraise was always the obsession of people, the web of rumors, and the old wounds in the heart. When the overseas preview kicked off, the shocking scam of Lao Tie Xin Cai slowly unfolded. What top porcelain appraisers have to contend with is not only high imitation of ancient porcelain, but also the scars in their own hearts. Utensils can be distinguished between true and false, but people's minds cannot tell right from wrong.